Bard College at Simon's Rock
FALL 2010 Course Listing
as of October 20, 2010
 
Please click on a selection below to view the course guide.
 
First Year Students: please note that the column entitiled FY indicates whether or not a course is appropriate for first year students.
--- FY indicates that a course is appropriate for first year students.
--- WP indicates that a course requires either placement, prerequisites, or permission of the instructor. See the course description for details.
 
To view the book list for a course, click on the course title and then click View Book Information.
 
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View Courses that may be appropriate for first-year students with placement or prerequisites
 
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To view by subject area, please select from the list below:
African American Studies
Anthropology
Art History
Arts
B.A. Seminar
Biology
Chemistry
Computer Science
Dance
Economics
Environmental Studies
First Year Seminar
Foreign Languages - Arabic
Foreign Languages - Chinese
Foreign Languages - French
Foreign Languages - German
Foreign Languages - Latin
Foreign Languages - Spanish
History
Learning Resources
Linguistics
Literature
Mathematics
Music
Music: Community Music Program - Private Lessons
Philosophy
Physics
Psychology
Social Science
Sociology
Sophomore Seminar
Studio Arts
Theater
Womens Studies
 
 
 
 
 
All Courses By Time
FOCUS Report
Home
Please select from the list below:
Monday, Wednesday and/or Friday 9:00-09:55 am
9:00-10:25 am
10:00-10:55 am
10:00-12:55 pm
10:30-11:55 am
11:00-11:55 am
12:00- 1:25 pm
12:00-12:55 pm
12:15- 1:25 pm
1:00- 1:55 pm
1:30- 2:55 pm
2:00- 2:55 pm
2:00- 3:25 pm
2:00- 4:55 pm
3:00- 3:55 pm
3:30- 4:55 pm
3:30- 6:15 pm
5:00- 6:25 pm
6:00- 7:25 pm
6:00- 8:30 pm
7:00- 9:00 pm
7:30- 9:00 pm
Tuesday and/or Thursday 9:00-10:25 am
9:00-11:25 am
9:00-11:55 am
10:30-11:55 am
12:00- 1:25 pm
12:00-12:55 pm
1:30- 2:55 pm
2:00- 2:55 pm
2:00- 4:55 pm
3:00- 4:25 pm
3:00- 6:00 pm
4:30- 5:55 pm
5:00- 6:25 pm
5:30- 7:30 pm
6:00- 7:25 pm
6:00- 8:30 pm
7:30- 9:00 pm
7:30- 9:30 pm
 
 
 
 
 
All Courses
FOCUS Report
Home
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
 
B.A. Seminar Top
All Offerings
  BAS310 . Ad Infinitum: Controversy, Paradox, Perplexity, and the Idea of the InfiniteCLOSED 4 MW 1:30- 2:55 pm FSH-201 B Conolly   15 16  
and     P Shields        
  BAS352 . Fatal Progress: Fact & Fiction 4 TR 3:00- 4:25 pm CL1-04 H Holladay   15 11  
 
First Year Seminar Top
All Offerings
  FS100A . First-Year Seminar I: The Examined Life 4 MW 9:00-10:25 am CL1-03 A Taylor FY 14 11  
  FS100B . First-Year Seminar I: The Examined Life 4 MW 10:30-11:55 am CL1-03 J Browdy de Hernandez FY 14 12  
  FS100C . First-Year Seminar I: The Examined LifeCLOSED 4 MW 12:00- 1:25 pm CL3-10 C Callanan FY 14 14  
  FS100D . First-Year Seminar I: The Examined Life 4 MW 12:00- 1:25 pm CL3-12 R Fiske FY 14 13  
  FS100E . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL1-02 P Filkins FY 14 13  
  FS100F . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL3-10 B Rodgers FY 14 12  
  FS100G . First-Year Seminar I: The Examined LifeCLOSED 4 MW 12:00- 1:25 pm DAC-023 A Taylor FY 14 14  
  FS100H . First-Year Seminar I: The Examined LifeCLOSED 4 TR 9:00-10:25 am DAC-023 B Conolly FY 14 15  
  FS100I . First-Year Seminar I: The Examined LifeCLOSED 4 TR 10:30-11:55 am CL1-02 J Hutchinson FY 14 14  
  FS100J . First-Year Seminar I: The Examined LifeCLOSED 4 TR 10:30-11:55 am CL3-11 B Mathews FY 14 14  
  FS100K . First-Year Seminar I: The Examined LifeCLOSED 4 TR 1:30- 2:55 pm CL3-13 C van Kerckvoorde FY 14 14  
 
Sophomore Seminar Top
All Offerings
  SS251A . Sophomore Seminar: Voices Against the ChorusCLOSED 4 MW 9:00-10:25 am CL3-12 R Fiske   14 15  
  SS251B . Sophomore Seminar: Voices Against the ChorusCLOSED 4 MWF 10:00-10:55 am CL3-14 C Coggins   14 16  
  SS251C . Sophomore Seminar: Voices Against the ChorusCLOSED 4 MW 12:00- 1:25 pm CL1-02 N Yanoshak   14 16  
  SS251D . Sophomore Seminar: Voices Against the Chorus 4 MW 1:30- 2:55 pm CL1-03 J Browdy de Hernandez   14 9  
  SS251E . Sophomore Seminar: Voices Against the Chorus 4 MW 1:30- 2:55 pm CL1-04 M Wong   14 11  
  SS251F . Sophomore Seminar: Voices Against the ChorusCLOSED 4 TR 9:00-10:25 am CL3-12 M Tebben   14 16  
  SS251G . Sophomore Seminar: Voices Against the Chorus 4 TR 12:00- 1:25 pm CL3-14 B Rodgers   14 13  
  SS251H . Sophomore Seminar: Voices Against the Chorus 4 TR 12:00- 1:25 pm CL1-02 K Boswell   14 12  
  SS251I . Sophomore Seminar: Voices Against the Chorus 4 TR 1:30- 2:55 pm CL1-04 H Holladay   14 12  
  SS251J . Sophomore Seminar: Voices Against the Chorus 4 TR 3:00- 4:25 pm DAC-023 L Wallach   14 11  
 
African American Studies Top
All Offerings
  AFAM100 NEW CP Introduction to African American StudiesCLOSED 3 TR 3:00- 4:25 pm CL3-11 F Oyogoa FY 15 15  
 
Anthropology Top
All Offerings
  ANTH100 . CP Introduction to Anthropology 3 TR 3:00- 4:25 pm CL1-03 K Boswell FY 18 16  
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20 12  
  LING216M2 . Language & PowerCLOSED 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 22 2
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 17  
 
Art History Top
All Offerings
  ARTH100 . Visual Art & Writing 3 TR 10:30-11:55 am DAC-125 J DelPlato FY 15 10  
  ARTH222 . Clothing in Art 3 MW 12:00- 1:25 pm DAC-125 J DelPlato WP 15 7  
  ARTH310 . Victorian Art & Poetry 4 T 6:00- 8:30 pm DAC-125 J DelPlato WP 15 9  
 
Arts Top
All Offerings
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  ARTS212 . Imagining the Self: Autobiography and Biography in Creative ExpressionCLOSED 3 MW 1:30- 2:55 pm DAC-108 W Shifrin FY 15 17  
 
Biology Top
All Offerings
  BIO100 . Introduction to the Life Sciences 4 MWF 9:00-09:55 am FSH-102 R Schmidt FY 30 22  
  BIO100LA . Introduction to Life Sciences Lab   T 9:00-11:55 am FSH-202 S Mechanic-Meyers FY 16 10  
  BIO100LB . Introduction to Life Sciences Lab   T 2:00- 4:55 pm FSH-202 S Mechanic-Meyers FY 16 12  
  BIO202 . Genetics 4 R 9:00-11:25 am FSH-202 I Bao   15 14  
and TR 1:30- 2:55 pm FSH-201          
  BIO203 . Invertebrate Zoology 4 MWF 10:00-10:55 am FSH-211 R Schmidt WP 15 8  
and T 2:00- 4:55 pm FSH-211   WP      
  BIO210 . Molecular Techniques 3 WF 12:00- 1:25 pm FSH-202 S Mechanic-Meyers   12 8  
  BIO310 . Evolution 4 MWF 2:00- 2:55 pm FSH-211 R Schmidt   15 10  
  BIO318M2 . Topics in Modern Biology: 20th C Foundations to 21st C Research 2 W 6:00- 8:30 pm FSH-211     15 12  
 
Chemistry Top
All Offerings
  CHEM100A NEW Chemistry ICLOSED 4 TR 9:00-10:25 am FSH-102 P Dooley WP 20 20  
  CHEM100B NEW Chemistry I 4 TR 10:30-11:55 am FSH-102 P Dooley WP 20 15  
  CHEM100C NEW Chemistry I 4 MW 2:00- 3:25 pm FSH-102 P Dooley WP 20 18  
  CHEM100LA NEW Chemistry I Lab   T 2:00- 4:55 pm FSH-128 D Myers WP 12 7  
  CHEM100LB NEW Chemistry I Lab   R 2:00- 4:55 pm FSH-128 D Myers WP 12 7  
  CHEM100LC NEW Chemistry I Lab   F 2:00- 4:55 pm FSH-128 D Myers WP 12 10  
  CHEM100LD NEW Chemistry I Lab   T 6:00- 8:30 pm FSH-128 E Dongala WP 12 11  
  CHEM100LE NEW Chemistry I LabCLOSED   R 6:00- 8:30 pm FSH-128 E Dongala WP 12 12  
  CHEM102 . Chemistry in Context 4 R 9:00-11:25 am FSH-128 E Dongala FY 15 4  
and MWF 2:00- 2:55 pm FSH-131   FY      
  CHEM302 . Organic Chemistry I 4 T 9:00-11:55 am FSH-128 D Myers   12 9  
and MW 9:00-10:25 am FSH-201          
 
Computer Science Top
All Offerings
  CMPT240 . Introduction to Robotics 3 MW 2:00- 3:25 pm FSH-113 M Bergman WP 10 8  
  CMPT242 . Computer Science 1 3 TR 1:30- 2:55 pm FSH-112 P Shields FY 15 13  
  CMPT250 . Computer Organization 3 TR 3:00- 4:25 pm FSH-112 P Shields WP 15 8  
 
Dance Top
All Offerings
  DANC101 . Beginning Modern Dance Technique 3 TR 1:30- 2:55 pm DAC-108 W Shifrin FY 12 9  
  DANC201 . Intermediate Modern Dance TechniqueCLOSED 3 TR 1:30- 2:55 pm DAC-108 W Shifrin FY 3 6  
  DANC114 . Ballet I 2 MW 10:30-11:55 am DAC-108 R Aver Thung FY 8 7  
  DANC214 . Intermediate Ballet I 2 MW 10:30-11:55 am DAC-108 R Aver Thung FY 7    
  DANC119 . Chinese SwordCLOSED 2 TR 10:30-11:55 am DAC-108 R Aver Thung FY 15 15  
  DANC126 NEW Flamenco Dance 2 MF 12:00- 1:25 pm DAC-116 K Garcia-Renart FY 15 5  
  DANC211 . Topics in Dance: Relationships between Dance and Creative Writing 3 TR 3:00- 4:25 pm DAC-108 W Shifrin FY 15 12  
 
Economics Top
All Offerings
  ECON100 . MicroeconomicsCLOSED 3 MW 9:00-10:25 am CL1-04 R Kanth FY 15 15  
  ECON101 . MacroeconomicsCLOSED 3 MW 10:30-11:55 am CL1-04 R Kanth FY 15 16  
  ECON209 . Intermediate Political Economy 3 MW 6:00- 7:25 pm CL1-03 R Kanth   15 13  
  ECON226 NEW Economics of Post-reform China 3 TR 9:00-10:25 am CL1-03 D Neilson   15 8  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
 
Environmental Studies Top
All Offerings
  ENVS100 . Introduction to Environmental StudiesCLOSED 4 MWF 9:00-09:55 am FSH-211 T Coote FY 15 15  
and R 2:00- 4:55 pm FSH-211   FY      
  ENVS308 . Limnology 4 F 10:00-12:55 pm FSH-131 T Coote   15 3  
and MW 10:30-11:55 am FSH-131          
 
Foreign Languages - Arabic Top
All Offerings
  ARAB100 . Accelerated Beginning Arabic I 4 TR 9:00-10:25 am CL3-14 G Asfar FY 15 9  
and MW 1:30- 2:55 pm CL3-14   FY      
  ARAB205M1 . Intermediate Arabic I 2 TR 10:30-11:55 am CL3-14 G Asfar   15 5  
 
Foreign Languages - Chinese Top
All Offerings
  CHIN100 . Accelerated Beginning Chinese I 4 MWF 2:00- 2:55 pm CL3-09 J Weinstein FY 20 18  
  CHIN100LA . Accelerated Beginning Chinese I Lab   TR 2:00- 2:55 pm CL3-10 P Xie FY 12 11  
  CHIN100LB . Accelerated Beginning Chinese I Lab   TR 12:00-12:55 pm CL3-10 P Xie FY 12 7  
  CHIN204 . Intermediate Chinese I 3 W 3:00- 3:55 pm CL3-09 J Weinstein WP 15 5  
and TR 4:30- 5:55 pm CL3-09   WP      
  CHIN300 . Advanced Chinese 4 TR 10:30-11:55 am CL3-12 P Xie WP 15 4  
 
Foreign Languages - French Top
All Offerings
  FREN100 . Accelerated Beginning French ICLOSED 4 MW 9:00-09:55 am LEC-LC M Tebben FY 20 23  
and   LEC-LC   FY      
and TR 10:30-11:55 am CL1-01   FY      
  FREN204 . Intermediate French I 3 MW 12:00- 1:25 pm CL3-14 G Asfar WP 15 12  
  FREN208M2 NEW Songs in French 2 TR 10:30-11:55 am CL3-14 G Asfar WP 15 6  
  FREN217 . Paris on the Page 3 MW 12:00- 1:25 pm CL3-11 M Tebben WP 15 7  
 
Foreign Languages - German Top
All Offerings
  GERM100 . Accelerated Beginning German I 4 MTWR 12:15- 1:25 pm CL3-13 C van Kerckvoorde FY 20 12  
  GERM204 . Intermediate German I 3 MW 1:30- 2:55 pm CL3-13 C van Kerckvoorde WP 15 7  
 
Foreign Languages - Latin Top
All Offerings
  LATN100 . Accelerated Beginning Latin I 4 TR 10:30-11:55 am CL3-09 C Callanan FY 20 17  
and MW 11:00-11:55 am CL3-09   FY      
  LATN204 . CP Intermediate Latin I: Roman Civilization and Vergil 3 TR 3:00- 4:25 pm CL3-09 C Callanan WP 20 11  
 
Foreign Languages - Spanish Top
All Offerings
  SPAN100A . Accelerated Beginning Spanish I 4 TR 9:00-10:25 am CL3-13 G Morales-Gotsch FY 16 6  
and MW 10:00-10:55 am CL3-13   FY      
  SPAN100B . Accelerated Beginning Spanish I 4 TR 10:30-11:55 am CL3-13 G Morales-Gotsch FY 16 13  
and MW 11:00-11:55 am CL3-13   FY      
  SPAN101 . Accelerated Beginning Spanish II 4 TR 9:00-10:25 am CL3-09 M Roe WP 15 13  
and MW 10:00-10:55 am CL3-09   WP      
  SPAN204 . Intermediate Spanish I 3 TR 9:00-10:25 am FSH-112 M Wong WP 20 8  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  SPAN204 . Intermediate Spanish I 3 and   FSH-201   WP      
  SPAN205 . Intermediate Spanish II 3 TR 12:00- 1:25 pm CL1-03 M Roe WP 15 13  
  SPAN214 . CP Latin America Today (Span) 3 MW 6:00- 7:25 pm CL1-04 M Wong WP 20 8  
  SPAN313 . CP 20th-Century Latin American Novel (in Spanish) 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 7 1  
 
History Top
All Offerings
  HIST227 NEW Manifesting Destinies: The United States of America to 1877CLOSED 3 TR 12:00- 1:25 pm CL1-04 M Alvarez FY 15 15  
  HIST229 NEW CP Chicanas/Chicanos in the United States: A National History 3 TR 4:30- 5:55 pm CL1-04 M Alvarez FY 15 5  
 
Learning Resources Top
All Offerings
  LR201M1 . The Art of Tutoring Writing 1 R 5:30- 7:30 pm CL1-02 N Bonvillain   20 17  
 
Linguistics Top
All Offerings
  LING100 . Introduction to Linguistics 3 MWF 1:00- 1:55 pm CL3-09 N Bonvillain FY 15 11  
  LING216M2 . Language & PowerCLOSED 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 22 2
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 17  
 
Literature Top
All Offerings
  LIT100 . Guest Writers 2 TR 5:00- 6:25 pm CL3-13 B Mathews FY 20 19  
  LIT151 . Modes of Making 3 MW 10:30-11:55 am DAC-023 P Filkins FY 12 11  
  LIT203 . Art of Fiction: The Novel 3 TR 1:30- 2:55 pm CL1-03 B Mathews FY 15 12  
  LIT206 . Art of Film 3 T 3:00- 6:00 pm DAC-001 L Burke FY 15 11  
and   DAC-128   FY      
and R 3:00- 4:25 pm DAC-128   FY      
  LIT222 . Shakespeare 3 TR 10:30-11:55 am CL1-04 H Holladay FY 15 11  
  LIT231 . American Drama: Moderns and Contemporaries 3 TR 3:00- 4:25 pm CL3-12 B Rodgers   15 7  
  LIT264 . CP Nature & Literature 3 TR 3:00- 4:25 pm CL1-02 J Hutchinson FY 15 14  
  LIT287 . The Personal Essay 3 WF 12:00- 1:25 pm CL1-04 J Hutchinson WP 10 9  
  LIT387 . The Personal EssayCLOSED 4 WF 12:00- 1:25 pm CL1-04 J Hutchinson   2 2  
  LIT296 NEW Creative Writing Drama 3 TR 4:30- 5:55 pm CL1-03 W Brown WP 15 9  
  LIT321 . Literary Theory 4 TR 12:00- 1:25 pm CL3-12 R Fiske   15 14  
  LIT363 NEW CP 20th-Century Latin American Novel in Translation 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 8 5  
  WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 18  
  WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 19  
 
Mathematics Top
All Offerings
  MATH101 . Math & Its Applications 3 MWF 12:00-12:55 pm FSH-201 J Rizzuti WP 20 10  
  MATH101LA . Mathematics and Its Applications Lab   F 11:00-11:55 am FSH-112 J Rizzuti WP 12    
  MATH101LB . Mathematics and Its Applications Lab   F 12:00-12:55 pm FSH-112 J Rizzuti WP 12 10  
  MATH109A . Elementary FunctionsCLOSED 3 MWF 10:00-10:55 am FSH-102 J Rizzuti WP 25 25  
  MATH109B . Elementary Functions 3 MWF 12:00-12:55 pm FSH-102 R Snyder WP 20 12  
  MATH110 . Introduction to Statistics 3 MWF 1:00- 1:55 pm FSH-102 R Snyder WP 20 12  
  MATH110LA . Introduction to Statistics Lab   F 1:00- 1:55 pm FSH-112 R Snyder WP 12 4  
  MATH110LB . Introduction to Statistics Lab   F 2:00- 2:55 pm FSH-112 R Snyder WP 12 8  
  MATH210A . Calculus I 3 MWF 10:00-10:55 am CL1-01 B Wynne WP 20 19  
  MATH210B . Calculus ICLOSED 3 MWF 2:00- 2:55 pm CL1-01 B Wynne WP 20 23  
  MATH210C . Calculus I 3 MWF 9:00-09:55 am CL3-10 M Goldstein WP 20 8  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  MATH211 . Calculus II 3 MWF 9:00-09:55 am CL1-02 W Dunbar WP 15 8  
  MATH220 . Linear Algebra 3 MWF 9:00-09:55 am CL1-01 B Wynne WP 20 16  
and   FSH-112   WP      
  MATH320 . Modern Algebra I 4 MWF 12:00-12:55 pm CL1-01 W Dunbar   15 8  
 
Music Top
All Offerings
  MUS117 . Chorus 1 W 7:00- 9:00 pm KLG J Brown FY 30 28  
  MUS206 . Theory I: Introduction to Tonal Harmony 3 MWF 10:00-10:55 am DAC-128 L Wallach FY 15 11  
  MUS211 . Introduction to Electronic Music 3 WF 5:00- 6:25 pm DAC-135 C Davis FY 12 9  
  MUS213 NEW CP Music of India 3 TR 10:30-11:55 am DAC-115 J Myers FY 12 7  
  MUS313 . CP Music of IndiaCLOSED 4 TR 10:30-11:55 am DAC-115 J Myers   3 3  
  MUS216 . Music of the Romantic Era 3 TR 12:00- 1:25 pm KLG-B L Wallach FY 15 11  
  MUS219 . Jazz Improvization Workshop I 3 TR 1:30- 2:55 pm KLG J Myers FY 11 3  
and   KLG-B   FY      
  MUS319 . Jazz Improvisation Workshop II 4 TR 1:30- 2:55 pm KLG J Myers   4 2  
and   KLG-B          
  MUS222 . Jazz Ensemble 1 T 7:30- 9:30 pm KLG J Myers FY 50 22  
and   KLG-B   FY      
  MUS278 . Collegium 1 M 7:30- 9:00 pm KLG L Bardo FY 12 10  
  MUS280 . Madrigal Group 1 M 3:30- 4:55 pm KLG J Brown FY 15 9  
  MUS289 . Chamber Orchestra 1 R 7:30- 9:00 pm KLG A Legene FY 30 15  
  MUS308 . Theory III: Modal and Tonal Counterpoint (16th and 17th Centuries) 4 MWF 1:00- 1:55 pm DAC-128 J Myers WP 15 7  
and   DAC-135   WP      
 
Music: Community Music Program - Private Lessons Top
All Offerings
  MUS180P . Applied Music: Trombone 1   TBD - S Mower FY 20    
  MUS181P . Applied Music: Bassoon 1   TBD - S Mower FY 20    
  MUS183P . Applied Music: Harp 1   TBD - S Mower FY 20 2  
  MUS184P . Applied Music: Gamba 1   TBD - S Mower FY 20 2  
  MUS185P . Applied Music: Saxophone 1   TBD - S Mower FY 20 2  
  MUS187P . Applied Music: Clarinet 1   TBD - S Mower FY 20    
  MUS188P . Applied Music:Trumpet 1   TBD - S Mower FY 20 1  
  MUS190P . Applied Music: Piano 1   TBD - S Mower FY 20 13  
  MUS191P . Applied Music: VoiceCLOSED 1   TBD - S Mower FY 20 22  
  MUS192P . Applied Music: Flute 1   TBD - S Mower FY 20 1  
  MUS193P . Applied Music: Guitar 1   TBD - S Mower FY 20 8  
  MUS195P . Applied Music: Cello 1   TBD - S Mower FY 20 2  
  MUS196P . Applied Music: Percussion 1   TBD - S Mower FY 20 3  
  MUS198P . Applied Music: Bass 1   TBD - S Mower FY 20    
  MUS199P . Applied Music: Violin/Viola 1   TBD - S Mower FY 20 4  
 
Philosophy Top
All Offerings
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20 12  
  BAS310 . Ad Infinitum: Controversy, Paradox, Perplexity, and the Idea of the InfiniteCLOSED 4 MW 1:30- 2:55 pm FSH-201 B Conolly   15 16  
and     P Shields        
  PHIL225 . Phenomenology & Existentialism 3 MW 10:30-11:55 am CL3-12 B Conolly   15 13  
 
Physics Top
All Offerings
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  PHYS100A . Physics ICLOSED 4 MWF 11:00-11:55 am FSH-113 E Kramer WP 18 20  
  PHYS100B . Physics I 4 MWF 1:00- 1:55 pm FSH-113 E Kramer WP 18 12  
  PHYS100LA . Physics I LabCLOSED   T 2:00- 4:55 pm FSH-113 E Kramer WP 15 18  
  PHYS100LB . Physics I Lab   F 2:00- 4:55 pm FSH-113 E Kramer WP 15 13  
  PHYS220 . Introduction to Quantum Physics 3 MWF 11:00-11:55 am FSH-201 M Bergman WP 20 8  
  PHYS230 . Modern Physics Laboratory 1 R 2:00- 4:55 pm FSH-113 M Bergman WP 12 6  
  PHYS304 . Electricity & Magnetism 4 MWF 10:00-10:55 am FSH-113 M Bergman   20 7  
 
Psychology Top
All Offerings
  PSYC100 . Introduction to Psychology 3 MW 10:30-11:55 am CL3-11 E Pruitt FY 18 15  
  PSYC202 . Child Development 3 TR 6:00- 7:25 pm CL1-04 M Carter   15 9  
  PSYC203 . Social Psychology 3 MW 1:30- 2:55 pm CL3-11 E Pruitt WP 15 6  
  PSYC221 NEW Stereotyping and Prejudice 3 TR 1:30- 2:55 pm CL3-11 E Pruitt   8 3  
  PSYC321 NEW Stereotyping and PrejudiceCLOSED 4 TR 1:30- 2:55 pm CL3-11 E Pruitt   7 7  
 
Social Science Top
All Offerings
  SOCS320 NEW Junior Proseminar: Possession: Spatialities, Identities, OwnershipCLOSED 4 M 3:30- 6:15 pm DAC-128 K Boswell   12 13  
and     C Coggins        
 
Sociology Top
All Offerings
  SOC100 NEW Introduction to Sociology 3 TR 12:00- 1:25 pm CL3-11 F Oyogoa FY 15 14  
 
Studio Arts Top
All Offerings
  SART102A . Photography 3 MW 9:00-10:25 am DAC-025 A Hillman FY 15 14  
  SART102B . Photography 3 WF 12:00- 1:25 pm DAC-025 L Tyler FY 15 2  
  SART106A . Introduction to Ceramics 3 MW 1:30- 2:55 pm DAC-072 B Krupka FY 12 9  
and   DAC-140   FY      
  SART106B . Introduction to Ceramics 3 TR 12:00- 1:25 pm DAC-072 B Krupka FY 12 10  
and   DAC-140   FY      
S1 SART108M2 . The Art of Assemblage 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 12 7  
and   DAC-125   FY      
  SART124 . Graphic Design 3 MW 12:00- 1:25 pm DAC-028 A Hillman FY 13 11  
and   DAC-139   FY      
  SART222 . Graphic DesignCLOSED 3 MW 12:00- 1:25 pm DAC-028 A Hillman   2 2  
and   DAC-139          
S1 SART136M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 10 5  
and   DAC-125   FY      
S1 SART236M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson WP 2 1  
and   DAC-125   WP      
  SART202 . Drawing from Direct Observation 3 MW 10:30-11:55 am DAC-024 W Jackson WP 13 8  
and   DAC-125   WP      
  SART372 . Drawing from Direct ObservationCLOSED 4 MW 10:30-11:55 am DAC-024 W Jackson   2 2  
and   DAC-125          
  SART207 . Intermediate Wheel ThrowingCLOSED 3 MW 6:00- 7:25 pm DAC-072 B Krupka   6 9  
and   DAC-140          
  SART368 . Advanced Ceramic Studio 4 MW 6:00- 7:25 pm DAC-072 B Krupka   6 5  
and   DAC-140          
  SART224 . Experiments in Photography 3 TR 9:00-10:25 am DAC-025 A Hillman   15 10  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  SART224 . Experiments in Photography 3 and   DAC-139          
  SART374 . Experiments in Photography 4 TR 9:00-10:25 am DAC-025 A Hillman   5 4  
and   DAC-139          
  SART226 . Electronic Arts Studio Video Production 3 F 2:00- 4:55 pm DAC-120 L Burke FY 15 9  
and   DAC-128   FY      
  SART237 . Illustration Studio 3 MW 9:00-10:25 am DAC-024 W Jackson WP 11 7  
and   DAC-125   WP      
  SART337 . Illustration Studio 4 MW 9:00-10:25 am DAC-024 W Jackson WP 2 1  
and   DAC-125   WP      
  SART437 . Illustration Studio 4 MW 9:00-10:25 am DAC-024 W Jackson WP 2    
and   DAC-125   WP      
  SART312 . Beyond 35mm PhotographyCLOSED 4 F 2:00- 4:55 pm DAC-025 L Tyler   10 10  
  SART412 NEW Beyond 35mm Photography 4 F 2:00- 4:55 pm DAC-025 L Tyler   2    
 
Theater Top
All Offerings
  THEA100 . Improvisation and ImaginationCLOSED 3 TR 12:00- 1:25 pm DAC-002 K Beaumont FY 12 13  
  THEA107M2 . Studies in Production: Performance 2 F 2:00- 4:55 pm DAC-002   FY 12 11  
and   DAC-108   FY      
DAC-116   FY      
  THEA108M1 . Costume and Prop Design and Execution 2 R 2:00- 4:55 pm DAC-018 G Veale FY 12 5  
and   DAC-115   FY      
  THEA115M1 . StagecraftCLOSED 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12 13  
and   DAC-023   FY      
  THEA201 . Listening, Analysis & Characterization 3 MW 12:00- 1:25 pm DAC-002 K Beaumont WP 12 8  
and   DAC-115   WP      
  THEA206 . Theater Production 3 R 2:00- 4:55 pm DAC-002 K Beaumont   4 3  
and     B Sims        
  THEA306 . Theater Production 4 R 2:00- 4:55 pm DAC-002 K Beaumont   4 3  
and     B Sims        
  THEA406 . Theater Production 4 R 2:00- 4:55 pm DAC-002 K Beaumont   4 1  
and     B Sims        
  THEA216M2 . Theater Practicum 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12 10  
and   DAC-023   FY      
  THEA303 . Advanced Acting Studio 4 T 2:00- 4:55 pm DAC-002 K Beaumont   6 2  
and   DAC-115          
  THEA403 . Advanced Acting Studio 4 T 2:00- 4:55 pm DAC-002 K Beaumont   6 3  
and   DAC-115          
 
Womens Studies Top
All Offerings
  WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 18  
  WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 19  
FOCUS Report
Home
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
 
Cultural Perspectives Top
All Offerings
  AFAM100 NEW CP Introduction to African American StudiesCLOSED 3 TR 3:00- 4:25 pm CL3-11 F Oyogoa FY 15 15  
  ANTH100 . CP Introduction to Anthropology 3 TR 3:00- 4:25 pm CL1-03 K Boswell FY 18 16  
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20 12  
  HIST229 NEW CP Chicanas/Chicanos in the United States: A National History 3 TR 4:30- 5:55 pm CL1-04 M Alvarez FY 15 5  
  LATN204 . CP Intermediate Latin I: Roman Civilization and Vergil 3 TR 3:00- 4:25 pm CL3-09 C Callanan WP 20 11  
  LIT264 . CP Nature & Literature 3 TR 3:00- 4:25 pm CL1-02 J Hutchinson FY 15 14  
  LIT363 NEW CP 20th-Century Latin American Novel in Translation 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 8 5  
  MUS213 NEW CP Music of India 3 TR 10:30-11:55 am DAC-115 J Myers FY 12 7  
  MUS313 . CP Music of IndiaCLOSED 4 TR 10:30-11:55 am DAC-115 J Myers   3 3  
  SPAN214 . CP Latin America Today (Span) 3 MW 6:00- 7:25 pm CL1-04 M Wong WP 20 8  
  SPAN313 . CP 20th-Century Latin American Novel (in Spanish) 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 7 1  
  WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 18  
  WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 19  
 
 
 
 
 
FOCUS Report
Home
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
 
Modular Courses Top
All Offerings
  ARAB205M1 . Intermediate Arabic I 2 TR 10:30-11:55 am CL3-14 G Asfar   15 5  
  BIO318M2 . Topics in Modern Biology: 20th C Foundations to 21st C Research 2 W 6:00- 8:30 pm FSH-211     15 12  
  FREN208M2 NEW Songs in French 2 TR 10:30-11:55 am CL3-14 G Asfar WP 15 6  
  LING216M2 . Language & PowerCLOSED 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 22 2
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 17  
  LR201M1 . The Art of Tutoring Writing 1 R 5:30- 7:30 pm CL1-02 N Bonvillain   20 17  
S1 SART108M2 . The Art of Assemblage 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 12 7  
and   DAC-125   FY      
S1 SART136M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 10 5  
and   DAC-125   FY      
S1 SART236M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson WP 2 1  
and   DAC-125   WP      
  THEA107M2 . Studies in Production: Performance 2 F 2:00- 4:55 pm DAC-002   FY 12 11  
and   DAC-108   FY      
DAC-116   FY      
  THEA108M1 . Costume and Prop Design and Execution 2 R 2:00- 4:55 pm DAC-018 G Veale FY 12 5  
and   DAC-115   FY      
  THEA115M1 . StagecraftCLOSED 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12 13  
and   DAC-023   FY      
  THEA216M2 . Theater Practicum 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12 10  
and   DAC-023   FY      
  WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 18  
  WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 19  
 
 
 
 
 
Courses appropriate for first-year students
Home FOCUS Report
 
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
 
First Year Seminar Top
Courses appropriate for First Year students without special preparation
  FS100A . First-Year Seminar I: The Examined Life 4 MW 9:00-10:25 am CL1-03 A Taylor FY 14 11  
  FS100B . First-Year Seminar I: The Examined Life 4 MW 10:30-11:55 am CL1-03 J Browdy de Hernandez FY 14 12  
  FS100C . First-Year Seminar I: The Examined LifeCLOSED 4 MW 12:00- 1:25 pm CL3-10 C Callanan FY 14 14  
  FS100D . First-Year Seminar I: The Examined Life 4 MW 12:00- 1:25 pm CL3-12 R Fiske FY 14 13  
  FS100E . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL1-02 P Filkins FY 14 13  
  FS100F . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL3-10 B Rodgers FY 14 12  
  FS100G . First-Year Seminar I: The Examined LifeCLOSED 4 MW 12:00- 1:25 pm DAC-023 A Taylor FY 14 14  
  FS100H . First-Year Seminar I: The Examined LifeCLOSED 4 TR 9:00-10:25 am DAC-023 B Conolly FY 14 15  
  FS100I . First-Year Seminar I: The Examined LifeCLOSED 4 TR 10:30-11:55 am CL1-02 J Hutchinson FY 14 14  
  FS100J . First-Year Seminar I: The Examined LifeCLOSED 4 TR 10:30-11:55 am CL3-11 B Mathews FY 14 14  
  FS100K . First-Year Seminar I: The Examined LifeCLOSED 4 TR 1:30- 2:55 pm CL3-13 C van Kerckvoorde FY 14 14  
 
African American Studies Top
Courses appropriate for First Year students without special preparation
  AFAM100 NEW CP Introduction to African American StudiesCLOSED 3 TR 3:00- 4:25 pm CL3-11 F Oyogoa FY 15 15  
 
Anthropology Top
Courses appropriate for First Year students without special preparation
  ANTH100 . CP Introduction to Anthropology 3 TR 3:00- 4:25 pm CL1-03 K Boswell FY 18 16  
 
Art History Top
Courses appropriate for First Year students without special preparation
  ARTH100 . Visual Art & Writing 3 TR 10:30-11:55 am DAC-125 J DelPlato FY 15 10  
 
Arts Top
Courses appropriate for First Year students without special preparation
  ARTS212 . Imagining the Self: Autobiography and Biography in Creative ExpressionCLOSED 3 MW 1:30- 2:55 pm DAC-108 W Shifrin FY 15 17  
 
Biology Top
Courses appropriate for First Year students without special preparation
  BIO100 . Introduction to the Life Sciences 4 MWF 9:00-09:55 am FSH-102 R Schmidt FY 30 22  
  BIO100LA . Introduction to Life Sciences Lab   T 9:00-11:55 am FSH-202 S Mechanic-Meyers FY 16 10  
  BIO100LB . Introduction to Life Sciences Lab   T 2:00- 4:55 pm FSH-202 S Mechanic-Meyers FY 16 12  
 
Chemistry Top
Courses appropriate for First Year students without special preparation
  CHEM102 . Chemistry in Context 4 R 9:00-11:25 am FSH-128 E Dongala FY 15 4  
and MWF 2:00- 2:55 pm FSH-131   FY      
 
Computer Science Top
Courses appropriate for First Year students without special preparation
  CMPT242 . Computer Science 1 3 TR 1:30- 2:55 pm FSH-112 P Shields FY 15 13  
 
Dance Top
Courses appropriate for First Year students without special preparation
  DANC101 . Beginning Modern Dance Technique 3 TR 1:30- 2:55 pm DAC-108 W Shifrin FY 12 9  
  DANC201 . Intermediate Modern Dance TechniqueCLOSED 3 TR 1:30- 2:55 pm DAC-108 W Shifrin FY 3 6  
  DANC114 . Ballet I 2 MW 10:30-11:55 am DAC-108 R Aver Thung FY 8 7  
  DANC214 . Intermediate Ballet I 2 MW 10:30-11:55 am DAC-108 R Aver Thung FY 7    
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  DANC119 . Chinese SwordCLOSED 2 TR 10:30-11:55 am DAC-108 R Aver Thung FY 15 15  
  DANC126 NEW Flamenco Dance 2 MF 12:00- 1:25 pm DAC-116 K Garcia-Renart FY 15 5  
  DANC211 . Topics in Dance: Relationships between Dance and Creative Writing 3 TR 3:00- 4:25 pm DAC-108 W Shifrin FY 15 12  
 
Economics Top
Courses appropriate for First Year students without special preparation
  ECON100 . MicroeconomicsCLOSED 3 MW 9:00-10:25 am CL1-04 R Kanth FY 15 15  
  ECON101 . MacroeconomicsCLOSED 3 MW 10:30-11:55 am CL1-04 R Kanth FY 15 16  
 
Environmental Studies Top
Courses appropriate for First Year students without special preparation
  ENVS100 . Introduction to Environmental StudiesCLOSED 4 MWF 9:00-09:55 am FSH-211 T Coote FY 15 15  
and R 2:00- 4:55 pm FSH-211   FY      
 
Foreign Languages - Arabic Top
Courses appropriate for First Year students without special preparation
  ARAB100 . Accelerated Beginning Arabic I 4 TR 9:00-10:25 am CL3-14 G Asfar FY 15 9  
and MW 1:30- 2:55 pm CL3-14   FY      
 
Foreign Languages - Chinese Top
Courses appropriate for First Year students without special preparation
  CHIN100 . Accelerated Beginning Chinese I 4 MWF 2:00- 2:55 pm CL3-09 J Weinstein FY 20 18  
  CHIN100LA . Accelerated Beginning Chinese I Lab   TR 2:00- 2:55 pm CL3-10 P Xie FY 12 11  
  CHIN100LB . Accelerated Beginning Chinese I Lab   TR 12:00-12:55 pm CL3-10 P Xie FY 12 7  
 
Foreign Languages - French Top
Courses appropriate for First Year students without special preparation
  FREN100 . Accelerated Beginning French ICLOSED 4 MW 9:00-09:55 am LEC-LC M Tebben FY 20 23  
and   LEC-LC   FY      
and TR 10:30-11:55 am CL1-01   FY      
 
Foreign Languages - German Top
Courses appropriate for First Year students without special preparation
  GERM100 . Accelerated Beginning German I 4 MTWR 12:15- 1:25 pm CL3-13 C van Kerckvoorde FY 20 12  
 
Foreign Languages - Latin Top
Courses appropriate for First Year students without special preparation
  LATN100 . Accelerated Beginning Latin I 4 TR 10:30-11:55 am CL3-09 C Callanan FY 20 17  
and MW 11:00-11:55 am CL3-09   FY      
 
Foreign Languages - Spanish Top
Courses appropriate for First Year students without special preparation
  SPAN100A . Accelerated Beginning Spanish I 4 TR 9:00-10:25 am CL3-13 G Morales-Gotsch FY 16 6  
and MW 10:00-10:55 am CL3-13   FY      
  SPAN100B . Accelerated Beginning Spanish I 4 TR 10:30-11:55 am CL3-13 G Morales-Gotsch FY 16 13  
and MW 11:00-11:55 am CL3-13   FY      
 
History Top
Courses appropriate for First Year students without special preparation
  HIST227 NEW Manifesting Destinies: The United States of America to 1877CLOSED 3 TR 12:00- 1:25 pm CL1-04 M Alvarez FY 15 15  
  HIST229 NEW CP Chicanas/Chicanos in the United States: A National History 3 TR 4:30- 5:55 pm CL1-04 M Alvarez FY 15 5  
 
Linguistics Top
Courses appropriate for First Year students without special preparation
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  LING100 . Introduction to Linguistics 3 MWF 1:00- 1:55 pm CL3-09 N Bonvillain FY 15 11  
 
Literature Top
Courses appropriate for First Year students without special preparation
  LIT100 . Guest Writers 2 TR 5:00- 6:25 pm CL3-13 B Mathews FY 20 19  
  LIT151 . Modes of Making 3 MW 10:30-11:55 am DAC-023 P Filkins FY 12 11  
  LIT203 . Art of Fiction: The Novel 3 TR 1:30- 2:55 pm CL1-03 B Mathews FY 15 12  
  LIT206 . Art of Film 3 T 3:00- 6:00 pm DAC-001 L Burke FY 15 11  
and   DAC-128   FY      
and R 3:00- 4:25 pm DAC-128   FY      
  LIT222 . Shakespeare 3 TR 10:30-11:55 am CL1-04 H Holladay FY 15 11  
  LIT264 . CP Nature & Literature 3 TR 3:00- 4:25 pm CL1-02 J Hutchinson FY 15 14  
  WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 18  
  WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 19  
 
Music Top
Courses appropriate for First Year students without special preparation
  MUS117 . Chorus 1 W 7:00- 9:00 pm KLG J Brown FY 30 28  
  MUS206 . Theory I: Introduction to Tonal Harmony 3 MWF 10:00-10:55 am DAC-128 L Wallach FY 15 11  
  MUS211 . Introduction to Electronic Music 3 WF 5:00- 6:25 pm DAC-135 C Davis FY 12 9  
  MUS213 NEW CP Music of India 3 TR 10:30-11:55 am DAC-115 J Myers FY 12 7  
  MUS216 . Music of the Romantic Era 3 TR 12:00- 1:25 pm KLG-B L Wallach FY 15 11  
  MUS219 . Jazz Improvization Workshop I 3 TR 1:30- 2:55 pm KLG J Myers FY 11 3  
and   KLG-B   FY      
  MUS222 . Jazz Ensemble 1 T 7:30- 9:30 pm KLG J Myers FY 50 22  
and   KLG-B   FY      
  MUS278 . Collegium 1 M 7:30- 9:00 pm KLG L Bardo FY 12 10  
  MUS280 . Madrigal Group 1 M 3:30- 4:55 pm KLG J Brown FY 15 9  
  MUS289 . Chamber Orchestra 1 R 7:30- 9:00 pm KLG A Legene FY 30 15  
 
Music: Community Music Program - Private Lessons Top
Courses appropriate for First Year students without special preparation
  MUS180P . Applied Music: Trombone 1   TBD - S Mower FY 20    
  MUS181P . Applied Music: Bassoon 1   TBD - S Mower FY 20    
  MUS183P . Applied Music: Harp 1   TBD - S Mower FY 20 2  
  MUS184P . Applied Music: Gamba 1   TBD - S Mower FY 20 2  
  MUS185P . Applied Music: Saxophone 1   TBD - S Mower FY 20 2  
  MUS187P . Applied Music: Clarinet 1   TBD - S Mower FY 20    
  MUS188P . Applied Music:Trumpet 1   TBD - S Mower FY 20 1  
  MUS190P . Applied Music: Piano 1   TBD - S Mower FY 20 13  
  MUS191P . Applied Music: VoiceCLOSED 1   TBD - S Mower FY 20 22  
  MUS192P . Applied Music: Flute 1   TBD - S Mower FY 20 1  
  MUS193P . Applied Music: Guitar 1   TBD - S Mower FY 20 8  
  MUS195P . Applied Music: Cello 1   TBD - S Mower FY 20 2  
  MUS196P . Applied Music: Percussion 1   TBD - S Mower FY 20 3  
  MUS198P . Applied Music: Bass 1   TBD - S Mower FY 20    
  MUS199P . Applied Music: Violin/Viola 1   TBD - S Mower FY 20 4  
 
Community Music Program lessons are offered at an additional fee.
 
Psychology Top
Courses appropriate for First Year students without special preparation
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  PSYC100 . Introduction to Psychology 3 MW 10:30-11:55 am CL3-11 E Pruitt FY 18 15  
 
Sociology Top
Courses appropriate for First Year students without special preparation
  SOC100 NEW Introduction to Sociology 3 TR 12:00- 1:25 pm CL3-11 F Oyogoa FY 15 14  
 
Studio Arts Top
Courses appropriate for First Year students without special preparation
  SART102A . Photography 3 MW 9:00-10:25 am DAC-025 A Hillman FY 15 14  
  SART102B . Photography 3 WF 12:00- 1:25 pm DAC-025 L Tyler FY 15 2  
  SART106A . Introduction to Ceramics 3 MW 1:30- 2:55 pm DAC-072 B Krupka FY 12 9  
and   DAC-140   FY      
  SART106B . Introduction to Ceramics 3 TR 12:00- 1:25 pm DAC-072 B Krupka FY 12 10  
and   DAC-140   FY      
S1 SART108M2 . The Art of Assemblage 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 12 7  
and   DAC-125   FY      
  SART124 . Graphic Design 3 MW 12:00- 1:25 pm DAC-028 A Hillman FY 13 11  
and   DAC-139   FY      
S1 SART136M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 10 5  
and   DAC-125   FY      
  SART226 . Electronic Arts Studio Video Production 3 F 2:00- 4:55 pm DAC-120 L Burke FY 15 9  
and   DAC-128   FY      
 
Courses preceded by S1 have an afternoon/evening studio requirement:
You must have 6 hours available from the following times: T/R 7:00 - 10:00pm, Sunday 12:00 - 6:00pm
 
Theater Top
Courses appropriate for First Year students without special preparation
  THEA100 . Improvisation and ImaginationCLOSED 3 TR 12:00- 1:25 pm DAC-002 K Beaumont FY 12 13  
  THEA107M2 . Studies in Production: Performance 2 F 2:00- 4:55 pm DAC-002   FY 12 11  
and   DAC-108   FY      
DAC-116   FY      
  THEA108M1 . Costume and Prop Design and Execution 2 R 2:00- 4:55 pm DAC-018 G Veale FY 12 5  
and   DAC-115   FY      
  THEA115M1 . StagecraftCLOSED 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12 13  
and   DAC-023   FY      
  THEA216M2 . Theater Practicum 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12 10  
and   DAC-023   FY      
 
Courses preceded by T1 have a technical lab requirement:
You must be available either Tuesday or Friday 3:30 - 5:00
 
Womens Studies Top
Courses appropriate for First Year students without special preparation
  WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 18  
  WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 19  
 
Cultural Perspectives Top
Courses appropriate for First Year students without special preparation
  AFAM100 NEW CP Introduction to African American StudiesCLOSED 3 TR 3:00- 4:25 pm CL3-11 F Oyogoa FY 15 15  
  ANTH100 . CP Introduction to Anthropology 3 TR 3:00- 4:25 pm CL1-03 K Boswell FY 18 16  
  HIST229 NEW CP Chicanas/Chicanos in the United States: A National History 3 TR 4:30- 5:55 pm CL1-04 M Alvarez FY 15 5  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  LIT264 . CP Nature & Literature 3 TR 3:00- 4:25 pm CL1-02 J Hutchinson FY 15 14  
  MUS213 NEW CP Music of India 3 TR 10:30-11:55 am DAC-115 J Myers FY 12 7  
  WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 18  
  WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 19  
 
Modular Courses Top
Courses appropriate for First Year students without special preparation
S1 SART108M2 . The Art of Assemblage 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 12 7  
and   DAC-125   FY      
S1 SART136M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 10 5  
and   DAC-125   FY      
  THEA107M2 . Studies in Production: Performance 2 F 2:00- 4:55 pm DAC-002   FY 12 11  
and   DAC-108   FY      
DAC-116   FY      
  THEA108M1 . Costume and Prop Design and Execution 2 R 2:00- 4:55 pm DAC-018 G Veale FY 12 5  
and   DAC-115   FY      
  THEA115M1 . StagecraftCLOSED 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12 13  
and   DAC-023   FY      
  THEA216M2 . Theater Practicum 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12 10  
and   DAC-023   FY      
  WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 18  
  WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15 19  
 
 
 
 
 
Courses that may be appropriate for first-year students with placement or prerequisites
Home FOCUS Report
 
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
 
Anthropology Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20 12  
  LING216M2 . Language & PowerCLOSED 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 22 2
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 17  
 
Art History Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  ARTH222 . Clothing in Art 3 MW 12:00- 1:25 pm DAC-125 J DelPlato WP 15 7  
  ARTH310 . Victorian Art & Poetry 4 T 6:00- 8:30 pm DAC-125 J DelPlato WP 15 9  
 
Biology Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  BIO203 . Invertebrate Zoology 4 MWF 10:00-10:55 am FSH-211 R Schmidt WP 15 8  
and T 2:00- 4:55 pm FSH-211   WP      
 
Chemistry Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  CHEM100A NEW Chemistry ICLOSED 4 TR 9:00-10:25 am FSH-102 P Dooley WP 20 20  
  CHEM100B NEW Chemistry I 4 TR 10:30-11:55 am FSH-102 P Dooley WP 20 15  
  CHEM100C NEW Chemistry I 4 MW 2:00- 3:25 pm FSH-102 P Dooley WP 20 18  
  CHEM100LA NEW Chemistry I Lab   T 2:00- 4:55 pm FSH-128 D Myers WP 12 7  
  CHEM100LB NEW Chemistry I Lab   R 2:00- 4:55 pm FSH-128 D Myers WP 12 7  
  CHEM100LC NEW Chemistry I Lab   F 2:00- 4:55 pm FSH-128 D Myers WP 12 10  
  CHEM100LD NEW Chemistry I Lab   T 6:00- 8:30 pm FSH-128 E Dongala WP 12 11  
  CHEM100LE NEW Chemistry I LabCLOSED   R 6:00- 8:30 pm FSH-128 E Dongala WP 12 12  
 
Computer Science Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  CMPT240 . Introduction to Robotics 3 MW 2:00- 3:25 pm FSH-113 M Bergman WP 10 8  
  CMPT250 . Computer Organization 3 TR 3:00- 4:25 pm FSH-112 P Shields WP 15 8  
 
Foreign Languages - Chinese Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  CHIN204 . Intermediate Chinese I 3 W 3:00- 3:55 pm CL3-09 J Weinstein WP 15 5  
and TR 4:30- 5:55 pm CL3-09   WP      
  CHIN300 . Advanced Chinese 4 TR 10:30-11:55 am CL3-12 P Xie WP 15 4  
 
Foreign Languages - French Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  FREN204 . Intermediate French I 3 MW 12:00- 1:25 pm CL3-14 G Asfar WP 15 12  
  FREN208M2 NEW Songs in French 2 TR 10:30-11:55 am CL3-14 G Asfar WP 15 6  
  FREN217 . Paris on the Page 3 MW 12:00- 1:25 pm CL3-11 M Tebben WP 15 7  
 
Foreign Languages - German Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  GERM204 . Intermediate German I 3 MW 1:30- 2:55 pm CL3-13 C van Kerckvoorde WP 15 7  
 
Foreign Languages - Latin Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  LATN204 . CP Intermediate Latin I: Roman Civilization and Vergil 3 TR 3:00- 4:25 pm CL3-09 C Callanan WP 20 11  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
 
Foreign Languages - Spanish Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  SPAN101 . Accelerated Beginning Spanish II 4 TR 9:00-10:25 am CL3-09 M Roe WP 15 13  
and MW 10:00-10:55 am CL3-09   WP      
  SPAN204 . Intermediate Spanish I 3 TR 9:00-10:25 am FSH-112 M Wong WP 20 8  
and   FSH-201   WP      
  SPAN205 . Intermediate Spanish II 3 TR 12:00- 1:25 pm CL1-03 M Roe WP 15 13  
  SPAN214 . CP Latin America Today (Span) 3 MW 6:00- 7:25 pm CL1-04 M Wong WP 20 8  
  SPAN313 . CP 20th-Century Latin American Novel (in Spanish) 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 7 1  
 
Linguistics Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  LING216M2 . Language & PowerCLOSED 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 22 2
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 17  
 
Literature Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  LIT287 . The Personal Essay 3 WF 12:00- 1:25 pm CL1-04 J Hutchinson WP 10 9  
  LIT296 NEW Creative Writing Drama 3 TR 4:30- 5:55 pm CL1-03 W Brown WP 15 9  
  LIT363 NEW CP 20th-Century Latin American Novel in Translation 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 8 5  
 
Mathematics Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  MATH101 . Math & Its Applications 3 MWF 12:00-12:55 pm FSH-201 J Rizzuti WP 20 10  
  MATH101LA . Mathematics and Its Applications Lab   F 11:00-11:55 am FSH-112 J Rizzuti WP 12    
  MATH101LB . Mathematics and Its Applications Lab   F 12:00-12:55 pm FSH-112 J Rizzuti WP 12 10  
  MATH109A . Elementary FunctionsCLOSED 3 MWF 10:00-10:55 am FSH-102 J Rizzuti WP 25 25  
  MATH109B . Elementary Functions 3 MWF 12:00-12:55 pm FSH-102 R Snyder WP 20 12  
  MATH110 . Introduction to Statistics 3 MWF 1:00- 1:55 pm FSH-102 R Snyder WP 20 12  
  MATH110LA . Introduction to Statistics Lab   F 1:00- 1:55 pm FSH-112 R Snyder WP 12 4  
  MATH110LB . Introduction to Statistics Lab   F 2:00- 2:55 pm FSH-112 R Snyder WP 12 8  
  MATH210A . Calculus I 3 MWF 10:00-10:55 am CL1-01 B Wynne WP 20 19  
  MATH210B . Calculus ICLOSED 3 MWF 2:00- 2:55 pm CL1-01 B Wynne WP 20 23  
  MATH210C . Calculus I 3 MWF 9:00-09:55 am CL3-10 M Goldstein WP 20 8  
  MATH211 . Calculus II 3 MWF 9:00-09:55 am CL1-02 W Dunbar WP 15 8  
  MATH220 . Linear Algebra 3 MWF 9:00-09:55 am CL1-01 B Wynne WP 20 16  
and   FSH-112   WP      
 
Music Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  MUS308 . Theory III: Modal and Tonal Counterpoint (16th and 17th Centuries) 4 MWF 1:00- 1:55 pm DAC-128 J Myers WP 15 7  
and   DAC-135   WP      
 
Philosophy Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20 12  
 
Physics Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  PHYS100A . Physics ICLOSED 4 MWF 11:00-11:55 am FSH-113 E Kramer WP 18 20  
  PHYS100B . Physics I 4 MWF 1:00- 1:55 pm FSH-113 E Kramer WP 18 12  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  PHYS100LA . Physics I LabCLOSED   T 2:00- 4:55 pm FSH-113 E Kramer WP 15 18  
  PHYS100LB . Physics I Lab   F 2:00- 4:55 pm FSH-113 E Kramer WP 15 13  
  PHYS220 . Introduction to Quantum Physics 3 MWF 11:00-11:55 am FSH-201 M Bergman WP 20 8  
  PHYS230 . Modern Physics Laboratory 1 R 2:00- 4:55 pm FSH-113 M Bergman WP 12 6  
 
Psychology Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  PSYC203 . Social Psychology 3 MW 1:30- 2:55 pm CL3-11 E Pruitt WP 15 6  
 
Studio Arts Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
S1 SART236M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson WP 2 1  
and   DAC-125   WP      
  SART202 . Drawing from Direct Observation 3 MW 10:30-11:55 am DAC-024 W Jackson WP 13 8  
and   DAC-125   WP      
  SART237 . Illustration Studio 3 MW 9:00-10:25 am DAC-024 W Jackson WP 11 7  
and   DAC-125   WP      
  SART337 . Illustration Studio 4 MW 9:00-10:25 am DAC-024 W Jackson WP 2 1  
and   DAC-125   WP      
  SART437 . Illustration Studio 4 MW 9:00-10:25 am DAC-024 W Jackson WP 2    
and   DAC-125   WP      
 
Courses preceded by S1 have an afternoon/evening studio requirement:
You must have 6 hours available from the following times: T/R 7:00 - 10:00pm, Sunday 12:00 - 6:00pm
 
Theater Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  THEA201 . Listening, Analysis & Characterization 3 MW 12:00- 1:25 pm DAC-002 K Beaumont WP 12 8  
and   DAC-115   WP      
 
Courses preceded by T1 have a technical lab requirement:
You must be available either Tuesday or Friday 3:30 - 5:00
 
Cultural Perspectives Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20 12  
  LATN204 . CP Intermediate Latin I: Roman Civilization and Vergil 3 TR 3:00- 4:25 pm CL3-09 C Callanan WP 20 11  
  LIT363 NEW CP 20th-Century Latin American Novel in Translation 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 8 5  
  SPAN214 . CP Latin America Today (Span) 3 MW 6:00- 7:25 pm CL1-04 M Wong WP 20 8  
  SPAN313 . CP 20th-Century Latin American Novel (in Spanish) 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 7 1  
 
Modular Courses Top
Courses that may be appropriate for First Year students with placement or prerequisites - see the course description for details
  FREN208M2 NEW Songs in French 2 TR 10:30-11:55 am CL3-14 G Asfar WP 15 6  
  LING216M2 . Language & PowerCLOSED 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 22 2
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 17  
S1 SART236M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson WP 2 1  
and   DAC-125   WP      
 
 
 
 
 
Open Classes Only
Home FOCUS Report
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
 
B.A. Seminar Top
Classes with seats available
  BAS352 . Fatal Progress: Fact & Fiction 4 TR 3:00- 4:25 pm CL1-04 H Holladay   15 11  
 
First Year Seminar Top
Classes with seats available
  FS100A . First-Year Seminar I: The Examined Life 4 MW 9:00-10:25 am CL1-03 A Taylor FY 14 11  
  FS100B . First-Year Seminar I: The Examined Life 4 MW 10:30-11:55 am CL1-03 J Browdy de Hernandez FY 14 12  
  FS100D . First-Year Seminar I: The Examined Life 4 MW 12:00- 1:25 pm CL3-12 R Fiske FY 14 13  
  FS100E . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL1-02 P Filkins FY 14 13  
  FS100F . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL3-10 B Rodgers FY 14 12  
 
Sophomore Seminar Top
Classes with seats available
  SS251D . Sophomore Seminar: Voices Against the Chorus 4 MW 1:30- 2:55 pm CL1-03 J Browdy de Hernandez   14 9  
  SS251E . Sophomore Seminar: Voices Against the Chorus 4 MW 1:30- 2:55 pm CL1-04 M Wong   14 11  
  SS251G . Sophomore Seminar: Voices Against the Chorus 4 TR 12:00- 1:25 pm CL3-14 B Rodgers   14 13  
  SS251H . Sophomore Seminar: Voices Against the Chorus 4 TR 12:00- 1:25 pm CL1-02 K Boswell   14 12  
  SS251I . Sophomore Seminar: Voices Against the Chorus 4 TR 1:30- 2:55 pm CL1-04 H Holladay   14 12  
  SS251J . Sophomore Seminar: Voices Against the Chorus 4 TR 3:00- 4:25 pm DAC-023 L Wallach   14 11  
 
Anthropology Top
Classes with seats available
  ANTH100 . CP Introduction to Anthropology 3 TR 3:00- 4:25 pm CL1-03 K Boswell FY 18 16  
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20 12  
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 17  
 
Art History Top
Classes with seats available
  ARTH100 . Visual Art & Writing 3 TR 10:30-11:55 am DAC-125 J DelPlato FY 15 10  
  ARTH222 . Clothing in Art 3 MW 12:00- 1:25 pm DAC-125 J DelPlato WP 15 7  
  ARTH310 . Victorian Art & Poetry 4 T 6:00- 8:30 pm DAC-125 J DelPlato WP 15 9  
 
Biology Top
Classes with seats available
  BIO100 . Introduction to the Life Sciences 4 MWF 9:00-09:55 am FSH-102 R Schmidt FY 30 22  
  BIO100LA . Introduction to Life Sciences Lab   T 9:00-11:55 am FSH-202 S Mechanic-Meyers FY 16 10  
  BIO100LB . Introduction to Life Sciences Lab   T 2:00- 4:55 pm FSH-202 S Mechanic-Meyers FY 16 12  
  BIO202 . Genetics 4 R 9:00-11:25 am FSH-202 I Bao   15 14  
and TR 1:30- 2:55 pm FSH-201          
  BIO203 . Invertebrate Zoology 4 MWF 10:00-10:55 am FSH-211 R Schmidt WP 15 8  
and T 2:00- 4:55 pm FSH-211   WP      
  BIO210 . Molecular Techniques 3 WF 12:00- 1:25 pm FSH-202 S Mechanic-Meyers   12 8  
  BIO310 . Evolution 4 MWF 2:00- 2:55 pm FSH-211 R Schmidt   15 10  
  BIO318M2 . Topics in Modern Biology: 20th C Foundations to 21st C Research 2 W 6:00- 8:30 pm FSH-211     15 12  
 
Chemistry Top
Classes with seats available
  CHEM100B NEW Chemistry I 4 TR 10:30-11:55 am FSH-102 P Dooley WP 20 15  
  CHEM100C NEW Chemistry I 4 MW 2:00- 3:25 pm FSH-102 P Dooley WP 20 18  
  CHEM100LA NEW Chemistry I Lab   T 2:00- 4:55 pm FSH-128 D Myers WP 12 7  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  CHEM100LB NEW Chemistry I Lab   R 2:00- 4:55 pm FSH-128 D Myers WP 12 7  
  CHEM100LC NEW Chemistry I Lab   F 2:00- 4:55 pm FSH-128 D Myers WP 12 10  
  CHEM100LD NEW Chemistry I Lab   T 6:00- 8:30 pm FSH-128 E Dongala WP 12 11  
  CHEM102 . Chemistry in Context 4 R 9:00-11:25 am FSH-128 E Dongala FY 15 4  
and MWF 2:00- 2:55 pm FSH-131   FY      
  CHEM302 . Organic Chemistry I 4 T 9:00-11:55 am FSH-128 D Myers   12 9  
and MW 9:00-10:25 am FSH-201          
 
Computer Science Top
Classes with seats available
  CMPT240 . Introduction to Robotics 3 MW 2:00- 3:25 pm FSH-113 M Bergman WP 10 8  
  CMPT242 . Computer Science 1 3 TR 1:30- 2:55 pm FSH-112 P Shields FY 15 13  
  CMPT250 . Computer Organization 3 TR 3:00- 4:25 pm FSH-112 P Shields WP 15 8  
 
Dance Top
Classes with seats available
  DANC101 . Beginning Modern Dance Technique 3 TR 1:30- 2:55 pm DAC-108 W Shifrin FY 12 9  
  DANC114 . Ballet I 2 MW 10:30-11:55 am DAC-108 R Aver Thung FY 8 7  
  DANC214 . Intermediate Ballet I 2 MW 10:30-11:55 am DAC-108 R Aver Thung FY 7    
  DANC126 NEW Flamenco Dance 2 MF 12:00- 1:25 pm DAC-116 K Garcia-Renart FY 15 5  
  DANC211 . Topics in Dance: Relationships between Dance and Creative Writing 3 TR 3:00- 4:25 pm DAC-108 W Shifrin FY 15 12  
 
Economics Top
Classes with seats available
  ECON209 . Intermediate Political Economy 3 MW 6:00- 7:25 pm CL1-03 R Kanth   15 13  
  ECON226 NEW Economics of Post-reform China 3 TR 9:00-10:25 am CL1-03 D Neilson   15 8  
 
Environmental Studies Top
Classes with seats available
  ENVS308 . Limnology 4 F 10:00-12:55 pm FSH-131 T Coote   15 3  
and MW 10:30-11:55 am FSH-131          
 
Foreign Languages - Arabic Top
Classes with seats available
  ARAB100 . Accelerated Beginning Arabic I 4 TR 9:00-10:25 am CL3-14 G Asfar FY 15 9  
and MW 1:30- 2:55 pm CL3-14   FY      
  ARAB205M1 . Intermediate Arabic I 2 TR 10:30-11:55 am CL3-14 G Asfar   15 5  
 
Foreign Languages - Chinese Top
Classes with seats available
  CHIN100 . Accelerated Beginning Chinese I 4 MWF 2:00- 2:55 pm CL3-09 J Weinstein FY 20 18  
  CHIN100LA . Accelerated Beginning Chinese I Lab   TR 2:00- 2:55 pm CL3-10 P Xie FY 12 11  
  CHIN100LB . Accelerated Beginning Chinese I Lab   TR 12:00-12:55 pm CL3-10 P Xie FY 12 7  
  CHIN204 . Intermediate Chinese I 3 W 3:00- 3:55 pm CL3-09 J Weinstein WP 15 5  
and TR 4:30- 5:55 pm CL3-09   WP      
  CHIN300 . Advanced Chinese 4 TR 10:30-11:55 am CL3-12 P Xie WP 15 4  
 
Foreign Languages - French Top
Classes with seats available
  FREN204 . Intermediate French I 3 MW 12:00- 1:25 pm CL3-14 G Asfar WP 15 12  
  FREN208M2 NEW Songs in French 2 TR 10:30-11:55 am CL3-14 G Asfar WP 15 6  
  FREN217 . Paris on the Page 3 MW 12:00- 1:25 pm CL3-11 M Tebben WP 15 7  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
 
Foreign Languages - German Top
Classes with seats available
  GERM100 . Accelerated Beginning German I 4 MTWR 12:15- 1:25 pm CL3-13 C van Kerckvoorde FY 20 12  
  GERM204 . Intermediate German I 3 MW 1:30- 2:55 pm CL3-13 C van Kerckvoorde WP 15 7  
 
Foreign Languages - Latin Top
Classes with seats available
  LATN100 . Accelerated Beginning Latin I 4 TR 10:30-11:55 am CL3-09 C Callanan FY 20 17  
and MW 11:00-11:55 am CL3-09   FY      
  LATN204 . CP Intermediate Latin I: Roman Civilization and Vergil 3 TR 3:00- 4:25 pm CL3-09 C Callanan WP 20 11  
 
Foreign Languages - Spanish Top
Classes with seats available
  SPAN100A . Accelerated Beginning Spanish I 4 TR 9:00-10:25 am CL3-13 G Morales-Gotsch FY 16 6  
and MW 10:00-10:55 am CL3-13   FY      
  SPAN100B . Accelerated Beginning Spanish I 4 TR 10:30-11:55 am CL3-13 G Morales-Gotsch FY 16 13  
and MW 11:00-11:55 am CL3-13   FY      
  SPAN101 . Accelerated Beginning Spanish II 4 TR 9:00-10:25 am CL3-09 M Roe WP 15 13  
and MW 10:00-10:55 am CL3-09   WP      
  SPAN204 . Intermediate Spanish I 3 TR 9:00-10:25 am FSH-112 M Wong WP 20 8  
and   FSH-201   WP      
  SPAN205 . Intermediate Spanish II 3 TR 12:00- 1:25 pm CL1-03 M Roe WP 15 13  
  SPAN214 . CP Latin America Today (Span) 3 MW 6:00- 7:25 pm CL1-04 M Wong WP 20 8  
  SPAN313 . CP 20th-Century Latin American Novel (in Spanish) 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 7 1  
 
History Top
Classes with seats available
  HIST229 NEW CP Chicanas/Chicanos in the United States: A National History 3 TR 4:30- 5:55 pm CL1-04 M Alvarez FY 15 5  
 
Learning Resources Top
Classes with seats available
  LR201M1 . The Art of Tutoring Writing 1 R 5:30- 7:30 pm CL1-02 N Bonvillain   20 17  
 
Linguistics Top
Classes with seats available
  LING100 . Introduction to Linguistics 3 MWF 1:00- 1:55 pm CL3-09 N Bonvillain FY 15 11  
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 17  
 
Literature Top
Classes with seats available
  LIT100 . Guest Writers 2 TR 5:00- 6:25 pm CL3-13 B Mathews FY 20 19  
  LIT151 . Modes of Making 3 MW 10:30-11:55 am DAC-023 P Filkins FY 12 11  
  LIT203 . Art of Fiction: The Novel 3 TR 1:30- 2:55 pm CL1-03 B Mathews FY 15 12  
  LIT206 . Art of Film 3 T 3:00- 6:00 pm DAC-001 L Burke FY 15 11  
and   DAC-128   FY      
and R 3:00- 4:25 pm DAC-128   FY      
  LIT222 . Shakespeare 3 TR 10:30-11:55 am CL1-04 H Holladay FY 15 11  
  LIT231 . American Drama: Moderns and Contemporaries 3 TR 3:00- 4:25 pm CL3-12 B Rodgers   15 7  
  LIT264 . CP Nature & Literature 3 TR 3:00- 4:25 pm CL1-02 J Hutchinson FY 15 14  
  LIT287 . The Personal Essay 3 WF 12:00- 1:25 pm CL1-04 J Hutchinson WP 10 9  
  LIT296 NEW Creative Writing Drama 3 TR 4:30- 5:55 pm CL1-03 W Brown WP 15 9  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  LIT321 . Literary Theory 4 TR 12:00- 1:25 pm CL3-12 R Fiske   15 14  
  LIT363 NEW CP 20th-Century Latin American Novel in Translation 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 8 5  
 
Mathematics Top
Classes with seats available
  MATH101 . Math & Its Applications 3 MWF 12:00-12:55 pm FSH-201 J Rizzuti WP 20 10  
  MATH101LA . Mathematics and Its Applications Lab   F 11:00-11:55 am FSH-112 J Rizzuti WP 12    
  MATH101LB . Mathematics and Its Applications Lab   F 12:00-12:55 pm FSH-112 J Rizzuti WP 12 10  
  MATH109B . Elementary Functions 3 MWF 12:00-12:55 pm FSH-102 R Snyder WP 20 12  
  MATH110 . Introduction to Statistics 3 MWF 1:00- 1:55 pm FSH-102 R Snyder WP 20 12  
  MATH110LA . Introduction to Statistics Lab   F 1:00- 1:55 pm FSH-112 R Snyder WP 12 4  
  MATH110LB . Introduction to Statistics Lab   F 2:00- 2:55 pm FSH-112 R Snyder WP 12 8  
  MATH210A . Calculus I 3 MWF 10:00-10:55 am CL1-01 B Wynne WP 20 19  
  MATH210C . Calculus I 3 MWF 9:00-09:55 am CL3-10 M Goldstein WP 20 8  
  MATH211 . Calculus II 3 MWF 9:00-09:55 am CL1-02 W Dunbar WP 15 8  
  MATH220 . Linear Algebra 3 MWF 9:00-09:55 am CL1-01 B Wynne WP 20 16  
and   FSH-112   WP      
  MATH320 . Modern Algebra I 4 MWF 12:00-12:55 pm CL1-01 W Dunbar   15 8  
 
Music Top
Classes with seats available
  MUS117 . Chorus 1 W 7:00- 9:00 pm KLG J Brown FY 30 28  
  MUS206 . Theory I: Introduction to Tonal Harmony 3 MWF 10:00-10:55 am DAC-128 L Wallach FY 15 11  
  MUS211 . Introduction to Electronic Music 3 WF 5:00- 6:25 pm DAC-135 C Davis FY 12 9  
  MUS213 NEW CP Music of India 3 TR 10:30-11:55 am DAC-115 J Myers FY 12 7  
  MUS216 . Music of the Romantic Era 3 TR 12:00- 1:25 pm KLG-B L Wallach FY 15 11  
  MUS219 . Jazz Improvization Workshop I 3 TR 1:30- 2:55 pm KLG J Myers FY 11 3  
and   KLG-B   FY      
  MUS319 . Jazz Improvisation Workshop II 4 TR 1:30- 2:55 pm KLG J Myers   4 2  
and   KLG-B          
  MUS222 . Jazz Ensemble 1 T 7:30- 9:30 pm KLG J Myers FY 50 22  
and   KLG-B   FY      
  MUS278 . Collegium 1 M 7:30- 9:00 pm KLG L Bardo FY 12 10  
  MUS280 . Madrigal Group 1 M 3:30- 4:55 pm KLG J Brown FY 15 9  
  MUS289 . Chamber Orchestra 1 R 7:30- 9:00 pm KLG A Legene FY 30 15  
  MUS308 . Theory III: Modal and Tonal Counterpoint (16th and 17th Centuries) 4 MWF 1:00- 1:55 pm DAC-128 J Myers WP 15 7  
and   DAC-135   WP      
 
Music: Community Music Program - Private Lessons Top
Classes with seats available
  MUS180P . Applied Music: Trombone 1   TBD - S Mower FY 20    
  MUS181P . Applied Music: Bassoon 1   TBD - S Mower FY 20    
  MUS183P . Applied Music: Harp 1   TBD - S Mower FY 20 2  
  MUS184P . Applied Music: Gamba 1   TBD - S Mower FY 20 2  
  MUS185P . Applied Music: Saxophone 1   TBD - S Mower FY 20 2  
  MUS187P . Applied Music: Clarinet 1   TBD - S Mower FY 20    
  MUS188P . Applied Music:Trumpet 1   TBD - S Mower FY 20 1  
  MUS190P . Applied Music: Piano 1   TBD - S Mower FY 20 13  
  MUS192P . Applied Music: Flute 1   TBD - S Mower FY 20 1  
  MUS193P . Applied Music: Guitar 1   TBD - S Mower FY 20 8  
  MUS195P . Applied Music: Cello 1   TBD - S Mower FY 20 2  
  MUS196P . Applied Music: Percussion 1   TBD - S Mower FY 20 3  
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  MUS198P . Applied Music: Bass 1   TBD - S Mower FY 20    
  MUS199P . Applied Music: Violin/Viola 1   TBD - S Mower FY 20 4  
 
Community Music Program lessons are offered at an additional fee.
 
Philosophy Top
Classes with seats available
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20 12  
  PHIL225 . Phenomenology & Existentialism 3 MW 10:30-11:55 am CL3-12 B Conolly   15 13  
 
Physics Top
Classes with seats available
  PHYS100B . Physics I 4 MWF 1:00- 1:55 pm FSH-113 E Kramer WP 18 12  
  PHYS100LB . Physics I Lab   F 2:00- 4:55 pm FSH-113 E Kramer WP 15 13  
  PHYS220 . Introduction to Quantum Physics 3 MWF 11:00-11:55 am FSH-201 M Bergman WP 20 8  
  PHYS230 . Modern Physics Laboratory 1 R 2:00- 4:55 pm FSH-113 M Bergman WP 12 6  
  PHYS304 . Electricity & Magnetism 4 MWF 10:00-10:55 am FSH-113 M Bergman   20 7  
 
Psychology Top
Classes with seats available
  PSYC100 . Introduction to Psychology 3 MW 10:30-11:55 am CL3-11 E Pruitt FY 18 15  
  PSYC202 . Child Development 3 TR 6:00- 7:25 pm CL1-04 M Carter   15 9  
  PSYC203 . Social Psychology 3 MW 1:30- 2:55 pm CL3-11 E Pruitt WP 15 6  
  PSYC221 NEW Stereotyping and Prejudice 3 TR 1:30- 2:55 pm CL3-11 E Pruitt   8 3  
 
Sociology Top
Classes with seats available
  SOC100 NEW Introduction to Sociology 3 TR 12:00- 1:25 pm CL3-11 F Oyogoa FY 15 14  
 
Studio Arts Top
Classes with seats available
  SART102A . Photography 3 MW 9:00-10:25 am DAC-025 A Hillman FY 15 14  
  SART102B . Photography 3 WF 12:00- 1:25 pm DAC-025 L Tyler FY 15 2  
  SART106A . Introduction to Ceramics 3 MW 1:30- 2:55 pm DAC-072 B Krupka FY 12 9  
and   DAC-140   FY      
  SART106B . Introduction to Ceramics 3 TR 12:00- 1:25 pm DAC-072 B Krupka FY 12 10  
and   DAC-140   FY      
S1 SART108M2 . The Art of Assemblage 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 12 7  
and   DAC-125   FY      
  SART124 . Graphic Design 3 MW 12:00- 1:25 pm DAC-028 A Hillman FY 13 11  
and   DAC-139   FY      
S1 SART136M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 10 5  
and   DAC-125   FY      
S1 SART236M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson WP 2 1  
and   DAC-125   WP      
  SART202 . Drawing from Direct Observation 3 MW 10:30-11:55 am DAC-024 W Jackson WP 13 8  
and   DAC-125   WP      
  SART368 . Advanced Ceramic Studio 4 MW 6:00- 7:25 pm DAC-072 B Krupka   6 5  
and   DAC-140          
  SART224 . Experiments in Photography 3 TR 9:00-10:25 am DAC-025 A Hillman   15 10  
and   DAC-139          
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  SART374 . Experiments in Photography 4 TR 9:00-10:25 am DAC-025 A Hillman   5 4  
and   DAC-139          
  SART226 . Electronic Arts Studio Video Production 3 F 2:00- 4:55 pm DAC-120 L Burke FY 15 9  
and   DAC-128   FY      
  SART237 . Illustration Studio 3 MW 9:00-10:25 am DAC-024 W Jackson WP 11 7  
and   DAC-125   WP      
  SART337 . Illustration Studio 4 MW 9:00-10:25 am DAC-024 W Jackson WP 2 1  
and   DAC-125   WP      
  SART437 . Illustration Studio 4 MW 9:00-10:25 am DAC-024 W Jackson WP 2    
and   DAC-125   WP      
  SART412 NEW Beyond 35mm Photography 4 F 2:00- 4:55 pm DAC-025 L Tyler   2    
 
Courses preceded by S1 have an afternoon/evening studio requirement:
You must have 6 hours available from the following times: T/R 7:00 - 10:00pm, Sunday 12:00 - 6:00pm
 
Theater Top
Classes with seats available
  THEA107M2 . Studies in Production: Performance 2 F 2:00- 4:55 pm DAC-002   FY 12 11  
and   DAC-108   FY      
DAC-116   FY      
  THEA108M1 . Costume and Prop Design and Execution 2 R 2:00- 4:55 pm DAC-018 G Veale FY 12 5  
and   DAC-115   FY      
  THEA201 . Listening, Analysis & Characterization 3 MW 12:00- 1:25 pm DAC-002 K Beaumont WP 12 8  
and   DAC-115   WP      
  THEA206 . Theater Production 3 R 2:00- 4:55 pm DAC-002 K Beaumont   4 3  
and     B Sims        
  THEA306 . Theater Production 4 R 2:00- 4:55 pm DAC-002 K Beaumont   4 3  
and     B Sims        
  THEA406 . Theater Production 4 R 2:00- 4:55 pm DAC-002 K Beaumont   4 1  
and     B Sims        
  THEA216M2 . Theater Practicum 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12 10  
and   DAC-023   FY      
  THEA303 . Advanced Acting Studio 4 T 2:00- 4:55 pm DAC-002 K Beaumont   6 2  
and   DAC-115          
  THEA403 . Advanced Acting Studio 4 T 2:00- 4:55 pm DAC-002 K Beaumont   6 3  
and   DAC-115          
 
Courses preceded by T1 have a technical lab requirement:
You must be available either Tuesday or Friday 3:30 - 5:00
 
Cultural Perspectives Top
Classes with seats available
  ANTH100 . CP Introduction to Anthropology 3 TR 3:00- 4:25 pm CL1-03 K Boswell FY 18 16  
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20 12  
  HIST229 NEW CP Chicanas/Chicanos in the United States: A National History 3 TR 4:30- 5:55 pm CL1-04 M Alvarez FY 15 5  
  LATN204 . CP Intermediate Latin I: Roman Civilization and Vergil 3 TR 3:00- 4:25 pm CL3-09 C Callanan WP 20 11  
  LIT264 . CP Nature & Literature 3 TR 3:00- 4:25 pm CL1-02 J Hutchinson FY 15 14  
  LIT363 NEW CP 20th-Century Latin American Novel in Translation 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 8 5  
  MUS213 NEW CP Music of India 3 TR 10:30-11:55 am DAC-115 J Myers FY 12 7  
  SPAN214 . CP Latin America Today (Span) 3 MW 6:00- 7:25 pm CL1-04 M Wong WP 20 8  
  SPAN313 . CP 20th-Century Latin American Novel (in Spanish) 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 7 1  
 
Modular Courses Top
Classes with seats available
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  ARAB205M1 . Intermediate Arabic I 2 TR 10:30-11:55 am CL3-14 G Asfar   15 5  
  BIO318M2 . Topics in Modern Biology: 20th C Foundations to 21st C Research 2 W 6:00- 8:30 pm FSH-211     15 12  
  FREN208M2 NEW Songs in French 2 TR 10:30-11:55 am CL3-14 G Asfar WP 15 6  
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20 17  
  LR201M1 . The Art of Tutoring Writing 1 R 5:30- 7:30 pm CL1-02 N Bonvillain   20 17  
S1 SART108M2 . The Art of Assemblage 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 12 7  
and   DAC-125   FY      
S1 SART136M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 10 5  
and   DAC-125   FY      
S1 SART236M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson WP 2 1  
and   DAC-125   WP      
  THEA107M2 . Studies in Production: Performance 2 F 2:00- 4:55 pm DAC-002   FY 12 11  
and   DAC-108   FY      
DAC-116   FY      
  THEA108M1 . Costume and Prop Design and Execution 2 R 2:00- 4:55 pm DAC-018 G Veale FY 12 5  
and   DAC-115   FY      
  THEA216M2 . Theater Practicum 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12 10  
and   DAC-023   FY      
 
 
 
 
 
Recent Changes
Home FOCUS Report
Course Number Title Credits Days Time Room Instructor FY Current Max Wait
ARTS212 . Imagining the Self: Autobiography and Biography in Creative ExpressionCLOSED 3 MW 1:30- 2:55 pm DAC-108 W Shifrin FY 17 15  
BIO318M2 . Topics in Modern Biology: 20th C Foundations to 21st C Research 2 W 6:00- 8:30 pm FSH-211     12 15  
CHEM100LD NEW Chemistry I Lab   T 6:00- 8:30 pm FSH-128 E Dongala WP 11 12  
CHEM100LE NEW Chemistry I LabCLOSED   R 6:00- 8:30 pm FSH-128 E Dongala WP 12 12  
CHEM102 . Chemistry in Context 4 R 9:00-11:25 am FSH-128 E Dongala FY 4 15  
and MWF 2:00- 2:55 pm FSH-131   FY      
DANC126 NEW Flamenco Dance 2 MF 12:00- 1:25 pm DAC-116 K Garcia-Renart FY 5 15  
FS100F . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL3-10 B Rodgers FY 12 14  
FS100G . First-Year Seminar I: The Examined LifeCLOSED 4 MW 12:00- 1:25 pm DAC-023 A Taylor FY 14 14  
HIST227 NEW Manifesting Destinies: The United States of America to 1877CLOSED 3 TR 12:00- 1:25 pm CL1-04 M Alvarez FY 15 15  
HIST229 NEW CP Chicanas/Chicanos in the United States: A National History 3 TR 4:30- 5:55 pm CL1-04 M Alvarez FY 5 15  
LIT231 . American Drama: Moderns and Contemporaries 3 TR 3:00- 4:25 pm CL3-12 B Rodgers   7 15  
MATH210C . Calculus I 3 MWF 9:00-09:55 am CL3-10 M Goldstein WP 8 20  
MUS278 . Collegium 1 M 7:30- 9:00 pm KLG L Bardo FY 10 12  
PSYC202 . Child Development 3 TR 6:00- 7:25 pm CL1-04 M Carter   9 15  
SS251G . Sophomore Seminar: Voices Against the Chorus 4 TR 12:00- 1:25 pm CL3-14 B Rodgers   13 14  
 
 
 
 
 
All Courses by Number of Enrolled Students
Home FOCUS Report
Course Number Title Credits Days Time Room Instructor FY Current Max Wait
SART412 NEW Beyond 35mm Photography 4 F 2:00- 4:55 pm DAC-025 L Tyler     2  
SART437 . Illustration Studio 4 MW 9:00-10:25 am DAC-024 W Jackson WP   2  
and   DAC-125   WP      
DANC214 . Intermediate Ballet I 2 MW 10:30-11:55 am DAC-108 R Aver Thung FY   7  
MATH101LA . Mathematics and Its Applications Lab   F 11:00-11:55 am FSH-112 J Rizzuti WP   12  
MUS180P . Applied Music: Trombone 1   TBD - S Mower FY   20  
MUS181P . Applied Music: Bassoon 1   TBD - S Mower FY   20  
MUS187P . Applied Music: Clarinet 1   TBD - S Mower FY   20  
MUS198P . Applied Music: Bass 1   TBD - S Mower FY   20  
SART236M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson WP 1 2  
and   DAC-125   WP      
SART337 . Illustration Studio 4 MW 9:00-10:25 am DAC-024 W Jackson WP 1 2  
and   DAC-125   WP      
THEA406 . Theater Production 4 R 2:00- 4:55 pm DAC-002 K Beaumont   1 4  
and     B Sims        
SPAN313 . CP 20th-Century Latin American Novel (in Spanish) 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 1 7  
MUS188P . Applied Music:Trumpet 1   TBD - S Mower FY 1 20  
MUS192P . Applied Music: Flute 1   TBD - S Mower FY 1 20  
LIT387 . The Personal EssayCLOSED 4 WF 12:00- 1:25 pm CL1-04 J Hutchinson   2 2  
SART222 . Graphic DesignCLOSED 3 MW 12:00- 1:25 pm DAC-028 A Hillman   2 2  
and   DAC-139          
SART372 . Drawing from Direct ObservationCLOSED 4 MW 10:30-11:55 am DAC-024 W Jackson   2 2  
and   DAC-125          
MUS319 . Jazz Improvisation Workshop II 4 TR 1:30- 2:55 pm KLG J Myers   2 4  
and   KLG-B          
THEA303 . Advanced Acting Studio 4 T 2:00- 4:55 pm DAC-002 K Beaumont   2 6  
and   DAC-115          
SART102B . Photography 3 WF 12:00- 1:25 pm DAC-025 L Tyler FY 2 15  
MUS183P . Applied Music: Harp 1   TBD - S Mower FY 2 20  
MUS184P . Applied Music: Gamba 1   TBD - S Mower FY 2 20  
MUS185P . Applied Music: Saxophone 1   TBD - S Mower FY 2 20  
MUS195P . Applied Music: Cello 1   TBD - S Mower FY 2 20  
MUS313 . CP Music of IndiaCLOSED 4 TR 10:30-11:55 am DAC-115 J Myers   3 3  
THEA206 . Theater Production 3 R 2:00- 4:55 pm DAC-002 K Beaumont   3 4  
and     B Sims        
THEA306 . Theater Production 4 R 2:00- 4:55 pm DAC-002 K Beaumont   3 4  
and     B Sims        
THEA403 . Advanced Acting Studio 4 T 2:00- 4:55 pm DAC-002 K Beaumont   3 6  
and   DAC-115          
PSYC221 NEW Stereotyping and Prejudice 3 TR 1:30- 2:55 pm CL3-11 E Pruitt   3 8  
MUS219 . Jazz Improvization Workshop I 3 TR 1:30- 2:55 pm KLG J Myers FY 3 11  
and   KLG-B   FY      
ENVS308 . Limnology 4 F 10:00-12:55 pm FSH-131 T Coote   3 15  
and MW 10:30-11:55 am FSH-131          
MUS196P . Applied Music: Percussion 1   TBD - S Mower FY 3 20  
SART374 . Experiments in Photography 4 TR 9:00-10:25 am DAC-025 A Hillman   4 5  
and   DAC-139          
MATH110LA . Introduction to Statistics Lab   F 1:00- 1:55 pm FSH-112 R Snyder WP 4 12  
CHEM102 . Chemistry in Context 4 R 9:00-11:25 am FSH-128 E Dongala FY 4 15  
and MWF 2:00- 2:55 pm FSH-131   FY      
CHIN300 . Advanced Chinese 4 TR 10:30-11:55 am CL3-12 P Xie WP 4 15  
MUS199P . Applied Music: Violin/Viola 1   TBD - S Mower FY 4 20  
Course Number Title Credits Days Time Room Instructor FY Current Max Wait
SART368 . Advanced Ceramic Studio 4 MW 6:00- 7:25 pm DAC-072 B Krupka   5 6  
and   DAC-140          
LIT363 NEW CP 20th-Century Latin American Novel in Translation 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 5 8  
SART136M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 5 10  
and   DAC-125   FY      
THEA108M1 . Costume and Prop Design and Execution 2 R 2:00- 4:55 pm DAC-018 G Veale FY 5 12  
and   DAC-115   FY      
ARAB205M1 . Intermediate Arabic I 2 TR 10:30-11:55 am CL3-14 G Asfar   5 15  
CHIN204 . Intermediate Chinese I 3 W 3:00- 3:55 pm CL3-09 J Weinstein WP 5 15  
and TR 4:30- 5:55 pm CL3-09   WP      
DANC126 NEW Flamenco Dance 2 MF 12:00- 1:25 pm DAC-116 K Garcia-Renart FY 5 15  
HIST229 NEW CP Chicanas/Chicanos in the United States: A National History 3 TR 4:30- 5:55 pm CL1-04 M Alvarez FY 5 15  
DANC201 . Intermediate Modern Dance TechniqueCLOSED 3 TR 1:30- 2:55 pm DAC-108 W Shifrin FY 6 3  
PHYS230 . Modern Physics Laboratory 1 R 2:00- 4:55 pm FSH-113 M Bergman WP 6 12  
FREN208M2 NEW Songs in French 2 TR 10:30-11:55 am CL3-14 G Asfar WP 6 15  
PSYC203 . Social Psychology 3 MW 1:30- 2:55 pm CL3-11 E Pruitt WP 6 15  
SPAN100A . Accelerated Beginning Spanish I 4 TR 9:00-10:25 am CL3-13 G Morales-Gotsch FY 6 16  
and MW 10:00-10:55 am CL3-13   FY      
PSYC321 NEW Stereotyping and PrejudiceCLOSED 4 TR 1:30- 2:55 pm CL3-11 E Pruitt   7 7  
DANC114 . Ballet I 2 MW 10:30-11:55 am DAC-108 R Aver Thung FY 7 8  
SART237 . Illustration Studio 3 MW 9:00-10:25 am DAC-024 W Jackson WP 7 11  
and   DAC-125   WP      
CHEM100LA NEW Chemistry I Lab   T 2:00- 4:55 pm FSH-128 D Myers WP 7 12  
CHEM100LB NEW Chemistry I Lab   R 2:00- 4:55 pm FSH-128 D Myers WP 7 12  
CHIN100LB . Accelerated Beginning Chinese I Lab   TR 12:00-12:55 pm CL3-10 P Xie FY 7 12  
MUS213 NEW CP Music of India 3 TR 10:30-11:55 am DAC-115 J Myers FY 7 12  
SART108M2 . The Art of Assemblage 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 7 12  
and   DAC-125   FY      
ARTH222 . Clothing in Art 3 MW 12:00- 1:25 pm DAC-125 J DelPlato WP 7 15  
FREN217 . Paris on the Page 3 MW 12:00- 1:25 pm CL3-11 M Tebben WP 7 15  
GERM204 . Intermediate German I 3 MW 1:30- 2:55 pm CL3-13 C van Kerckvoorde WP 7 15  
LIT231 . American Drama: Moderns and Contemporaries 3 TR 3:00- 4:25 pm CL3-12 B Rodgers   7 15  
MUS308 . Theory III: Modal and Tonal Counterpoint (16th and 17th Centuries) 4 MWF 1:00- 1:55 pm DAC-128 J Myers WP 7 15  
and   DAC-135   WP      
PHYS304 . Electricity & Magnetism 4 MWF 10:00-10:55 am FSH-113 M Bergman   7 20  
CMPT240 . Introduction to Robotics 3 MW 2:00- 3:25 pm FSH-113 M Bergman WP 8 10  
BIO210 . Molecular Techniques 3 WF 12:00- 1:25 pm FSH-202 S Mechanic-Meyers   8 12  
MATH110LB . Introduction to Statistics Lab   F 2:00- 2:55 pm FSH-112 R Snyder WP 8 12  
THEA201 . Listening, Analysis & Characterization 3 MW 12:00- 1:25 pm DAC-002 K Beaumont WP 8 12  
and   DAC-115   WP      
SART202 . Drawing from Direct Observation 3 MW 10:30-11:55 am DAC-024 W Jackson WP 8 13  
and   DAC-125   WP      
BIO203 . Invertebrate Zoology 4 MWF 10:00-10:55 am FSH-211 R Schmidt WP 8 15  
and T 2:00- 4:55 pm FSH-211   WP      
CMPT250 . Computer Organization 3 TR 3:00- 4:25 pm FSH-112 P Shields WP 8 15  
ECON226 NEW Economics of Post-reform China 3 TR 9:00-10:25 am CL1-03 D Neilson   8 15  
MATH211 . Calculus II 3 MWF 9:00-09:55 am CL1-02 W Dunbar WP 8 15  
MATH320 . Modern Algebra I 4 MWF 12:00-12:55 pm CL1-01 W Dunbar   8 15  
MATH210C . Calculus I 3 MWF 9:00-09:55 am CL3-10 M Goldstein WP 8 20  
MUS193P . Applied Music: Guitar 1   TBD - S Mower FY 8 20  
PHYS220 . Introduction to Quantum Physics 3 MWF 11:00-11:55 am FSH-201 M Bergman WP 8 20  
SPAN204 . Intermediate Spanish I 3 TR 9:00-10:25 am FSH-112 M Wong WP 8 20  
Course Number Title Credits Days Time Room Instructor FY Current Max Wait
SPAN204 . Intermediate Spanish I 3 and   FSH-201   WP      
SPAN214 . CP Latin America Today (Span) 3 MW 6:00- 7:25 pm CL1-04 M Wong WP 8 20  
SART207 . Intermediate Wheel ThrowingCLOSED 3 MW 6:00- 7:25 pm DAC-072 B Krupka   9 6  
and   DAC-140          
LIT287 . The Personal Essay 3 WF 12:00- 1:25 pm CL1-04 J Hutchinson WP 9 10  
CHEM302 . Organic Chemistry I 4 T 9:00-11:55 am FSH-128 D Myers   9 12  
and MW 9:00-10:25 am FSH-201          
DANC101 . Beginning Modern Dance Technique 3 TR 1:30- 2:55 pm DAC-108 W Shifrin FY 9 12  
MUS211 . Introduction to Electronic Music 3 WF 5:00- 6:25 pm DAC-135 C Davis FY 9 12  
SART106A . Introduction to Ceramics 3 MW 1:30- 2:55 pm DAC-072 B Krupka FY 9 12  
and   DAC-140   FY      
SS251D . Sophomore Seminar: Voices Against the Chorus 4 MW 1:30- 2:55 pm CL1-03 J Browdy de Hernandez   9 14  
ARAB100 . Accelerated Beginning Arabic I 4 TR 9:00-10:25 am CL3-14 G Asfar FY 9 15  
and MW 1:30- 2:55 pm CL3-14   FY      
ARTH310 . Victorian Art & Poetry 4 T 6:00- 8:30 pm DAC-125 J DelPlato WP 9 15  
LIT296 NEW Creative Writing Drama 3 TR 4:30- 5:55 pm CL1-03 W Brown WP 9 15  
MUS280 . Madrigal Group 1 M 3:30- 4:55 pm KLG J Brown FY 9 15  
PSYC202 . Child Development 3 TR 6:00- 7:25 pm CL1-04 M Carter   9 15  
SART226 . Electronic Arts Studio Video Production 3 F 2:00- 4:55 pm DAC-120 L Burke FY 9 15  
and   DAC-128   FY      
SART312 . Beyond 35mm PhotographyCLOSED 4 F 2:00- 4:55 pm DAC-025 L Tyler   10 10  
CHEM100LC NEW Chemistry I Lab   F 2:00- 4:55 pm FSH-128 D Myers WP 10 12  
MATH101LB . Mathematics and Its Applications Lab   F 12:00-12:55 pm FSH-112 J Rizzuti WP 10 12  
MUS278 . Collegium 1 M 7:30- 9:00 pm KLG L Bardo FY 10 12  
SART106B . Introduction to Ceramics 3 TR 12:00- 1:25 pm DAC-072 B Krupka FY 10 12  
and   DAC-140   FY      
THEA216M2 . Theater Practicum 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 10 12  
and   DAC-023   FY      
ARTH100 . Visual Art & Writing 3 TR 10:30-11:55 am DAC-125 J DelPlato FY 10 15  
BIO310 . Evolution 4 MWF 2:00- 2:55 pm FSH-211 R Schmidt   10 15  
SART224 . Experiments in Photography 3 TR 9:00-10:25 am DAC-025 A Hillman   10 15  
and   DAC-139          
BIO100LA . Introduction to Life Sciences Lab   T 9:00-11:55 am FSH-202 S Mechanic-Meyers FY 10 16  
MATH101 . Math & Its Applications 3 MWF 12:00-12:55 pm FSH-201 J Rizzuti WP 10 20  
CHEM100LD NEW Chemistry I Lab   T 6:00- 8:30 pm FSH-128 E Dongala WP 11 12  
CHIN100LA . Accelerated Beginning Chinese I Lab   TR 2:00- 2:55 pm CL3-10 P Xie FY 11 12  
LIT151 . Modes of Making 3 MW 10:30-11:55 am DAC-023 P Filkins FY 11 12  
THEA107M2 . Studies in Production: Performance 2 F 2:00- 4:55 pm DAC-002   FY 11 12  
and   DAC-108   FY      
DAC-116   FY      
SART124 . Graphic Design 3 MW 12:00- 1:25 pm DAC-028 A Hillman FY 11 13  
and   DAC-139   FY      
FS100A . First-Year Seminar I: The Examined Life 4 MW 9:00-10:25 am CL1-03 A Taylor FY 11 14  
SS251E . Sophomore Seminar: Voices Against the Chorus 4 MW 1:30- 2:55 pm CL1-04 M Wong   11 14  
SS251J . Sophomore Seminar: Voices Against the Chorus 4 TR 3:00- 4:25 pm DAC-023 L Wallach   11 14  
BAS352 . Fatal Progress: Fact & Fiction 4 TR 3:00- 4:25 pm CL1-04 H Holladay   11 15  
LING100 . Introduction to Linguistics 3 MWF 1:00- 1:55 pm CL3-09 N Bonvillain FY 11 15  
LIT206 . Art of Film 3 T 3:00- 6:00 pm DAC-001 L Burke FY 11 15  
and   DAC-128   FY      
and R 3:00- 4:25 pm DAC-128   FY      
LIT222 . Shakespeare 3 TR 10:30-11:55 am CL1-04 H Holladay FY 11 15  
MUS206 . Theory I: Introduction to Tonal Harmony 3 MWF 10:00-10:55 am DAC-128 L Wallach FY 11 15  
Course Number Title Credits Days Time Room Instructor FY Current Max Wait
MUS216 . Music of the Romantic Era 3 TR 12:00- 1:25 pm KLG-B L Wallach FY 11 15  
LATN204 . CP Intermediate Latin I: Roman Civilization and Vergil 3 TR 3:00- 4:25 pm CL3-09 C Callanan WP 11 20  
CHEM100LE NEW Chemistry I LabCLOSED   R 6:00- 8:30 pm FSH-128 E Dongala WP 12 12  
FS100B . First-Year Seminar I: The Examined Life 4 MW 10:30-11:55 am CL1-03 J Browdy de Hernandez FY 12 14  
FS100F . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL3-10 B Rodgers FY 12 14  
SS251H . Sophomore Seminar: Voices Against the Chorus 4 TR 12:00- 1:25 pm CL1-02 K Boswell   12 14  
SS251I . Sophomore Seminar: Voices Against the Chorus 4 TR 1:30- 2:55 pm CL1-04 H Holladay   12 14  
BIO318M2 . Topics in Modern Biology: 20th C Foundations to 21st C Research 2 W 6:00- 8:30 pm FSH-211     12 15  
DANC211 . Topics in Dance: Relationships between Dance and Creative Writing 3 TR 3:00- 4:25 pm DAC-108 W Shifrin FY 12 15  
FREN204 . Intermediate French I 3 MW 12:00- 1:25 pm CL3-14 G Asfar WP 12 15  
LIT203 . Art of Fiction: The Novel 3 TR 1:30- 2:55 pm CL1-03 B Mathews FY 12 15  
BIO100LB . Introduction to Life Sciences Lab   T 2:00- 4:55 pm FSH-202 S Mechanic-Meyers FY 12 16  
PHYS100B . Physics I 4 MWF 1:00- 1:55 pm FSH-113 E Kramer WP 12 18  
ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 12 20  
GERM100 . Accelerated Beginning German I 4 MTWR 12:15- 1:25 pm CL3-13 C van Kerckvoorde FY 12 20  
MATH109B . Elementary Functions 3 MWF 12:00-12:55 pm FSH-102 R Snyder WP 12 20  
MATH110 . Introduction to Statistics 3 MWF 1:00- 1:55 pm FSH-102 R Snyder WP 12 20  
SOCS320 NEW Junior Proseminar: Possession: Spatialities, Identities, OwnershipCLOSED 4 M 3:30- 6:15 pm DAC-128 K Boswell   13 12  
and     C Coggins        
THEA100 . Improvisation and ImaginationCLOSED 3 TR 12:00- 1:25 pm DAC-002 K Beaumont FY 13 12  
THEA115M1 . StagecraftCLOSED 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 13 12  
and   DAC-023   FY      
FS100D . First-Year Seminar I: The Examined Life 4 MW 12:00- 1:25 pm CL3-12 R Fiske FY 13 14  
FS100E . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL1-02 P Filkins FY 13 14  
SS251G . Sophomore Seminar: Voices Against the Chorus 4 TR 12:00- 1:25 pm CL3-14 B Rodgers   13 14  
CMPT242 . Computer Science 1 3 TR 1:30- 2:55 pm FSH-112 P Shields FY 13 15  
ECON209 . Intermediate Political Economy 3 MW 6:00- 7:25 pm CL1-03 R Kanth   13 15  
PHIL225 . Phenomenology & Existentialism 3 MW 10:30-11:55 am CL3-12 B Conolly   13 15  
PHYS100LB . Physics I Lab   F 2:00- 4:55 pm FSH-113 E Kramer WP 13 15  
SPAN101 . Accelerated Beginning Spanish II 4 TR 9:00-10:25 am CL3-09 M Roe WP 13 15  
and MW 10:00-10:55 am CL3-09   WP      
SPAN205 . Intermediate Spanish II 3 TR 12:00- 1:25 pm CL1-03 M Roe WP 13 15  
SPAN100B . Accelerated Beginning Spanish I 4 TR 10:30-11:55 am CL3-13 G Morales-Gotsch FY 13 16  
and MW 11:00-11:55 am CL3-13   FY      
MUS190P . Applied Music: Piano 1   TBD - S Mower FY 13 20  
FS100C . First-Year Seminar I: The Examined LifeCLOSED 4 MW 12:00- 1:25 pm CL3-10 C Callanan FY 14 14  
FS100G . First-Year Seminar I: The Examined LifeCLOSED 4 MW 12:00- 1:25 pm DAC-023 A Taylor FY 14 14  
FS100I . First-Year Seminar I: The Examined LifeCLOSED 4 TR 10:30-11:55 am CL1-02 J Hutchinson FY 14 14  
FS100J . First-Year Seminar I: The Examined LifeCLOSED 4 TR 10:30-11:55 am CL3-11 B Mathews FY 14 14  
FS100K . First-Year Seminar I: The Examined LifeCLOSED 4 TR 1:30- 2:55 pm CL3-13 C van Kerckvoorde FY 14 14  
BIO202 . Genetics 4 R 9:00-11:25 am FSH-202 I Bao   14 15  
and TR 1:30- 2:55 pm FSH-201          
LIT264 . CP Nature & Literature 3 TR 3:00- 4:25 pm CL1-02 J Hutchinson FY 14 15  
LIT321 . Literary Theory 4 TR 12:00- 1:25 pm CL3-12 R Fiske   14 15  
SART102A . Photography 3 MW 9:00-10:25 am DAC-025 A Hillman FY 14 15  
SOC100 NEW Introduction to Sociology 3 TR 12:00- 1:25 pm CL3-11 F Oyogoa FY 14 15  
FS100H . First-Year Seminar I: The Examined LifeCLOSED 4 TR 9:00-10:25 am DAC-023 B Conolly FY 15 14  
SS251A . Sophomore Seminar: Voices Against the ChorusCLOSED 4 MW 9:00-10:25 am CL3-12 R Fiske   15 14  
AFAM100 NEW CP Introduction to African American StudiesCLOSED 3 TR 3:00- 4:25 pm CL3-11 F Oyogoa FY 15 15  
DANC119 . Chinese SwordCLOSED 2 TR 10:30-11:55 am DAC-108 R Aver Thung FY 15 15  
ECON100 . MicroeconomicsCLOSED 3 MW 9:00-10:25 am CL1-04 R Kanth FY 15 15  
ENVS100 . Introduction to Environmental StudiesCLOSED 4 MWF 9:00-09:55 am FSH-211 T Coote FY 15 15  
Course Number Title Credits Days Time Room Instructor FY Current Max Wait
ENVS100 . Introduction to Environmental StudiesCLOSED 4 and R 2:00- 4:55 pm FSH-211   FY      
HIST227 NEW Manifesting Destinies: The United States of America to 1877CLOSED 3 TR 12:00- 1:25 pm CL1-04 M Alvarez FY 15 15  
PSYC100 . Introduction to Psychology 3 MW 10:30-11:55 am CL3-11 E Pruitt FY 15 18  
CHEM100B NEW Chemistry I 4 TR 10:30-11:55 am FSH-102 P Dooley WP 15 20  
MUS289 . Chamber Orchestra 1 R 7:30- 9:00 pm KLG A Legene FY 15 30  
SS251B . Sophomore Seminar: Voices Against the ChorusCLOSED 4 MWF 10:00-10:55 am CL3-14 C Coggins   16 14  
SS251C . Sophomore Seminar: Voices Against the ChorusCLOSED 4 MW 12:00- 1:25 pm CL1-02 N Yanoshak   16 14  
SS251F . Sophomore Seminar: Voices Against the ChorusCLOSED 4 TR 9:00-10:25 am CL3-12 M Tebben   16 14  
BAS310 . Ad Infinitum: Controversy, Paradox, Perplexity, and the Idea of the InfiniteCLOSED 4 MW 1:30- 2:55 pm FSH-201 B Conolly   16 15  
and     P Shields        
ECON101 . MacroeconomicsCLOSED 3 MW 10:30-11:55 am CL1-04 R Kanth FY 16 15  
ANTH100 . CP Introduction to Anthropology 3 TR 3:00- 4:25 pm CL1-03 K Boswell FY 16 18  
MATH220 . Linear Algebra 3 MWF 9:00-09:55 am CL1-01 B Wynne WP 16 20  
and   FSH-112   WP      
ARTS212 . Imagining the Self: Autobiography and Biography in Creative ExpressionCLOSED 3 MW 1:30- 2:55 pm DAC-108 W Shifrin FY 17 15  
LATN100 . Accelerated Beginning Latin I 4 TR 10:30-11:55 am CL3-09 C Callanan FY 17 20  
and MW 11:00-11:55 am CL3-09   FY      
LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 17 20  
LR201M1 . The Art of Tutoring Writing 1 R 5:30- 7:30 pm CL1-02 N Bonvillain   17 20  
PHYS100LA . Physics I LabCLOSED   T 2:00- 4:55 pm FSH-113 E Kramer WP 18 15  
WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 18 15  
CHEM100C NEW Chemistry I 4 MW 2:00- 3:25 pm FSH-102 P Dooley WP 18 20  
CHIN100 . Accelerated Beginning Chinese I 4 MWF 2:00- 2:55 pm CL3-09 J Weinstein FY 18 20  
WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 19 15  
LIT100 . Guest Writers 2 TR 5:00- 6:25 pm CL3-13 B Mathews FY 19 20  
MATH210A . Calculus I 3 MWF 10:00-10:55 am CL1-01 B Wynne WP 19 20  
PHYS100A . Physics ICLOSED 4 MWF 11:00-11:55 am FSH-113 E Kramer WP 20 18  
CHEM100A NEW Chemistry ICLOSED 4 TR 9:00-10:25 am FSH-102 P Dooley WP 20 20  
LING216M2 . Language & PowerCLOSED 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 22 20 2
MUS191P . Applied Music: VoiceCLOSED 1   TBD - S Mower FY 22 20  
BIO100 . Introduction to the Life Sciences 4 MWF 9:00-09:55 am FSH-102 R Schmidt FY 22 30  
MUS222 . Jazz Ensemble 1 T 7:30- 9:30 pm KLG J Myers FY 22 50  
and   KLG-B   FY      
FREN100 . Accelerated Beginning French ICLOSED 4 MW 9:00-09:55 am LEC-LC M Tebben FY 23 20  
and   LEC-LC   FY      
and TR 10:30-11:55 am CL1-01   FY      
MATH210B . Calculus ICLOSED 3 MWF 2:00- 2:55 pm CL1-01 B Wynne WP 23 20  
MATH109A . Elementary FunctionsCLOSED 3 MWF 10:00-10:55 am FSH-102 J Rizzuti WP 25 25  
MUS117 . Chorus 1 W 7:00- 9:00 pm KLG J Brown FY 28 30  
 
 
 
 
 
All Courses By Time
Top FOCUS Report
 
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
 
Monday, Wednesday and/or Friday
9:00-09:55 am Top
  BIO100 . Introduction to the Life Sciences 4 MWF 9:00-09:55 am FSH-102 R Schmidt FY 30. 22. 0.
  ENVS100 . Introduction to Environmental StudiesCLOSED 4 MWF 9:00-09:55 am FSH-211 T Coote FY 15. 15. 0.
  FREN100 . Accelerated Beginning French ICLOSED 4 MW 9:00-09:55 am LEC-LC M Tebben FY 20. 23. 0.
  MATH210C . Calculus I 3 MWF 9:00-09:55 am CL3-10 M Goldstein WP 20. 8. 0.
  MATH211 . Calculus II 3 MWF 9:00-09:55 am CL1-02 W Dunbar WP 15. 8. 0.
  MATH220 . Linear Algebra 3 MWF 9:00-09:55 am CL1-01 B Wynne WP 20. 16. 0.
and MWF 9:00-09:55 am FSH-112 B Wynne WP 20. 16. 0.
 
Monday, Wednesday and/or Friday
9:00-10:25 am Top
  FS100A . First-Year Seminar I: The Examined Life 4 MW 9:00-10:25 am CL1-03 A Taylor FY 14. 11. 0.
  SS251A . Sophomore Seminar: Voices Against the ChorusCLOSED 4 MW 9:00-10:25 am CL3-12 R Fiske   14. 15. 0.
  CHEM302 . Organic Chemistry I 4 and MW 9:00-10:25 am FSH-201 D Myers   12. 9. 0.
  ECON100 . MicroeconomicsCLOSED 3 MW 9:00-10:25 am CL1-04 R Kanth FY 15. 15. 0.
  SART102A . Photography 3 MW 9:00-10:25 am DAC-025 A Hillman FY 15. 14. 0.
  SART237 . Illustration Studio 3 MW 9:00-10:25 am DAC-024 W Jackson WP 11. 7. 0.
and MW 9:00-10:25 am DAC-125 W Jackson WP 11. 7. 0.
  SART337 . Illustration Studio 4 MW 9:00-10:25 am DAC-024 W Jackson WP 2. 1. 0.
and MW 9:00-10:25 am DAC-125 W Jackson WP 2. 1. 0.
  SART437 . Illustration Studio 4 MW 9:00-10:25 am DAC-024 W Jackson WP 2. 0. 0.
and MW 9:00-10:25 am DAC-125 W Jackson WP 2. 0. 0.
 
Monday, Wednesday and/or Friday
10:00-10:55 am Top
  SS251B . Sophomore Seminar: Voices Against the ChorusCLOSED 4 MWF 10:00-10:55 am CL3-14 C Coggins   14. 16. 0.
  BIO203 . Invertebrate Zoology 4 MWF 10:00-10:55 am FSH-211 R Schmidt WP 15. 8. 0.
  SPAN100A . Accelerated Beginning Spanish I 4 and MW 10:00-10:55 am CL3-13 G Morales-Gotsch FY 16. 6. 0.
  SPAN101 . Accelerated Beginning Spanish II 4 and MW 10:00-10:55 am CL3-09 M Roe WP 15. 13. 0.
  MATH109A . Elementary FunctionsCLOSED 3 MWF 10:00-10:55 am FSH-102 J Rizzuti WP 25. 25. 0.
  MATH210A . Calculus I 3 MWF 10:00-10:55 am CL1-01 B Wynne WP 20. 19. 0.
  MUS206 . Theory I: Introduction to Tonal Harmony 3 MWF 10:00-10:55 am DAC-128 L Wallach FY 15. 11. 0.
  PHYS304 . Electricity & Magnetism 4 MWF 10:00-10:55 am FSH-113 M Bergman   20. 7. 0.
 
Monday, Wednesday and/or Friday
10:00-12:55 pm Top
  ENVS308 . Limnology 4 F 10:00-12:55 pm FSH-131 T Coote   15. 3. 0.
 
Monday, Wednesday and/or Friday
10:30-11:55 am Top
  FS100B . First-Year Seminar I: The Examined Life 4 MW 10:30-11:55 am CL1-03 J Browdy de Hernandez FY 14. 12. 0.
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20. 12. 0.
  DANC114 . Ballet I 2 MW 10:30-11:55 am DAC-108 R Aver Thung FY 8. 7. 0.
  DANC214 . Intermediate Ballet I 2 MW 10:30-11:55 am DAC-108 R Aver Thung FY 7. 0. 0.
  ECON101 . MacroeconomicsCLOSED 3 MW 10:30-11:55 am CL1-04 R Kanth FY 15. 16. 0.
  ENVS308 . Limnology 4 and MW 10:30-11:55 am FSH-131 T Coote   15. 3. 0.
  LIT151 . Modes of Making 3 MW 10:30-11:55 am DAC-023 P Filkins FY 12. 11. 0.
  ANTH217 . CP Ritual & Belief: Anthropology of Religions 3 MW 10:30-11:55 am CL3-10 N Bonvillain WP 20. 12. 0.
  PHIL225 . Phenomenology & Existentialism 3 MW 10:30-11:55 am CL3-12 B Conolly   15. 13. 0.
  PSYC100 . Introduction to Psychology 3 MW 10:30-11:55 am CL3-11 E Pruitt FY 18. 15. 0.
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  SART202 . Drawing from Direct Observation 3 MW 10:30-11:55 am DAC-024 W Jackson WP 13. 8. 0.
and MW 10:30-11:55 am DAC-125 W Jackson WP 13. 8. 0.
  SART372 . Drawing from Direct ObservationCLOSED 4 MW 10:30-11:55 am DAC-024 W Jackson   2. 2. 0.
and MW 10:30-11:55 am DAC-125 W Jackson   2. 2. 0.
 
Monday, Wednesday and/or Friday
11:00-11:55 am Top
  LATN100 . Accelerated Beginning Latin I 4 and MW 11:00-11:55 am CL3-09 C Callanan FY 20. 17. 0.
  SPAN100B . Accelerated Beginning Spanish I 4 and MW 11:00-11:55 am CL3-13 G Morales-Gotsch FY 16. 13. 0.
  MATH101LA . Mathematics and Its Applications Lab   F 11:00-11:55 am FSH-112 J Rizzuti WP 12. 0. 0.
  PHYS100A . Physics ICLOSED 4 MWF 11:00-11:55 am FSH-113 E Kramer WP 18. 20. 0.
  PHYS220 . Introduction to Quantum Physics 3 MWF 11:00-11:55 am FSH-201 M Bergman WP 20. 8. 0.
 
Monday, Wednesday and/or Friday
12:00- 1:25 pm Top
  FS100C . First-Year Seminar I: The Examined LifeCLOSED 4 MW 12:00- 1:25 pm CL3-10 C Callanan FY 14. 14. 0.
  FS100D . First-Year Seminar I: The Examined Life 4 MW 12:00- 1:25 pm CL3-12 R Fiske FY 14. 13. 0.
  FS100G . First-Year Seminar I: The Examined LifeCLOSED 4 MW 12:00- 1:25 pm DAC-023 A Taylor FY 14. 14. 0.
  SS251C . Sophomore Seminar: Voices Against the ChorusCLOSED 4 MW 12:00- 1:25 pm CL1-02 N Yanoshak   14. 16. 0.
  ARTH222 . Clothing in Art 3 MW 12:00- 1:25 pm DAC-125 J DelPlato WP 15. 7. 0.
  BIO210 . Molecular Techniques 3 WF 12:00- 1:25 pm FSH-202 S Mechanic-Meyers   12. 8. 0.
  DANC126 NEW Flamenco Dance 2 MF 12:00- 1:25 pm DAC-116 K Garcia-Renart FY 15. 5. 0.
  FREN204 . Intermediate French I 3 MW 12:00- 1:25 pm CL3-14 G Asfar WP 15. 12. 0.
  FREN217 . Paris on the Page 3 MW 12:00- 1:25 pm CL3-11 M Tebben WP 15. 7. 0.
  LIT287 . The Personal Essay 3 WF 12:00- 1:25 pm CL1-04 J Hutchinson WP 10. 9. 0.
  LIT387 . The Personal EssayCLOSED 4 WF 12:00- 1:25 pm CL1-04 J Hutchinson   2. 2. 0.
  WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15. 18. 0.
  WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15. 19. 0.
  SART102B . Photography 3 WF 12:00- 1:25 pm DAC-025 L Tyler FY 15. 2. 0.
  SART124 . Graphic Design 3 MW 12:00- 1:25 pm DAC-028 A Hillman FY 13. 11. 0.
and MW 12:00- 1:25 pm DAC-139 A Hillman FY 13. 11. 0.
  SART222 . Graphic DesignCLOSED 3 MW 12:00- 1:25 pm DAC-028 A Hillman   2. 2. 0.
and MW 12:00- 1:25 pm DAC-139 A Hillman   2. 2. 0.
  THEA201 . Listening, Analysis & Characterization 3 MW 12:00- 1:25 pm DAC-002 K Beaumont WP 12. 8. 0.
and MW 12:00- 1:25 pm DAC-115 K Beaumont WP 12. 8. 0.
  WS225M1 . CP Women Writing Resistance: AfricaCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15. 18. 0.
  WS226M2 . CP Women Writing Resistance: Middle EastCLOSED 2 MW 12:00- 1:25 pm CL1-03 J Browdy de Hernandez FY 15. 19. 0.
 
Monday, Wednesday and/or Friday
12:00-12:55 pm Top
  MATH101 . Math & Its Applications 3 MWF 12:00-12:55 pm FSH-201 J Rizzuti WP 20. 10. 0.
  MATH101LB . Mathematics and Its Applications Lab   F 12:00-12:55 pm FSH-112 J Rizzuti WP 12. 10. 0.
  MATH109B . Elementary Functions 3 MWF 12:00-12:55 pm FSH-102 R Snyder WP 20. 12. 0.
  MATH320 . Modern Algebra I 4 MWF 12:00-12:55 pm CL1-01 W Dunbar   15. 8. 0.
 
Monday, Wednesday and/or Friday
12:15- 1:25 pm Top
  GERM100 . Accelerated Beginning German I 4 MTWR 12:15- 1:25 pm CL3-13 C van Kerckvoorde FY 20. 12. 0.
 
Monday, Wednesday and/or Friday
1:00- 1:55 pm Top
  LING100 . Introduction to Linguistics 3 MWF 1:00- 1:55 pm CL3-09 N Bonvillain FY 15. 11. 0.
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  MATH110 . Introduction to Statistics 3 MWF 1:00- 1:55 pm FSH-102 R Snyder WP 20. 12. 0.
  MATH110LA . Introduction to Statistics Lab   F 1:00- 1:55 pm FSH-112 R Snyder WP 12. 4. 0.
  MUS308 . Theory III: Modal and Tonal Counterpoint (16th and 17th Centuries) 4 MWF 1:00- 1:55 pm DAC-128 J Myers WP 15. 7. 0.
and MWF 1:00- 1:55 pm DAC-135 J Myers WP 15. 7. 0.
  PHYS100B . Physics I 4 MWF 1:00- 1:55 pm FSH-113 E Kramer WP 18. 12. 0.
 
Monday, Wednesday and/or Friday
1:30- 2:55 pm Top
  BAS310 . Ad Infinitum: Controversy, Paradox, Perplexity, and the Idea of the InfiniteCLOSED 4 MW 1:30- 2:55 pm FSH-201 B Conolly   15. 16. 0.
and MW 1:30- 2:55 pm   P Shields   15. 16. 0.
  FS100E . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL1-02 P Filkins FY 14. 13. 0.
  FS100F . First-Year Seminar I: The Examined Life 4 MW 1:30- 2:55 pm CL3-10 B Rodgers FY 14. 12. 0.
  SS251D . Sophomore Seminar: Voices Against the Chorus 4 MW 1:30- 2:55 pm CL1-03 J Browdy de Hernandez   14. 9. 0.
  SS251E . Sophomore Seminar: Voices Against the Chorus 4 MW 1:30- 2:55 pm CL1-04 M Wong   14. 11. 0.
  ARTS212 . Imagining the Self: Autobiography and Biography in Creative ExpressionCLOSED 3 MW 1:30- 2:55 pm DAC-108 W Shifrin FY 15. 17. 0.
  ARAB100 . Accelerated Beginning Arabic I 4 and MW 1:30- 2:55 pm CL3-14 G Asfar FY 15. 9. 0.
  GERM204 . Intermediate German I 3 MW 1:30- 2:55 pm CL3-13 C van Kerckvoorde WP 15. 7. 0.
  SPAN313 . CP 20th-Century Latin American Novel (in Spanish) 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 7. 1. 0.
  LIT363 NEW CP 20th-Century Latin American Novel in Translation 4 MW 1:30- 2:55 pm CL3-12 M Roe WP 8. 5. 0.
  BAS310 . Ad Infinitum: Controversy, Paradox, Perplexity, and the Idea of the InfiniteCLOSED 4 MW 1:30- 2:55 pm FSH-201 B Conolly   15. 16. 0.
and MW 1:30- 2:55 pm   P Shields   15. 16. 0.
  PSYC203 . Social Psychology 3 MW 1:30- 2:55 pm CL3-11 E Pruitt WP 15. 6. 0.
  SART106A . Introduction to Ceramics 3 MW 1:30- 2:55 pm DAC-072 B Krupka FY 12. 9. 0.
and MW 1:30- 2:55 pm DAC-140 B Krupka FY 12. 9. 0.
 
Monday, Wednesday and/or Friday
2:00- 2:55 pm Top
  BIO310 . Evolution 4 MWF 2:00- 2:55 pm FSH-211 R Schmidt   15. 10. 0.
  CHEM102 . Chemistry in Context 4 and MWF 2:00- 2:55 pm FSH-131 E Dongala FY 15. 4. 0.
  CHIN100 . Accelerated Beginning Chinese I 4 MWF 2:00- 2:55 pm CL3-09 J Weinstein FY 20. 18. 0.
  MATH110LB . Introduction to Statistics Lab   F 2:00- 2:55 pm FSH-112 R Snyder WP 12. 8. 0.
  MATH210B . Calculus ICLOSED 3 MWF 2:00- 2:55 pm CL1-01 B Wynne WP 20. 23. 0.
 
Monday, Wednesday and/or Friday
2:00- 3:25 pm Top
  CHEM100C NEW Chemistry I 4 MW 2:00- 3:25 pm FSH-102 P Dooley WP 20. 18. 0.
  CMPT240 . Introduction to Robotics 3 MW 2:00- 3:25 pm FSH-113 M Bergman WP 10. 8. 0.
 
Monday, Wednesday and/or Friday
2:00- 4:55 pm Top
  CHEM100LC NEW Chemistry I Lab   F 2:00- 4:55 pm FSH-128 D Myers WP 12. 10. 0.
  PHYS100LB . Physics I Lab   F 2:00- 4:55 pm FSH-113 E Kramer WP 15. 13. 0.
  SART226 . Electronic Arts Studio Video Production 3 F 2:00- 4:55 pm DAC-120 L Burke FY 15. 9. 0.
and F 2:00- 4:55 pm DAC-128 L Burke FY 15. 9. 0.
  SART312 . Beyond 35mm PhotographyCLOSED 4 F 2:00- 4:55 pm DAC-025 L Tyler   10. 10. 0.
  SART412 NEW Beyond 35mm Photography 4 F 2:00- 4:55 pm DAC-025 L Tyler   2. 0. 0.
  THEA107M2 . Studies in Production: Performance 2 F 2:00- 4:55 pm DAC-002   FY 12. 11. 0.
and F 2:00- 4:55 pm DAC-108   FY 12. 11. 0.
DAC-116   FY 12. 11. 0.
 
Monday, Wednesday and/or Friday
3:00- 3:55 pm Top
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  CHIN204 . Intermediate Chinese I 3 W 3:00- 3:55 pm CL3-09 J Weinstein WP 15. 5. 0.
 
Monday, Wednesday and/or Friday
3:30- 4:55 pm Top
  MUS280 . Madrigal Group 1 M 3:30- 4:55 pm KLG J Brown FY 15. 9. 0.
 
Monday, Wednesday and/or Friday
3:30- 6:15 pm Top
  SOCS320 NEW Junior Proseminar: Possession: Spatialities, Identities, OwnershipCLOSED 4 M 3:30- 6:15 pm DAC-128 K Boswell   12. 13. 0.
and M 3:30- 6:15 pm   C Coggins   12. 13. 0.
 
Monday, Wednesday and/or Friday
5:00- 6:25 pm Top
  MUS211 . Introduction to Electronic Music 3 WF 5:00- 6:25 pm DAC-135 C Davis FY 12. 9. 0.
 
Monday, Wednesday and/or Friday
6:00- 7:25 pm Top
  ECON209 . Intermediate Political Economy 3 MW 6:00- 7:25 pm CL1-03 R Kanth   15. 13. 0.
  SPAN214 . CP Latin America Today (Span) 3 MW 6:00- 7:25 pm CL1-04 M Wong WP 20. 8. 0.
  SART207 . Intermediate Wheel ThrowingCLOSED 3 MW 6:00- 7:25 pm DAC-072 B Krupka   6. 9. 0.
and MW 6:00- 7:25 pm DAC-140 B Krupka   6. 9. 0.
  SART368 . Advanced Ceramic Studio 4 MW 6:00- 7:25 pm DAC-072 B Krupka   6. 5. 0.
and MW 6:00- 7:25 pm DAC-140 B Krupka   6. 5. 0.
 
Monday, Wednesday and/or Friday
6:00- 8:30 pm Top
  BIO318M2 . Topics in Modern Biology: 20th C Foundations to 21st C Research 2 W 6:00- 8:30 pm FSH-211     15. 12. 0.
 
Monday, Wednesday and/or Friday
7:00- 9:00 pm Top
  MUS117 . Chorus 1 W 7:00- 9:00 pm KLG J Brown FY 30. 28. 0.
 
Monday, Wednesday and/or Friday
7:30- 9:00 pm Top
  MUS278 . Collegium 1 M 7:30- 9:00 pm KLG L Bardo FY 12. 10. 0.
 
Tuesday and/or Thursday
9:00-10:25 am Top
  FS100H . First-Year Seminar I: The Examined LifeCLOSED 4 TR 9:00-10:25 am DAC-023 B Conolly FY 14. 15. 0.
  SS251F . Sophomore Seminar: Voices Against the ChorusCLOSED 4 TR 9:00-10:25 am CL3-12 M Tebben   14. 16. 0.
  CHEM100A NEW Chemistry ICLOSED 4 TR 9:00-10:25 am FSH-102 P Dooley WP 20. 20. 0.
  ECON226 NEW Economics of Post-reform China 3 TR 9:00-10:25 am CL1-03 D Neilson   15. 8. 0.
  ARAB100 . Accelerated Beginning Arabic I 4 TR 9:00-10:25 am CL3-14 G Asfar FY 15. 9. 0.
  SPAN100A . Accelerated Beginning Spanish I 4 TR 9:00-10:25 am CL3-13 G Morales-Gotsch FY 16. 6. 0.
  SPAN101 . Accelerated Beginning Spanish II 4 TR 9:00-10:25 am CL3-09 M Roe WP 15. 13. 0.
  SPAN204 . Intermediate Spanish I 3 TR 9:00-10:25 am FSH-112 M Wong WP 20. 8. 0.
and TR 9:00-10:25 am FSH-201 M Wong WP 20. 8. 0.
  SART224 . Experiments in Photography 3 TR 9:00-10:25 am DAC-025 A Hillman   15. 10. 0.
and TR 9:00-10:25 am DAC-139 A Hillman   15. 10. 0.
  SART374 . Experiments in Photography 4 TR 9:00-10:25 am DAC-025 A Hillman   5. 4. 0.
and TR 9:00-10:25 am DAC-139 A Hillman   5. 4. 0.
 
Tuesday and/or Thursday
9:00-11:25 am Top
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  BIO202 . Genetics 4 R 9:00-11:25 am FSH-202 I Bao   15. 14. 0.
  CHEM102 . Chemistry in Context 4 R 9:00-11:25 am FSH-128 E Dongala FY 15. 4. 0.
 
Tuesday and/or Thursday
9:00-11:55 am Top
  BIO100LA . Introduction to Life Sciences Lab   T 9:00-11:55 am FSH-202 S Mechanic-Meyers FY 16. 10. 0.
  CHEM302 . Organic Chemistry I 4 T 9:00-11:55 am FSH-128 D Myers   12. 9. 0.
 
Tuesday and/or Thursday
10:30-11:55 am Top
  FS100I . First-Year Seminar I: The Examined LifeCLOSED 4 TR 10:30-11:55 am CL1-02 J Hutchinson FY 14. 14. 0.
  FS100J . First-Year Seminar I: The Examined LifeCLOSED 4 TR 10:30-11:55 am CL3-11 B Mathews FY 14. 14. 0.
  ARTH100 . Visual Art & Writing 3 TR 10:30-11:55 am DAC-125 J DelPlato FY 15. 10. 0.
  CHEM100B NEW Chemistry I 4 TR 10:30-11:55 am FSH-102 P Dooley WP 20. 15. 0.
  DANC119 . Chinese SwordCLOSED 2 TR 10:30-11:55 am DAC-108 R Aver Thung FY 15. 15. 0.
  ARAB205M1 . Intermediate Arabic I 2 TR 10:30-11:55 am CL3-14 G Asfar   15. 5. 0.
  CHIN300 . Advanced Chinese 4 TR 10:30-11:55 am CL3-12 P Xie WP 15. 4. 0.
  FREN100 . Accelerated Beginning French ICLOSED 4 and TR 10:30-11:55 am CL1-01 M Tebben FY 20. 23. 0.
LEC-LC M Tebben FY 20. 23. 0.
  FREN208M2 NEW Songs in French 2 TR 10:30-11:55 am CL3-14 G Asfar WP 15. 6. 0.
  LATN100 . Accelerated Beginning Latin I 4 TR 10:30-11:55 am CL3-09 C Callanan FY 20. 17. 0.
  SPAN100B . Accelerated Beginning Spanish I 4 TR 10:30-11:55 am CL3-13 G Morales-Gotsch FY 16. 13. 0.
  LIT222 . Shakespeare 3 TR 10:30-11:55 am CL1-04 H Holladay FY 15. 11. 0.
  MUS213 NEW CP Music of India 3 TR 10:30-11:55 am DAC-115 J Myers FY 12. 7. 0.
  MUS313 . CP Music of IndiaCLOSED 4 TR 10:30-11:55 am DAC-115 J Myers   3. 3. 0.
 
Tuesday and/or Thursday
12:00- 1:25 pm Top
  SS251G . Sophomore Seminar: Voices Against the Chorus 4 TR 12:00- 1:25 pm CL3-14 B Rodgers   14. 13. 0.
  SS251H . Sophomore Seminar: Voices Against the Chorus 4 TR 12:00- 1:25 pm CL1-02 K Boswell   14. 12. 0.
  LING216M2 . Language & PowerCLOSED 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20. 22. 2.
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20. 17. 0.
  SPAN205 . Intermediate Spanish II 3 TR 12:00- 1:25 pm CL1-03 M Roe WP 15. 13. 0.
  HIST227 NEW Manifesting Destinies: The United States of America to 1877CLOSED 3 TR 12:00- 1:25 pm CL1-04 M Alvarez FY 15. 15. 0.
  LING216M2 . Language & PowerCLOSED 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20. 22. 2.
  LING218M1 . Language & Gender 2 TR 12:00- 1:25 pm CL3-09 N Bonvillain WP 20. 17. 0.
  LIT321 . Literary Theory 4 TR 12:00- 1:25 pm CL3-12 R Fiske   15. 14. 0.
  MUS216 . Music of the Romantic Era 3 TR 12:00- 1:25 pm KLG-B L Wallach FY 15. 11. 0.
  SOC100 NEW Introduction to Sociology 3 TR 12:00- 1:25 pm CL3-11 F Oyogoa FY 15. 14. 0.
  SART106B . Introduction to Ceramics 3 TR 12:00- 1:25 pm DAC-072 B Krupka FY 12. 10. 0.
and TR 12:00- 1:25 pm DAC-140 B Krupka FY 12. 10. 0.
  THEA100 . Improvisation and ImaginationCLOSED 3 TR 12:00- 1:25 pm DAC-002 K Beaumont FY 12. 13. 0.
 
Tuesday and/or Thursday
12:00-12:55 pm Top
  CHIN100LB . Accelerated Beginning Chinese I Lab   TR 12:00-12:55 pm CL3-10 P Xie FY 12. 7. 0.
 
Tuesday and/or Thursday
1:30- 2:55 pm Top
  FS100K . First-Year Seminar I: The Examined LifeCLOSED 4 TR 1:30- 2:55 pm CL3-13 C van Kerckvoorde FY 14. 14. 0.
  SS251I . Sophomore Seminar: Voices Against the Chorus 4 TR 1:30- 2:55 pm CL1-04 H Holladay   14. 12. 0.
  BIO202 . Genetics 4 and TR 1:30- 2:55 pm FSH-201 I Bao   15. 14. 0.
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  CMPT242 . Computer Science 1 3 TR 1:30- 2:55 pm FSH-112 P Shields FY 15. 13. 0.
  DANC101 . Beginning Modern Dance Technique 3 TR 1:30- 2:55 pm DAC-108 W Shifrin FY 12. 9. 0.
  DANC201 . Intermediate Modern Dance TechniqueCLOSED 3 TR 1:30- 2:55 pm DAC-108 W Shifrin FY 3. 6. 0.
  LIT203 . Art of Fiction: The Novel 3 TR 1:30- 2:55 pm CL1-03 B Mathews FY 15. 12. 0.
  MUS219 . Jazz Improvization Workshop I 3 TR 1:30- 2:55 pm KLG J Myers FY 11. 3. 0.
and TR 1:30- 2:55 pm KLG-B J Myers FY 11. 3. 0.
  MUS319 . Jazz Improvisation Workshop II 4 TR 1:30- 2:55 pm KLG J Myers   4. 2. 0.
and TR 1:30- 2:55 pm KLG-B J Myers   4. 2. 0.
  PSYC221 NEW Stereotyping and Prejudice 3 TR 1:30- 2:55 pm CL3-11 E Pruitt   8. 3. 0.
  PSYC321 NEW Stereotyping and PrejudiceCLOSED 4 TR 1:30- 2:55 pm CL3-11 E Pruitt   7. 7. 0.
  THEA115M1 . StagecraftCLOSED 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12. 13. 0.
and TR 1:30- 2:55 pm DAC-023 V McQuiston FY 12. 13. 0.
  THEA216M2 . Theater Practicum 2 TR 1:30- 2:55 pm DAC-001 V McQuiston FY 12. 10. 0.
and TR 1:30- 2:55 pm DAC-023 V McQuiston FY 12. 10. 0.
 
Tuesday and/or Thursday
2:00- 2:55 pm Top
  CHIN100LA . Accelerated Beginning Chinese I Lab   TR 2:00- 2:55 pm CL3-10 P Xie FY 12. 11. 0.
 
Tuesday and/or Thursday
2:00- 4:55 pm Top
  BIO100LB . Introduction to Life Sciences Lab   T 2:00- 4:55 pm FSH-202 S Mechanic-Meyers FY 16. 12. 0.
  BIO203 . Invertebrate Zoology 4 and T 2:00- 4:55 pm FSH-211 R Schmidt WP 15. 8. 0.
  CHEM100LA NEW Chemistry I Lab   T 2:00- 4:55 pm FSH-128 D Myers WP 12. 7. 0.
  CHEM100LB NEW Chemistry I Lab   R 2:00- 4:55 pm FSH-128 D Myers WP 12. 7. 0.
  ENVS100 . Introduction to Environmental StudiesCLOSED 4 and R 2:00- 4:55 pm FSH-211 T Coote FY 15. 15. 0.
  PHYS100LA . Physics I LabCLOSED   T 2:00- 4:55 pm FSH-113 E Kramer WP 15. 18. 0.
  PHYS230 . Modern Physics Laboratory 1 R 2:00- 4:55 pm FSH-113 M Bergman WP 12. 6. 0.
  THEA108M1 . Costume and Prop Design and Execution 2 R 2:00- 4:55 pm DAC-018 G Veale FY 12. 5. 0.
and R 2:00- 4:55 pm DAC-115 G Veale FY 12. 5. 0.
  THEA206 . Theater Production 3 R 2:00- 4:55 pm DAC-002 K Beaumont   4. 3. 0.
and R 2:00- 4:55 pm   B Sims   4. 3. 0.
  THEA306 . Theater Production 4 R 2:00- 4:55 pm DAC-002 K Beaumont   4. 3. 0.
and R 2:00- 4:55 pm   B Sims   4. 3. 0.
  THEA406 . Theater Production 4 R 2:00- 4:55 pm DAC-002 K Beaumont   4. 1. 0.
and R 2:00- 4:55 pm   B Sims   4. 1. 0.
  THEA303 . Advanced Acting Studio 4 T 2:00- 4:55 pm DAC-002 K Beaumont   6. 2. 0.
and T 2:00- 4:55 pm DAC-115 K Beaumont   6. 2. 0.
  THEA403 . Advanced Acting Studio 4 T 2:00- 4:55 pm DAC-002 K Beaumont   6. 3. 0.
and T 2:00- 4:55 pm DAC-115 K Beaumont   6. 3. 0.
 
Tuesday and/or Thursday
3:00- 4:25 pm Top
  BAS352 . Fatal Progress: Fact & Fiction 4 TR 3:00- 4:25 pm CL1-04 H Holladay   15. 11. 0.
  SS251J . Sophomore Seminar: Voices Against the Chorus 4 TR 3:00- 4:25 pm DAC-023 L Wallach   14. 11. 0.
  AFAM100 NEW CP Introduction to African American StudiesCLOSED 3 TR 3:00- 4:25 pm CL3-11 F Oyogoa FY 15. 15. 0.
  ANTH100 . CP Introduction to Anthropology 3 TR 3:00- 4:25 pm CL1-03 K Boswell FY 18. 16. 0.
  CMPT250 . Computer Organization 3 TR 3:00- 4:25 pm FSH-112 P Shields WP 15. 8. 0.
  DANC211 . Topics in Dance: Relationships between Dance and Creative Writing 3 TR 3:00- 4:25 pm DAC-108 W Shifrin FY 15. 12. 0.
  LATN204 . CP Intermediate Latin I: Roman Civilization and Vergil 3 TR 3:00- 4:25 pm CL3-09 C Callanan WP 20. 11. 0.
  LIT206 . Art of Film 3 and R 3:00- 4:25 pm DAC-128 L Burke FY 15. 11. 0.
  LIT231 . American Drama: Moderns and Contemporaries 3 TR 3:00- 4:25 pm CL3-12 B Rodgers   15. 7. 0.
Course Number Title Credits Days Time Room Instructor FY Max Current Wait
  LIT264 . CP Nature & Literature 3 TR 3:00- 4:25 pm CL1-02 J Hutchinson FY 15. 14. 0.
S1 SART108M2 . The Art of Assemblage 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 12. 7. 0.
and TR 3:00- 4:25 pm DAC-125 W Jackson FY 12. 7. 0.
S1 SART136M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson FY 10. 5. 0.
and TR 3:00- 4:25 pm DAC-125 W Jackson FY 10. 5. 0.
S1 SART236M1 . Introduction to Sculpture Studio 2 TR 3:00- 4:25 pm DAC-052 W Jackson WP 2. 1. 0.
and TR 3:00- 4:25 pm DAC-125 W Jackson WP 2. 1. 0.
 
Tuesday and/or Thursday
3:00- 6:00 pm Top
  LIT206 . Art of Film 3 T 3:00- 6:00 pm DAC-001 L Burke FY 15. 11. 0.
and T 3:00- 6:00 pm DAC-128 L Burke FY 15. 11. 0.
 
Tuesday and/or Thursday
4:30- 5:55 pm Top
  CHIN204 . Intermediate Chinese I 3 and TR 4:30- 5:55 pm CL3-09 J Weinstein WP 15. 5. 0.
  HIST229 NEW CP Chicanas/Chicanos in the United States: A National History 3 TR 4:30- 5:55 pm CL1-04 M Alvarez FY 15. 5. 0.
  LIT296 NEW Creative Writing Drama 3 TR 4:30- 5:55 pm CL1-03 W Brown WP 15. 9. 0.
 
Tuesday and/or Thursday
5:00- 6:25 pm Top
  LIT100 . Guest Writers 2 TR 5:00- 6:25 pm CL3-13 B Mathews FY 20. 19. 0.
 
Tuesday and/or Thursday
5:30- 7:30 pm Top
  LR201M1 . The Art of Tutoring Writing 1 R 5:30- 7:30 pm CL1-02 N Bonvillain   20. 17. 0.
 
Tuesday and/or Thursday
6:00- 7:25 pm Top
  PSYC202 . Child Development 3 TR 6:00- 7:25 pm CL1-04 M Carter   15. 9. 0.
 
Tuesday and/or Thursday
6:00- 8:30 pm Top
  ARTH310 . Victorian Art & Poetry 4 T 6:00- 8:30 pm DAC-125 J DelPlato WP 15. 9. 0.
  CHEM100LD NEW Chemistry I Lab   T 6:00- 8:30 pm FSH-128 E Dongala WP 12. 11. 0.
  CHEM100LE NEW Chemistry I LabCLOSED   R 6:00- 8:30 pm FSH-128 E Dongala WP 12. 12. 0.
 
Tuesday and/or Thursday
7:30- 9:00 pm Top
  MUS289 . Chamber Orchestra 1 R 7:30- 9:00 pm KLG A Legene FY 30. 15. 0.
 
Tuesday and/or Thursday
7:30- 9:30 pm Top
  MUS222 . Jazz Ensemble 1 T 7:30- 9:30 pm KLG J Myers FY 50. 22. 0.
and T 7:30- 9:30 pm KLG-B J Myers FY 50. 22. 0.
FOCUS Report
 
 
AFAM100: CP Introduction to African American Studies Home
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The African-American experience spans four hundred years, from the initial settlement of the
American continent by Europeans and the establishment of the trans-Atlantic slave trade, and down
through the present day. This course examines the historical, sociological, cultural, and political
experiences of people of African descent in the United States. We will examine a variety of issues
including African Americans' cultural and historical roots in Africa, the experience of slavery, the
Reconstruction Era, the Harlem Renaissance, the interwar years, the American civil rights movement,
African Americans in popular culture, the implications of Obama's election and a variety of
contemporary issues in African American communities. In this course students will acquire a fuller
understanding about the historical development and social construction of African Americans. No
prerequisites.
 
ANTH100: CP Introduction to Anthropology Home
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This course introduces students to the development of cultural anthropological theory and practice.
It considers important anthropological topics such as myth, religion, gift exchange, totem/taboo,
and kinship as a way to approach the comparative study of human societies and cultures. Specific
topics include rival concepts of culture, critical senses of differences, and ways diversity is
represented in distinctive world-views. The course also samples some current and long lasting issues
in interpretive practices and critical theory. No prerequisites.
 
ANTH217: CP Ritual & Belief: Anthropology of Religions Home
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This course examines religious beliefs and experiences in "traditional" and complex societies. It
stresses the interconnections between religion and other aspects of culture such as family and
community life and economic and political systems. Topics include rituals marking individual and
family events, attributes and functions of shamanistic and visionary experiences, ritual treatment
of illness, and the social and political implications of revitalization movements. Prerequisite: One
100-level course in social studies.
 
ARAB100: Accelerated Beginning Arabic I Home
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This accelerated course introduces the rudiments of written and spoken Modern Standard Arabic. In
addition to regular practice in writing the alphabet, word formation, elementary calligraphy, and
basic grammar, the course offers exercises in phonology, morphology, and syntax. By the second
semester students can read and understand a variety of Arabic texts about customs and institutions
of the Middle East. The course also explores selected topics on Arab culture and civilization, such
as the role of classical Arabic in Muslim art and architecture and the connections between the
Arabic language and Islam. No prerequisites.
 
ARTH100: Visual Art & Writing Home
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This course is an introduction to the practice of art historical analysis. We use several writing
techniques to investigate the process of looking at art. The objects we analyze are taken from a
variety of periods, cultures, and media. We focus mostly on 19th- and 20th-century modern art. This
includes works by Impressionists such as Claude Monet; Post-Impressionists Vincent van Gogh and Paul
Gauguin; American modernists Georgia O'Keeffe, Jacob Lawrence, and Jackson Pollock; and
postmodernist Barbara Kruger. We compare our own observations to primary sources--writings on art by
artists' contemporaries such as poets and critics, as well as the artists themselves. We think
carefully about the role of language and how it can enrich our experience of art. We consider some
basic questions in approaching art's "history," including the art object's relationship to specific
historical events. The course moves toward the integration of careful looking, creative writing,
 
original thinking, and historical grounding. Students regularly read their writing aloud for class appreciation and critique. Longer paper assignments are written on topics which students choose. No prerequisites.
 
ARTH222: Clothing in Art Home
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A focus on clothing in artworks of the modern era opens a new won clothing in artworks of the modern
era opens a new world of inquiry, a fascinating means of entry into culture, society, history, and
gender of the last two centuries. This course considers how clothing is represented in specific
painted and photographic art of the West. We theorize about why "masculine" and "feminine" clothing
appears in visual art after c.1830 when women become the "marked" or decorated gender. In a variety
of case studies, we suggest how painted clothing indicated identity, status, and power in various
cultures and eras. We trace how images of clothes can be given meanings in their own day and today
using current theoretical models. Students choose their own research topics. Prerequisite: Art
History 102 or another art history or theory course, or permission of the instructor.
 
ARTH310: Victorian Art & Poetry Home
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This course is an inquiry into the relationships of English art and poetry of the Victorian era
(1837-1901). Sometimes these relationships are explicit, as when William Holman Hunt paints his
enormous Lady of Shalott in response to Tennyson's poem; in other cases correlations are implied.
Major emphasis is given to the Pre-Raphaelites, who worked in both media, but we also explore how to
read fairy painting, landscape painting, ladies' fashion, and images of Queen Victoria in light of
poems on these subjects. We consider how the meanings of these artworks and poems might be related
to issues of social power and control. Expected behaviors from women, servants, workers, children,
and colonial "others" are played out in visual art and poetry. Prerequisites: ARTH 102 or permission
of the instructor.
 
ARTS212: Imagining the Self: Autobiography and Biography in Creative Expression Home
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What is the self and how to describe it? In the postmodern age, the self is said to be
nonexistent--elusive at best. Yet the current popularity of memoirs and "tell-all" biographies
attests to an interest and belief in real selves that can be documented and explained. This course
examines works by predominantly 20th-century Western visual artists, photographers, film makers,
musicians, choreographers, and writers of drama, poetry, and fiction in order to explore how artists
have attempted to portray either their own identities or those of others. Students will also compose
their own works using a variety of art forms to explore how creative expression can capture
personality and how each art form offers its own avenue to portraiture.
 
BAS310: Ad Infinitum: Controversy, Paradox, Perplexity, and the Idea of the Infinite Home
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What, really, does it mean to be infinite? Is any actually existing thing really infinite? This
course will explore the role that the notion of the infinite plays in such diverse disciplines as
philosophy, theology, mathematics, logic, physics, and computer science. We will examine both the
different kinds of problems that arise in the distinct contexts of these disciplines, and how these
diverse disciplines have affected and influenced each other with respect to the concept of infinity.
The course will be both historical and topical, as we examine how the concept of "infinite" was
transformed from originally meaning "indefinite", and thus as entailing imperfection, into a concept
that entailed transcendent super-excellent perfection; how Aristotle's distinction between potential
and actual infinity led to the solution of a number of problems concerning time, space, and motion;
how the development of the notion of the infinitesimal in the 17th century led directly to the
discovery of the calculus by Newton and Leibniz; and how Georg Cantor's discovery that infinite sets
come in different sizes was initially more welcomed by theologians than by other mathematicians.
 
BAS352: Fatal Progress: Fact & Fiction Home
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This course will use dystopian novels dealing with scientific and environmental subjects as a
starting point for a scientific examination of such issues as genetic engineering; global warming;
endangered species and loss of biodiversity; environmental pollution; and pandemics. Class time
will be divided between discussions of the novels' literary merit, imaginative and prophetic power,
and presentations and discussions of the science underlying the concerns identified by the novels.
Readings from scientific texts and peer-reviewed journals will be assigned as necessary. We will
read novels including such works as: John Brunner's The Sheep Look Up; Margaret Atwood's Oryx And
Crake; T.C. Boyle's A Friend of the Earth; and Albert Camus's The Plague. Selections from Rachel
Carson's Silent Spring, Richard Ellis's The Empty Ocean, and other non-fiction books may be
assigned.
 
BIO100: Introduction to the Life Sciences Home
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This course provides a comprehensive overview of the fundamental concepts, methods of observation,
and major currents of thinking in the life sciences today. The three major topics are the molecular
basis of cellular function, animal life strategies and evolution, and the flow of matter and energy
in the biosphere. Students enrolled in this course must participate in the laboratory, and there is
a laboratory fee. No prerequisites.
 
BIO100L: Introduction to Life Sciences Lab Home
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Students enrolled in BIO100 must also register for a lab section.
 
BIO202: Genetics Home
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This lecture/laboratory course presents the fundamental principles of genetics, the molecular
biology of the gene, and heredity in humans. Through lectures, readings, laboratory experiments, and
discussions, students examine the experimental evidence leading to currently accepted concepts and
critically analyze the implications of various findings in human genetics. There is a laboratory
fee. Prerequisite: Biology 100.
 
BIO203: Invertebrate Zoology Home
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This course is an introductory survey of the morphology, biology, ecology, and evolution of the
major groups of invertebrate animals. Emphasis is placed on synthesis of variation of form and
function in an evolutionary framework. Laboratory work stresses observation of representative forms
and collection and identification of local species. Lectures, discussions, laboratory, and field
trips are required. Prerequisite: Biology 100 or permission of the instructor.
 
BIO210: Molecular Techniques Home
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This is primarily a laboratory course designed to give students a working knowledge of techniques
currently used in recombinant DNA technology. Laboratory exercises will include investigating
nucleosome structure, restriction endonuclease mapping, sequence analysis, DNA hybridization, PCR,
and a long-term cloning project. In addition, the current literature in this dynamic field will be
reviewed with emphasis on analyzing research methods. This course will equip students to undertake
more complex laboratory projects in molecular biology and will prepare them for advanced or graduate
study in the field. Four hour lab, one hour lecture per week. Prerequisites: Biology 201 or Biology
202, Chemistry 100 or higher (corequisite).
 
BIO310: Evolution Home
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This course covers the concepts and consequences of organic evolution. Topics include the history of
the concept of evolution, nature of variation in species and populations, origin of species, and the
 
process of speciation. Also covered are such topics as the origin and history of life on earth, new theories of evolution such as punctuated equilibrium and nonequilibrium thermodynamics, and cladistic methods for reconstructing historical relationships. Prerequisite: at least one 200-level biology course.
 
BIO318: Topics in Modern Biology: 20th C Foundations to 21st C Research Home
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The technological advances of the 20th century that have changed the way we live now were born of a
tremendous expansion of scientific knowledge. However, students in the 21st century have little
understanding of the origination or development of these advances. Through reading and analysis of
classic and contemporary primary literature in the biological sciences, students will experience the
progression of biological knowledge in the last 50 years. The rapidity of biological progress
during this period, as well as the direct and indirect dependence of current biological research on
these foundations will be emphasized. Topics will be defined by student interest, and might include:
discovery of DNA as hereditary material, prion diseases, molecular basis of ageing, diabetes and
cancer research, and reproductive technologies. Weekly readings will include "classic" literature
as well as recent papers connected to the original work. Assigned students will present the
contents of the week's readings in short but formal presentations using digital and other media, and
lead discussions of the importance, methods, and extensions to other papers or projects.
Non-presenters will bring specific questions to each session. Written work will entail writing a
literature review paper of one of the topics discussed in class, incorporating additional sources.
An excellent opportunity to jump-start the senior thesis!
 
CHEM100: Chemistry I Home
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This course is designed to cover the basic principles of chemistry and to prepare the student to
take further chemistry classes. Topics include writing and dealing with chemical equations,
understanding chemical relations and reactions, oxidation-reduction, chemical bonding, the atomic
theory, a smattering of quantum theory, and the consequences of that quantum theory. The laboratory
deals with the safe handling of chemicals, the apparatus of chemistry and the chemical lab, the
quantification of data, and chemical identifications based on these data. Laboratory fee.
Prerequisites: Mathematics 109 or equivalent, and either high school chemistry or Physics 100, which
may be taken concurrently, or permission of the instructor.
 
CHEM100L: Chemistry I Lab Home
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Students enrolled in CHEM 100 must choose a lab section CHEM 100LA, LB or LC).
 
CHEM102: Chemistry in Context Home
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This course is designed to give the student a good working knowledge of the chemistry that surrounds
her/him in everyday life, as well as the tools by which to intelligently evaluate data presented by
both the media and the spoken word. The student is asked to learn chemical concepts only when they
are met and as they apply to the particular situation under discussion (e.g., acid rain and pH).
While not designed to prepare the student in one semester to take Organic Chemistry (or other
advanced chemistry classes), the student should emerge able to understand chemical concepts as
presented by society, and cogently discuss these matters with some knowledge, as well as to connect
her/his knowledge to issues of concern. Laboratory work done during the semester acquaints the
student with various methods of examining scientific and chemical data, as well as some of the
problems associated with the collection of said data. Laboratory fee.
 
CHEM302: Organic Chemistry I Home
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The course deals with the theoretical and practical aspects of the chemistry of carbon compounds.
 
Topics include bonding, classification of functional groups, organic chemical nomenclature, electron delocalization, stereochemistry, beginning of reaction mechanisms, (spectroscopy), and simple chemical syntheses. The laboratory experiments address the skills and techniques of organic chemistry labs, including syntheses, separations, and extractions; some laboratory experiments demonstrate lecture topics. Laboratory fee. Prequisites: Chemistry 100 and 101.
 
CHIN100: Accelerated Beginning Chinese I Home
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This accelerated course is designed for students with little or no previous language background of
Chinese. It provides a systematic and efficient study of Chinese grammar, vocabulary, oral/aural
skills, and reading and writing Chinese characters. The goal of the course is to enable the students
to function successfully in most of the basic communicative situations with a native Chinese.
Students are also exposed at the same time to Chinese cultural traditions through such activities as
viewing Chinese movies, listening to Chinese music, and tasting Chinese cuisine. The class meets
four times per week. No prerequisites.
 
CHIN100L: Accelerated Beginning Chinese I Lab Home
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Students enrolled in CHIN100 must also register for a lab section.
 
CHIN204: Intermediate Chinese I Home
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This course continues to develop the four skills--speaking, listening, writing, and reading--of
Mandarin Chinese. By the end of the intermediate sequence, students will be familiar with all major
grammatical concepts and able to converse comfortably on a wide range of subjects. Students will be
able to write and recognize nearly 2000 characters in traditional and/or simplified forms. In
addition to the linguistic components, each student will select one or more research topics within
Chinese culture for oral, written, and web-based projects. Prerequisite: CHIN 101, or permission
of the instructor.
 
CHIN300: Advanced Chinese Home
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This course develops the four skills--speaking, listening, writing, and reading--of Mandarin Chinese
at an advanced undergraduate level. Students in this course read authentic Chinese literary texts
in a variety of genres: drama, essays, fiction, and poetry. They will discuss both language and
content elements of the texts in this course taught exclusively in Chinese. They will also develop
their writing skills, with the goal of being able to comfortably write short compositions on a
variety of topics. Prerequisite: Chinese 205 or permission of the instructor.
 
CMPT240: Introduction to Robotics Home
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This course gives an introduction to the background and theory of robotics, as well as to the
practical electronic, mechanical, and programming aspects of building and controlling robots. Topics
include sensors, feedback, control, and mechanical construction. For ease of prototyping we use an
off the shelf robot controller, the Handy Board, an 8-bit microprocessor that can run Interactive C,
and the LEGO Technic system. Along with a variety of sensors, these materials will allow the class
to work through a series of projects that introduces robotics. In a broader sense, this course
serves as an introduction to solving engineering problems. Course prerequisite: permission of the
instructor. No previous programming or robotics experience is required.
 
CMPT242: Computer Science 1 Home
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This course provides an introduction to fundamental concepts of computer science, both as a prelude
to further study in the discipline and to serve broader educational goals. Focus will be on
 
principles of object-oriented programming and design, including the study of basic data types and control structures, objects and classes, polymorphism and recursion. The course will use the Python language. This course is offered at least once a year. No prerequisite.
 
CMPT250: Computer Organization Home
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An introduction to low level computer organization using a virtual computer. Students will learn
about the key components of a computer system including the CPU, memory devices and input/output
units and display. Students will interact with the computer in a variety of ways including using
switch and display panels, writing and debugging machine language and assembly language programs.
Other topics include: binary arithmetic, simple logic gates, CPU components, ASCII and keyboard
input, memory mapped displays, machine language vs assembly language and hardware interrupts.
Prerequisites: experience programming in any high level language is strongly recommended.
 
DANC101: Beginning Modern Dance Technique Home
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This class introduces a modern dance technique that develops expressiveness, proper alignment,
efficient and clear movement, musicality, spatial awareness, coordination, flexibility, strength,
and the ability to dance with others. Course material consists of warm-up exercises, dance
combinations, anatomical information, and imagery and breathing exercises. Reading, written
assignments, and films help students formulate personal viewpoints on dance. The course is designed
for students with little or no previous training, and for those with more experience who will be
challenged accordingly.
 
DANC114: Ballet I Home
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In this class, dancers acquire a traditional approach to ballet techniques along with an innovative
foundation which aims for anatomically friendly movement. It offers a flexible blend of classical
ballet, kinesiology, and Tai chi principles in order to encourage flow, efficiency, and a whole body
approach. Clear and efficient technique is developed through barre and center work, and an ongoing
emphasis on musicality, use of breath, awareness of the floor and space, and moving in relation to
others. Individual expression and movement quality are encouraged and developed.
 
DANC119: Chinese Sword Home
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Chinese Sword Form, also known as Tai-Chi Sword, is a meditative movement art based on the same
principles as Taijiquan and Qigong. A symbolic wooden sword is used in slow exercises which explore
the concepts of advancing and yielding. There are 64 movements in the form, and over the course of
the semester we will explore a section of it. The class will include sitting and walking
meditation, then the meditation of the sword form itself. There are some readings which will be
discussed, but the focus of the course is on movement. The primary goal is a balance of relaxation
and resilience in motion.
 
DANC126: Flamenco Dance Home
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This beginning flamenco course introduces students to the basic techniques of the dance as well as
provides an historical and cultural overview through discussion, texts and film. The course
objectives include: achieving proper dance posture and alignment as well as the postural attitude
uniquely associated with Flamenco dance; learning basic flamenco arm and hand movements (braceo) and
basic rhythmical markings of flamenco (marcajes); practicing and mastering various Flamenco
techniques (taconeo); learning some of the Spanish vocabulary of flamenco; gaining an historical
understanding of flamenco's origins; and learning a complete choreography to be performed at the end
of the semester. Throughout the semester the history and culture of flamenco will be infused into
the class through discussion, specific readings, and video presentations. Flamenco shoes must be
 
worn.
 
DANC201: Intermediate Modern Dance Technique Home
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A continuation of Dance 101-104, this class concentrates on advancing the student's awareness of and
skills in alignment, efficiency and clarity of motion, musicality, spatial use, dancing with others,
and personal expressiveness. Permission of the instructor is required.
 
DANC211: Topics in Dance: Relationships between Dance and Creative Writing Home
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This class examines the connections and contrasts between dance and a variety of creative writing
forms: poetry, short stories, and personal essays. Formal topics considered include shape, duration,
speed, accent, climax, repetition, theme and variation, and symbolism. Areas of concentration
include emotions, political themes, characterizations, and nature. Warm-ups, solo and partner work,
group improvisations, and presentation of choreography and writing are the bases for explorations of
class themes. Weekly homework assignments include original creations in both genres. Any student
willing to explore both art forms may enroll.
 
DANC214: Intermediate Ballet I Home
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A continuation of Dance 114.
 
ECON100: Microeconomics Home
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An introduction to economics as a social science for students with essentially no background in
economics, this course provides an overview of the tools that Neoclassical economists use to
investigate the behavior of consumers and firms in markets. The course starts with examining
consumer choice, production decisions, and income distribution, we then turn to an overview of the
economic landscape we have built. Along the way, we seek to examine what is at stake in our choice
of economic explanations by discussing various critiques and extensions of basic microeconomic
theory.
 
ECON101: Macroeconomics Home
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This course provides a comprehensive introduction to macroeconomics. The course acquaints the
student with the prevailing economic theories used by today's policy makers. During the course, we
will consider all major economic perspectives, including the central view that markets are a good
way to organize the economy, but that markets generate certain significant flaws that need to be
fixed. In discussing a number of alternative economic theories and perspectives, the ultimate goal
is to increase students' awareness and understanding of economic issues, to improve their ability to
evaluate various policy options, and to help them decipher political-economic rhetoric. The course
starts with the evolution of societies in human history and the development of modern economic
thought. The emphasis is on a conceptual understanding of topics such as economic growth, inflation,
unemployment, the role of governments and fiscal and monetary policies. No prerequisites.
 
ECON209: Intermediate Political Economy Home
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This course offers an introduction to political economy, including radical economics. Political
Economy offers alternatives to the neoclassical view of modern capitalist economies. We start the
course by studying the economic theories of Karl Marx such as labor theory of value and surplus and
exploitation, and continue with brief introductions of contemporary political economic issues, among
which are gender and economics, environment and economics, globalization and its institutions,
political economy of agriculture and food crisis. This course also offers a close look to the
theories of an American radical economist, Thorstein Veblen, and his theory of the leisure class. We
 
complete our semester by looking at two alternatives at different scales: First, the Swedish economic system, an alternative to both capitalism and communism, and second, Mondragon Cooperative, a successful co-op in northern Spain. Prerequisites: Economics 100, 101, or permission of the instructor (prior coursework in politics is recommended).
 
ECON226: Economics of Post-reform China Home
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This is a class in the economics of China, focusing on developments since the reforms of 1978. The
class will systematically consider key issues in the Chinese economy with the aim of understanding
current problems and prospects for the near future. Each topic will be understood in two ways:first
through text-based discussion of the particular way it manifests itself in contemporary China,
and second, through the insights of development economics. Topics will include: reforms through the
1990s; growth and poverty reduction; natural resource use; industrial and trade policy;
exchange-rate policy; consumption; urbanization and migration; population growth; labor and wages;
banks and the financial system; relations with the West. Prerequisites: ECON100 or ECON101.
 
ENVS100: Introduction to Environmental Studies Home
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This course covers ecological principles and their application to current global environmental
issues, such as human population growth, global warming, ozone depletion, changes in biodiversity,
and energy issues. The importance of common property resources and their management are discussed. A
laboratory is included for field trips to local areas of interest as well as in-class exercises. No
prerequisites.
 
ENVS308: Limnology Home
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An introduction to the study of inland lakes and rivers, this course covers the biological,
chemical, and physical factors of the aquatic environment and their interactions. Emphasis is placed
on the identification of aquatic organisms, methods of chemical analysis, interpretation of data,
and critique of current literature. Laboratory fee. Prerequisites: College-level biology and
chemistry, and permission of the instructor.
 
FREN100: Accelerated Beginning French I Home
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This accelerated course is designed for students with little or no previous experience of French. It
enables them to fulfill the College's language requirement in one year and prepares them for entry
into upper-level courses. The class meets five hours per week.
 
FREN204: Intermediate French I Home
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Designed for students whose background in French is not sufficient for a higher level, this course
provides a systematic review of French grammar, regular practice in listening and speaking, and
readings in French prose. By the end of the second semester students understand simple French prose
and speech and can express themselves in simple fashion, orally and in writing. Prerequisite:
Appropriate range of scores on the Simon's Rock online French placement test.
 
FREN208: Songs in French Home
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A course for students with a strong basic foundation in French grammar and syntax, this
intermediate-level seven-week module seeks to teach students the lyrics of a variety of songs in
French, to study the language and poetic techniques of the lyrics, and to become familiar with the
historical and cultural context of each song. Folk and traditional songs, marching songs, anti-war
songs, boulevard, music-hall, and popular songs will be the focus of the course, supplemented by a
review of grammar and basic rules of versification (rhythm, rhyme, vocalization and stressed
 
syllables) and composition. The enjoyment of music and singing is a must. The ability to carry a tune (if not terribly far) would be nice. Prerequisite: An appropriate lower-level course or instructor's permission.
 
FREN217: Paris on the Page Home
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This course will explore the city of Paris as the center of French culture and as a world capital.
Course materials will investigate the physical and cultural essence of Paris, its history and
architecture, its literary portrait, and its relevance in the present day. The course will cover
Parisian history from the Middle Ages to the present, including images of Paris from Victor Hugo's
Notre Dame and Louis XIV's Versailles to Haussmann's reconception of the city. Students will read
excerpts from works of French literature, history, and journalism, and will view films having Paris
as a central character. In addition, students will prepare oral presentations detailing the visual
character of Paris in architecture, art, maps, and films. The course is organized around
reading/viewing and discussion of primary texts. Students will be required to complete daily
written responses, oral presentations, two short papers, two exams, and a final project. This
course is taught entirely in French. Prerequisite: French 205 or equivalent.
 
FS100: First-Year Seminar I: The Examined Life Home
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All first-year students are required to take the two-semester First-Year Seminar. It introduces
students to the close reading of texts and the writing of substantive analytical essays that are the
basis of much college work. Students examine differing treatments of common situations, emotions,
conflicts, and questions that have engaged great writers over the centuries. the seminar focuses on
the themes of self-discovery, the relationship of the individual and society, and the nature of
values and responsibility. It draws on and develops the methods introduced in the Writing and
Thinking Workshop, fostering critical thinking and the effective articulation of ideas. In the fall
semester, readings for the course include Sophocles's Oedipus Cycle, Plato's The Last Days of
Socrates, and Dante's Inferno as well as a wide array of articles, essays, poems, and stories chosen
to enhance discussion of the major texts and the issues they raise and to provide a variety of
topics for students to explore in writing. In the spring semester students further develop their
writing and thinking skills through reading, disucussion and expository writing about Shakespeare's
Hamlet, Austen's Pride and Prejudice, and Harriet Jacobs's Incidents in the Life of a Slave Girl,
and a wide variety of supplementary works. The course focus on values, self-discovery, cultural
imperatives, freedom, and understanding continues. Class sessions are supplemented by lectures and
other activities that provide background and context for the texts, presented by faculty from all
the divisions and by guests.
 
GERM100: Accelerated Beginning German I Home
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This accelerated course is designed for students with little or no background in German. It enables
them to fulfill the language requirement in one year and introduces students to German grammar and
basic vocabulary. Conversational German is stressed. Students also acquire reading skills through
exposure to short stories by such authors as Bichsel, Hesse, and Borchert. The class meets four
times per week. Prerequisite: Permission of the instructor.
 
GERM204: Intermediate German I Home
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Designed for students who have studied German but whose grammar background is not sufficient for a
more advanced level, this course presents a systematic review of German grammar and introduces
students to several short stories by contemporary German, Austrian, and Swiss authors. By the end of
the second semester students are able to understand simple German prose and speech and to express
themselves in a simple fashion, orally and in writing. This course fulfills the general language
requirement in one year. Prerequisite: Permission of the instructor.
 
 
HIST227: Manifesting Destinies: The United States of America to 1877 Home
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This course examines how men and women of Indigenous, European, African, and Asian origin
encountered the emergence and formation of the United States as a nation-state. Temporally, the
course begins with Indigenous Americans engaging European Colonization and proceeds through
post-Civil War Reconstruction. Topics include but are not limited to pre-U.S. Indigenous histories,
settler colonialism, the American Revolution, gender and class politics, the implementation of
racialized slavery, Westward Expansion and "Manifest Destiny," abolition, the Civil War,
Reconstruction and the roots of American Capitalism.
 
HIST229: CP Chicanas/Chicanos in the United States: A National History Home
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Constituting roughly 2/3 of the nation's "Latino" population and historically concentrated in the
Southwestern United States, Chicana/o peoples also have roots in the Midwest and the Pacific
Northwest dating back to the late 19th and early 20th Centuries. Further, in the latter half of the
20th Century, Mexican origin populations have grown exponentially in the South and the Northeastern
portions of the country, making the emergence of Mexican communities a national phenomenon. Thus,
in an attempt to understand the totality of the Chicana/o experience, this course intends to focus
on the experiences of Mexican origin communities in a national context. Topics covered for this
course include but are not limited to the following: Chicana/o Indigeneity, the Mexican American
War and the subjugation of the Southwestern United States, the Great Migration Era (1900-1930),
Repatriation (1930s), WWII and the Zoot Suit Riots, Labor Activism, Civil Rights, the Bracero
Program, The Chicano Movement, and the ongoing Immigration debate.
 
LATN100: Accelerated Beginning Latin I Home
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Latin is the language not only of Vergil, Cicero, Horace, Catullus and Tacitus, but also of poets,
historians, scientists, philosophers and theologians through the time of St. Augustine down to the
Middle Ages and on into the Renaissance and beyond. It is the language in which western culture was
transmitted to Western Europe, beside being the source of a large proportion of English vocabulary.
Students with no (or relatively little) previous experience of Latin will acquire a working
knowledge of the language. Latin will be learned as a language spoken and heard in the classroom,
not as abstract rules and paradigms. We will speak, chant, sing and perform skits in Latin, in
addition to reading. Explanations will be given in English, and we will practice translating in
both directions. By the end of the spring continuation of this course, students will be able to
hold their own in conversation and also, with the aid of a dictionary, to read most Latin authors.
 
LATN204: CP Intermediate Latin I: Roman Civilization and Vergil Home
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Designed for students who have completed Accelerated Beginning Latin or its equivalent, i.e., about
one year of college Latin or a number of years of high school Latin. The course focuses on the study
of a significant portion of one of the greatest works of Latin literature, the Aeneid of Virgil. The
parts of the epic not read in Latin will be read in English translation. This is the student's first
experience of reading an extended Latin text, and so we will work on techniques of translation,
vocabulary building, and recitation. Attention is also devoted to mastering meter and poetic
language. Throughout the semester we will look at the literary background of the tragic love affair
between Aeneas and Dido and the role of the epic as an interpretation of Roman History and
specifically of the Augustan Age. Prerequisite: Latin 101 or permission of the instructor.
 
LING100: Introduction to Linguistics Home
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This course presents an overview of the field of linguistics, introducing basic concepts, topics,
and analytic methods. It includes study of the structure of language (systems of sound, structure,
 
and meaning), nonverbal communication, historical and comparative linguistics, and language acquisition. No prerequisites.
 
LING216: Language & Power Home
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This course examines interconnections between language and power relations. Language form and
linguistic usage are shown to be influenced by contextual features of inequalities in the social
power of participants. Linguistic usage is informed by such parameters as class, gender, race,
ethnicity, and social status as demonstrated by casual and formal interactions in everyday contexts
as well as in institutional settings such as medicine and law. The role that language in the media
plays in solidifying and furthering social and political power relations will also be studied.
Prerequisites: One course in social studies or linguistics.
 
LING218: Language & Gender Home
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This course examines relationships between language and gender. Specifically, how and to what
extent are gender differences manifested in language? Do women and men employ alternatives of
pronunciation, vocabulary and grammatical structure? Are men's and women's conversational
strategies significantly different? Do languages encode divergent cultural messages about women and
men through the ways in which they label or talk about people? Although the majority of data
considered is derived from English, linguistic and cultural evidence from other societies will also
be explored. Prerequisites: One course in social studies or linguistics.
 
LIT100: Guest Writers Home
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This course gives students the opportunity to get to know the work of the authors who are visiting
campus as part of the Poetry and Fiction series in a given semester. Course work includes attending
the authors' four public readings, as well as the afternoon master classes offered by each writer,
and one preparatory session on each writer, for which students read and prepare a presentation on
one of the writer's works. Students write responses to each of these sessions and complete a final
project, which might be a review for the newspaper, an analytical paper, or a story, personal essay,
or poem in imitation of one of the writers. No prerequisites.
 
LIT151: Modes of Making Home
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This is a creative writing workshop that uses some of the techniques and strategies of translation
to provide students with a unique means of generating material for their writing. While students
with at least a year of foreign language study will be encouraged to work directly from the
original, no prior knowledge of a foreign language is required. Exercises will include the
adaptation of a classical poem to a more contemporary idiom, work on new versions of previously
translated poems or stories, the alteration of a text's voice and imagery to affect its dramatic
context, and the creation of original works through imitation. Specific emphasis will be given to
stylistic and tonal choices made in the translation process. Completion of the course serves as a
prerequisite for advanced writing workshops. No prerequisites.
 
LIT203: Art of Fiction: The Novel Home
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According to one contemporary author, all novelists share a single goal, "to create worlds as real
as but other than the world that is." Free to tell us what might happen, what might have happened,
or even what couldn't happen "once upon a time," novelists help us understand the social, political,
intellectual, and emotional frameworks shaping what did happen. This course examines the worlds of
novelists from the 17th to the 20th centuries whose works both embody their individual visions of
what the novel can be and do and offer examples of a range of novelistic forms, such as the romance
and anti-romance, the Gothic, science fiction, realism, naturalism, impressionism, surrealism, and
 
stream of consciousness. Most recently, students read novels and novellas by Cervantes, Fielding, Austen, Mary Shelley, Balzac, Zola, Dostoevsky, Mann, Kafka, Ford Madox Ford, Joyce, and Woolf. No prerequisites.
 
LIT206: Art of Film Home
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This course examines a broad variety of films spanning more than 100 years, including acknowledged
masterpieces such as Citizen Kane and Rashomon, and newer works like The Celebration. Through close
analysis of film sequences, as well as through discussion and reading of film theory and criticism,
the class will seek to develop critical viewing skills and an understanding of cinematic structure.
To develop a vocabulary for discussing film and an appreciation of the variety of approaches to
film, students read a textbook on film analysis, essays on film theory, and reviews by professional
film critics. Each week the class sees a film and meets as a group to discuss it.
 
LIT222: Shakespeare Home
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A study of eight to ten of the major plays that illustrate the variety of Shakespeare's achievement
in different dramatic modes - history, comedy, tragedy, and romance - and his imaginative
development as a poet and playwright in the context of the Elizabethan age.
 
LIT231: American Drama: Moderns and Contemporaries Home
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This course offers a survey of the work of some of the most important American dramatists of the
20th century. The focus will be on reading several plays by each of these writers and examining
them as individual works, as part of the playwright oeuvre, and as representative of broader trends
in modern and contemporary drama and culture. This semester the writers will include Eugene
O'Neill, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, Lorraine Hansberry,
Edward Albee, LeRoi Jones (Amiri Baraka), Sam Shepard, David Mamet, Wendy Wasserstein, August Wilson
and Tony Kushner. Prerequisite: permission of the instructor.
 
LIT264: CP Nature & Literature Home
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This course examines various literary responses to the natural world, both as works of art and as
expressions of different cultural beliefs and values (e.g., Buddhist, Zen Buddhist, Laguna Pueblo,
Blackfeet, American Transcendentalist, Christian). Among the writers typically studied are Leslie
Marmon Silko, James Welch, Matsuo Basho, William Shakespeare, Ralph Waldo Emerson, Henry David
Thoreau, William Faulkner, Annie Dillard, Peter Matthiessen, Margaret Atwood, and Mary Oliver.
Students have the opportunity to do some of their own nature writing in addition to pursuing
critical explorations of writers and issues. No prerequisites.
 
LIT266: CP FRANCOPHONE AND ANGLOPHONE AFRICA : A Tale of Two Literatures Home
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Even though both modern African literatures in French and English started in the middle of the 20th
century, their beginnings could not have been more different. Francophone literature originated in
France from theoretical and philosophical debates led by students from Africa and the Caribbean
(Antilles), about colonialism and the place of the « Black man » in the world. Anglophone
literature, on the contrary, started in Africa, « from the ground up » so to speak, with no
preconceived ideology and with novels instead of poetry. In this course, we will look in detail at
the history of these two literatures. We will discuss the notion of « négritude » and the
controversies surrounding it. We will also discuss the impact of the Harlem Renaissance and the
sometimes heated debates between Francophone and Anglophone writers about what « African »
literature should be. No prerequisites.
 
LIT287: The Personal Essay Home
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This course offers students the opportunity to write in an informal style and personal voice about a
wide range of topics. The personal essay typically combines elements of storytelling and description
with reflective exploration. By locating the writer's personal experience within a larger context of
ideas, the personal essay draws the reader into situations and settings that address questions of
more universal relevance. Over the course of the term, students experiment with different ways of
achieving the essay's mixture of rendering and reflection. Students produce some new writing every
two weeks, both on assigned topics as well as ones of their own choosing, and must write and revise
two extended essays during the course of the term. Class time is spent discussing students' writing
and the work of published essayists, as well as occasionally engaging in informal writing
activities. Prerequisite: Literature 150 or permission of the instructor.
 
LIT296: Creative Writing Drama Home
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This course will focus on the art of playwriting with emphasis on dramatic structure, creating
characters, developing conflict and advancing the action of a scene through dialogue. There will be
assigned readings from highly regarded produced playwrights, exhibiting the dramatic elements that
go into making an effective scene or one act play. The goal of the course is for students to become
conversant enough in the various aspects of dramatic writing to progress toward the completion of a
one act play. Prerequisites: completion of Sophomore Seminar.
 
LIT321: Literary Theory Home
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This course considers some of the major arguments in modern literary theory. It begins by discussing
the advent of English as an academic discipline. Next, students consider some of the major schools
of modern literary theory, beginning with Structuralism and concluding with Postmodernism. Texts
include works by Saussure, Jakobson, Foucault, Kristeva, and Derrida. Each student's research
project involves a presentation to the class and a term paper. Prerequisite: One 200-level
literature course or permission of the instructor.
 
LIT363: CP 20th-Century Latin American Novel in Translation Home
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This course will analyze why and how certain novels by twentieth-century Latin American writers
catapulted to success and an international readership in the 1960s and later. This phenomenon,
known as the Latin American Boom, continues to affect publishing, writing, and reading past the turn
of the century. Topics include the Cuban Revolution, Magical Realism, the New Narrative, and the
growth of the media. We will read the best-selling One Hundred Years of Solitude by Gabriel García
Máquez as well as works by Cortázar, Fuentes, Peri Rossi, Puig, Poniatowska, Rulfo and Vargas Llosa.
NOTE: In Fall 2010 this course will be taught in English. Students registering for SPAN 313 will
do the course reading and written work in Spanish.
 
LIT387: The Personal Essay Home
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This course offers students the opportunity to write in an informal style and personal voice about a
wide range of topics. The personal essay typically combines elements of storytelling and description
with reflective exploration. By locating the writer's personal experience within a larger context of
ideas, the personal essay draws the reader into situations and settings that address questions of
more universal relevance. Over the course of the term, students experiment with different ways of
achieving the essay's mixture of rendering and reflection. Students produce some new writing every
two weeks, both on assigned topics as well as ones of their own choosing, and must write and revise
two extended essays during the course of the term. Class time is spent discussing students' writing
and the work of published essayists, as well as occasionally engaging in informal writing
activities. Prerequisite: Literature 150 or permission of the instructor.
 
LIT487: The Personal Essay Home
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This course offers students the opportunity to write in an informal style and personal voice about a
wide range of topics. The personal essay typically combines elements of storytelling and description
with reflective exploration. By locating the writer's personal experience within a larger context of
ideas, the personal essay draws the reader into situations and settings that address questions of
more universal relevance. Over the course of the term, students experiment with different ways of
achieving the essay's mixture of rendering and reflection. Students produce some new writing every
two weeks, both on assigned topics as well as ones of their own choosing, and must write and revise
two extended essays during the course of the term. Class time is spent discussing students' writing
and the work of published essayists, as well as occasionally engaging in informal writing
activities. Prerequisite: Literature 150 or permission of the instructor.
 
LR101: English Articulation&Analysis Home
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This course is designed for students who are non-native speakers of English enrolled in the first
semester of FYS. The tutorial will meet twice a week for one hour. Using student writing and
in-class exercises, students will practice all aspects of language usage, as well as explore the
issues of cultural adaptation to the Simon's Rock community. All FYS instructors will be invited to
attend at least one session for the purpose of increasing faculty awareness as well as providing
students a variety of perspectives and the opportunity to practice "discussion."
 
LR201: The Art of Tutoring Writing Home
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This course prepares students to be writing tutors. It familiarizes students with theories and
techniques of writing, making them aware of their own process and of alternative writing processes.
Students will learn by reading required texts and by practicing tutoring procedures and reviewing
sample papers. Students wishing to become writing tutors need to be recommended by two faculty
members. The procedures for obtaining recommendations will be explained and facilitated by the
Tutoring and Writing Center staff. Prerequisites: Sophomore or advanced standing and permission of
the instructor.
 
MATH101: Math & Its Applications Home
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This course develops the mathematical and quantitative skills required of an effective citizen in
our complex society. The emphasis is on the interpretation of material utilizing mathematics, as
opposed to the development of simple numerical skills. Possible topics include the application of
elementary algebra to common practical problems; exponential growth, with applications to financial
and social issues; an introduction to probability and statistics; and the presentation and
interpretation of graphically presented information. Instruction in the uses of a scientific
calculator and of a computer to facilitate calculations is an integral part of the course.
Prerequisites: Adequate performance on the mathematics placement exam or completion of Math 099.
 
MATH101L: Mathematics and Its Applications Lab Home
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Students enrolled in MATH101 must also register for a lab section.
 
MATH109: Elementary Functions Home
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A transition from secondary school to college-level mathematics in both style and content, this
course explores the elementary functions. Topics include polynomial, exponential, logarithmic, and
trigonometric functions; graphing; inequalities; data analysis; and the use of a graphing calculator
and/or computer. The course meets the College's mathematics requirement and also prepares students
for calculus. Prerequisite: Mathematics 101, or at least two years of high school mathematics and
adequate performance on the mathematics placement exam.
 
MATH110: Introduction to Statistics Home
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This course offers an introduction to statistical methods for the collection, organization,
analysis, and interpretation of numerical data. Topics include probability, binomial and normal
distributions, sampling, hypothesis testing, confidence limits, regression and correlation, and
introductory analysis of variance. The course is oriented toward the increasingly important
applications of statistics in the social sciences. Prerequisite: Adequate performance on the
mathematics placement exam.
 
MATH110L: Introduction to Statistics Lab Home
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Students enrolled in MATH110 must also register for a lab section.
 
MATH210: Calculus I Home
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A course in differential and integral calculus in one variable. Topics include an introduction to
limits and continuity, the derivative and its applications to max-min and related rate problems, the
mean value theorem, the definite integral, and the Fundamental Theorem of Calculus. Prerequisite:
Mathematics 109 or adequate performance on the mathematics placement exam.
 
MATH211: Calculus II Home
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This course is a continuation of Calculus I. Topics include techniques of integration, numerical
integration, applications of the definite integral, Taylor approximations, infinite series, and an
introduction to differential equations. Prerequisite: Math 210.
 
MATH220: Linear Algebra Home
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This course deals with linear mathematics, including the geometry and algebra of linear equations,
the mathematics of matrices, and vector spaces. The course provides an important foundation for the
mathematical representation of phenomena in the social sciences and physical sciences, as well as
for more advanced analysis and algebra courses. Prerequisite: Mathematics 211 or permission of the
instructor.
 
MATH320: Modern Algebra I Home
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The fundamental structures of algebra play a unifying role in much of modern mathematics and its
applications. This course is an introduction to some of the fundamental structures. Topics depend on
the interests of students and may include groups, rings, fields, vector spaces, and Boolean
algebras. Prerequisite: Mathematics 220.
 
MUS117: Chorus Home
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The rehearsal and reading of works from part-song and choral literature from the Middle Ages to
present. Chorus is open to all students and community members by audition. Previous singing
experience and some music reading ability are desirable preparation.
 
MUS180: Applied Music: Trombone Home
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Private music lessons.
 
MUS181: Applied Music: Bassoon Home
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Private music lessons.
 
MUS183: Applied Music: Harp Home
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Private music lessons.
 
MUS184: Applied Music: Gamba Home
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Private music lessons.
 
MUS185: Applied Music: Saxophone Home
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Private music lessons.
 
MUS187: Applied Music: Clarinet Home
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Private music lessons.
 
MUS188: Applied Music:Trumpet Home
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Private music lessons.
 
MUS190: Applied Music: Piano Home
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Private music lessons.
 
MUS191: Applied Music: Voice Home
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Private music lessons.
 
MUS192: Applied Music: Flute Home
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Private music lessons.
 
MUS193: Applied Music: Guitar Home
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Private music lessons.
 
MUS195: Applied Music: Cello Home
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Private music lessons.
 
MUS196: Applied Music: Percussion Home
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Private music lessons.
 
MUS198: Applied Music: Bass Home
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Private music lessons.
 
MUS199: Applied Music: Violin/Viola Home
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Private music lessons.
 
MUS206: Theory I: Introduction to Tonal Harmony Home
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Theory I introduces the tonal system through the composition and analysis of simple melodies. The
course gradually builds the picture of harmonized melody by developing bass-lines and inner voices
 
utilizing triads in all inversions. It also builds basic musical skills, emphasizing interval identification and minimal keyboard familiarity.
 
MUS211: Introduction to Electronic Music Home
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An introduction to the processes of sound synthesis and sound assembly through the structure of a
computer-controlled MIDI studio with backup sequencing and notational software. The course covers
digital and sampling synthesis, compositional structures that can be programmatically manipulated
through editing and real-time intervention, and many other facets of creating music with the
studio-as-instrument. Prerequisites: musical background comparable to one semester of theory and
permission of the instructor. Enrollment is limited due to constraints on studio access.
 
MUS213: CP Music of India Home
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This course focuses on contemporary performance practice of Hindustani (North Indian) classical
music and on the theoretical, historical, and philosophical background of this vital tradition. The
class learns several ragas through representative compositions and develops improvisation techniques
in alap and tan. Although each class member is required to develop a strong comprehension of musical
material, semester projects may center on other aspects of the culture and history of the Indian
subcontinent (including Pakistan and Bangladesh). By the end of the semester, musically advanced
students do extensive systematic improvisation in at least one raga. Prerequisite: No previous
musical experience is required for Music 213 CP. Music 313, which requires a previous CP Seminar in
music or permission of the instructor, meets concurrently, and includes a substantial written,
semester-long research project, and class presentation.
 
MUS216: Music of the Romantic Era Home
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Music developing in post-revolutionary Europe was influenced by both Napoleonic artistic politics
and the rising middle class; it reflected a new flexibility of social class and social roles. It
courted and sometimes won the mass public with a style that alternated erratically between the
intimate, privileged space of the visionary and the inflated rhetoric of the virtuoso. Good taste
and good marketing jockeyed for position; the outcome can be seen in the overwhelming influence of
Wagner, affecting those who reacted against him even more than those who set out to follow him. All
students are encouraged to love or hate any of the music we study as long as they have fun doing so
and saying so. Prerequisite: Some music reading ability.
 
MUS219: Jazz Improvization Workshop I Home
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This course develops essential skills in jazz, with particular focus on improvisation. Activities
include application of melodic and harmonic concepts to a broad range of standard professional
repertoire, harmonic analysis, and possible public performances. Prerequisite: Performing
experience, music theory at the level of Musicianship (Music 103) or higher, or permission of the
instructor.
 
MUS222: Jazz Ensemble Home
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The rehearsal and reading of jazz literature from a wide range of styles. Open to all students and
community members by audition. Some ability to read music is required.
 
MUS278: Collegium Home
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The Collegium (early music ensemble) will explore early music through playing period instruments
such as recorders and viols, and singing. Guitarists, violinists, and cellists may also be accepted.
Each semester will focus on music of a particular country or genre. Simon's Rock owns a tenor and
 
bass recorder as well as treble, tenor, and bass viols, which are free to the users. Students wishing to play recorder should expect to bring their own soprano and/or alto recorders. Plastic recorders, which work very well, can be purchased very inexpensively. Rental instruments may be available for a modest fee. Music will usually be provided, with the caveat that during some semesters students may be required to buy a particular collection of music as part of specific studies. Participation in a final concert as well as regular class attendance is required for receiving credit and a Pass/Fail grade. Students will be expected to practice outside of classes. There is a $100 class fee.
 
MUS280: Madrigal Group Home
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This chamber choir of six to 10 voices rehearses and performs a cappella vocal music concentrating
on the vast repertoire of Renaissance madrigals and motets. It may also perform vocal music from the
Middle Ages and contemporary a cappella madrigals. It is open to all students by audition. Previous
choral experience and basic music reading skills are required.
 
MUS289: Chamber Orchestra Home
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The chamber ensemble is engaged in the reading, rehearsal, and performance of classical and modern
literature for larger chamber and smaller orchestral ensembles. It is open to students of
intermediate to advanced skill on orchestral instruments (strings, woodwind, brass). Individual
students may be selected to perform solo concertos with the ensemble.
 
MUS308: Theory III: Modal and Tonal Counterpoint (16th and 17th Centuries) Home
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This course offers an accelerated survey of species counterpoint, up to three parts in fifth
species. The tonal segment of this course includes analysis based on Schenker's concepts of tonal
layers, as studied in Theory II, integrated with the more rigorous description of dissonance
treatment that emerges from the contrapuntal approach. The work of the second half of the semester
culminates in the composition of an extended polyphonic work utilizing contrapuntal techniques.
Prerequisites: Music 207 or equivalent.
 
MUS313: CP Music of India Home
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This course focuses on contemporary performance practice of Hindustani (North Indian) classical
music and on the theoretical, historical, and philosophical background of this vital tradition. The
class learns several ragas through representative compositions and develops improvisation techniques
in alap and tan. Although each class member is required to develop a strong comprehension of musical
material, semester projects may center on other aspects of the culture and history of the Indian
subcontinent (including Pakistan and Bangladesh). By the end of the semester, musically advanced
students do extensive systematic improvisation in at least one raga. Prerequisite: No previous
musical experience is required for Music 213 CP. Music 313, which requires a previous CP Seminar in
music or permission of the instructor, meets concurrently, and includes a substantial written,
semester-long research project, and class presentation.
 
MUS319: Jazz Improvisation Workshop II Home
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This course develops essential skills in jazz, with particular focus on improvisation. Activities
include application of melodic and harmonic concepts to a broad range of standard professional
repertoire, harmonic analysis, and possible public performances. Prerequisite: Performing
experience, music theory at the level of Musicianship (Music 103) or higher, or permission of the
instructor.
 
PHIL225: Phenomenology & Existentialism Home
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This course will explore the main principles of Existentialism. The social and intellectual context
of Existentialism will be discussed, as will the impact of Existentialism on subsequent movements.
Fundamental philosophical concepts to be discussed in the course include human existence, human
nature, the meaning and ethics of human action, and the necessity and the limits of knowledge and of
faith. Readings will be drawn from the works of Camus, De Beauvoir, Heidegger, Jaspers, Kafka,
Kierkegaard, Nietzsche, and Sartre. Prerequisites: Sophomore standing or above.
 
PHYS100: Physics I Home
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An introductory course, employing calculus, which presents the unifying principles of physics, a
historical perspective on the development of physical sciences, and practice in analysis of physical
phenomena. Topics include linear and rotational motion, Newton's laws, work, energy, momentum,
gravitation, and waves. Students enrolled in this course participate in the laboratory, for which
there is a laboratory fee. Corequisite: Mathematics 210.
 
PHYS100L: Physics I Lab Home
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Physics laboratory courses coordinated with the Physics 100/101 sequence. Experiments in each of
the important areas covered in the lecture courses demonstrate the principles studied and give
students hands-on experience with instrumentation and data-taking. Physics 100L is a prerequisite
for 101L.
 
PHYS220: Introduction to Quantum Physics Home
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This course examines the observations that led to the quantum theory, in particular, the wave nature
of matter and the particle nature of light. Topics include the Bohr semiclassical model of the atom,
the deBroglie wave-particle duality, Fourier analysis, the Heisenberg uncertainty principle, the
Schrodinger equation and the probabilistic interpretation of quantum mechanics, orbital and spin
angular momentum, the hydrogen atom, the Pauli exclusion principle, and multi-electron atoms. The
course provides an introduction to physics at the small scale that is necessary for those intending
further study in physics and chemistry. Philosophical issues raised by the quantum theory as
discussed. Prerequisite: Physics 101. Suggested corequisites: Mathematics 220 and Physics 230.
 
PHYS230: Modern Physics Laboratory Home
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Experiments may include e/m of the electron, the photoelectric effect, the hydrogen and deuterium
spectra, the Zeeman effect, electron spin resonance, X-ray diffraction, holography, and astronomical
observations. Extended laboratory experiments and written reports. Prerequisite: Physics 220 (may be
taken concurrently).
 
PHYS304: Electricity & Magnetism Home
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Electromagnetic forces pervade nature, responsible for such diverse phenomena as chemical bonding
and friction. Maxwell's formulation of electromagnetic theory remains the most complete and elegant
description of any of the fundamental forces of nature. Topics include vector calculus,
electrostatics, electric fields in matter, magnetostatics, magnetic fields in matter,
electrodynamics, and Maxwell's equations. Prerequisite: Physics 101.
 
PSYC100: Introduction to Psychology Home
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A survey of the rich and varied determinants of human behavior, this course examines the biological
bases of behavior; the origins of perception, thought, emotion, and language; the components of
learning and how people develop over the life span; and the formation of personality, psychological
disorders, and forms of psychotherapy. It examines human beings as individuals and within the
 
context of society. No prerequisites.
 
PSYC202: Child Development Home
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This course covers the major issues in human development from the prenatal stage to adolescence,
introducing the concepts of behavioral, psychoanalytic, and Piagetian developmental theory. Topics
include genetic and prenatal influences, early parent/child interaction, cultural differences in
child-rearing, the acquisition of language, cognitive and moral development, sex-role development,
and social/cultural conditions affecting development. A volunteer experience at a local day-care
center may be substituted for a term paper. Prerequisite: Psychology 100.
 
PSYC203: Social Psychology Home
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Each individual is embedded in a variety of social contexts. This course focuses on the ways in
which interactions between people in groups produce change and on how these interchanges affect the
individuals involved. Topics include conformity to authority, social influence and persuasion,
interpersonal attraction, attitude formation and change, and cooperation and competition. Major
research strategies in social psychology will also be introduced. Prerequisite: Psychology 100 or
permission of the instructor.
 
PSYC221: Stereotyping and Prejudice Home
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Is stereotyping inevitable? Does prejudice always lead to discrimination? What is dehumanization?
This course will highlight the distinct differences yet interrelationship among stereotyping,
prejudice, and discrimination. Topics to be addressed include the functions/goals served by
stereotypes and prejudice (i.e., to make yourself feel better). Also discussed will be stigma, the
various types of --isms (i.e., modern racism), and individual differences (i.e., personality
influences). Cross-cultural perspectives will be explored. Popular culture, current events, and
scholarly articles will be used to highlight the numerous concepts we will cover. Prerequisite:
PSYC100.
 
PSYC321: Stereotyping and Prejudice Home
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Is stereotyping inevitable? Does prejudice always lead to discrimination? What is dehumanization?
This course will highlight the distinct differences yet interrelationship among stereotyping,
prejudice, and discrimination. Topics to be addressed include the functions/goals served by
stereotypes and prejudice (i.e., to make yourself feel better). Also discussed will be stigma, the
various types of --isms (i.e., modern racism), and individual differences (i.e., personality
influences). Cross-cultural perspectives will be explored. Popular culture, current events, and
scholarly articles will be used to highlight the numerous concepts we will cover. Prerequisite:
PSYC100 and at least one 200-level course in psychology.
 
SART102: Photography Home
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Basic photographic equipment, darkroom techniques, and image making are introduced. Independent work
in the darkroom is conducted and evaluated through lectures, demonstrations, discussions, and
critiques. The visual history of photography is studied through a series of media presentations.
Students experiment with a variety of images and ideas before pursuing a specific direction. Each
student presents a portfolio of selected prints at the conclusion of the semester. Studio fee.
Students supply their own cameras, film, printing paper, and related supplies. No prerequisites.
 
SART106: Introduction to Ceramics Home
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Students in this course will learn the fundamentals of clay forming techniques as they produce
 
bowls, mugs, vases, and lidded jars among other forms. The class will learn both hand building and wheel throwing skills. A variety of glazing methods will be introduced. Structural integrity, function, and aesthetic issues will be considered equally. The class will be introduced to historical and contemporary trends and innovations in ceramics. Students will keep a sketchbook and participate in a field trip. No prerequisites.
 
SART108: The Art of Assemblage Home
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This module surveys 20th-century assemblage art and includes a series of studio sessions designed to
extend this history and provide a range of firsthand creative experiences. Each student writes a
research paper on an assemblage artist and presents at least one research report on a specific
approach or technique. A series of 2-D and 3-D studio exercises prepares students to complete three
projects. Prerequisites: Permission of the instructor.
 
SART124: Graphic Design Home
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This introductory studio course explores the relationship of words and images as the foundation of
applied visual communication and design. Students may work with traditional two-dimensional studio
media, but many of the assignments will also involve the use of the computer to produce visual
statements. Digital programs, such as Adobe Photoshop, will be introduced as studio tools. Projects
may include the design of letterform compositions, text pages, logos, broadsides, posters and small
books. The history of graphic design will be studied through a series of visual presentations.
Studio fee. No prerequisites.
 
SART136: Introduction to Sculpture Studio Home
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This course offers both a survey of traditional and contemporary sculpture concepts and techniques,
as well as hands-on studio experience. Each student will write three short research papers (3-4
pages) on the work of one 3-D artist and/or on the evolution of a sculpture/3-D technique or
process. This course will stress safe practices in the use tools and equipment, prior to the
development and completion of three small projects exploring primary materials (clay/plaster, wood,
and metal). No prerequisites.
 
SART202: Drawing from Direct Observation Home
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This course provides a broad spectrum of drawing experiences, all of which require direct
observation and recording using dry and/or wet media. The core elements of graphic documentation and
expression are stressed. These include accurate rendering of proportion, scale, light and shade,
texture, luster/lumen, and color. For each project, class members will produce a series of studies
and a finished image meeting the criteria for the assignment. Prerequisites: A drawing course or
permission of the instructor.
 
SART207: Intermediate Wheel Throwing Home
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This course will focus on advanced wheel throwing techniques and build upon the skills learned in
Introduction to Ceramics. Emphasis will be on utility and aesthetics, while working in a series that
encourages intense investigation into what makes for a visually interesting and well crafted
functional pot. Students will learn to make their own clays and glazes, as well as learn to fire
their own work in electric, gas, wood kilns. Drinking vessels, bowls, plates, vases, pitchers, jars,
teapots, and serving pieces will be explored. Through slides, lectures and films, students will be
exposed to a broader range of contemporary and historical ceramic art. The class will maintain a
blog and students will learn to photograph their work, write about it, and post blog entries.
 
SART222: Graphic Design Home
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This introductory studio course explores the relationship of words and images as the foundation of
applied visual communication and design. Students may work with traditional two-dimensional studio
media, but many of the assignments will also involve the use of the computer to produce visual
statements. Digital programs, such as Adobe Photoshop, will be introduced as studio tools. Projects
may include the design of letterform compositions, text pages, logos, broadsides, posters and small
books. The history of graphic design will be studied through a series of visual presentations.
Studio fee. No prerequisites.
 
SART224: Experiments in Photography Home
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Experimental ideas and processes are introduced and explored. Projects are designed to expand
conceptions of the possibilities of the photographic medium by investigating alternative and
experimental processes and image making. We may work with multiple and sequential imagery, a range
of non-silver techniques, including cyanotypes and palladium printing, or darkroom techniques,
including photograms and layered negatives. The course also introduces the techniques and
possibilities inherent in computer-processed compositions, and digital photography is presented as a
means of creating unique images and prints. Presentations, technical demonstrations, and critiques
supplement independent studio work. Each student presents a portfolio of selected prints at the
conclusion of the course. Students supply their own camera, film, paper, and related supplies.
Prerequisite: Studio Art 102.
 
SART226: Electronic Arts Studio Video Production Home
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This course is designed for students interested in digital video production. The strong emphasis of
the course is on studio production, utilizing the camera, sound, and lighting resources of the
Electronic Arts Studio (EAS) in the Daniel Art Center. Students will be trained in the use of the
advanced technology that this space contains, as well as in the theory and methodology of television
production within a studio environment. Along with receiving solid grounding in uses of the studio
and control room, the students will analyze and discuss various examples of studio production,
ranging from types of broadcast journalism through purely fictional applications. Students will
participate in projects that deal with intricate lighting, 3-camera design, chroma-key effects, and
live-to-tape production. The assignments given in this course are designed to expose the students to
the range of possibilities of the Electronic Arts Studio at Simon's Rock, and of television studios
and sound stages in general. No prerequisites.
 
SART236: Introduction to Sculpture Studio Home
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This course offers both a survey of traditional and contemporary sculpture concepts and techniques,
as well as hands-on studio experience. Each student will write three short research papers (3-4
pages) on the work of one 3-D artist and/or on the evolution of a sculpture/3-D technique or
process. This course will stress safe practices in the use tools and equipment, prior to the
development and completion of three small projects exploring primary materials (clay/plaster, wood,
and metal). No prerequisites.
 
SART237: Illustration Studio Home
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At the 200-level, this course introduces a variety of illustration techniques and styles, determined
by each student, who carries out two or three major projects. Upper-level students develop more
advanced projects. The course stresses various approaches to selected problems. Students are
encouraged to carry out at least one project in a unified style. This might be the illustration of a
short novel, a series of short stories, a book of poems, a children's book, a scientific manual, or
a work of "how to" literature. Whatever the content, the task is to produce a series of images
suitable for publication. Studio fee. Prerequisite: Permission of the instructor.
 
SART312: Beyond 35mm Photography Home
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This course is intended as an introduction to medium and large format photography. The benefits of
a larger negative will be explored through demonstrations, slide lectures, discussions and
critiques. Early assignments will focus on the operation and technical abilities of Twin Lens
Reflex cameras and View Cameras, and later photographic work will make use of these techniques in a
longer term, self- determined project. Each student presents a portfolio of selected prints at the
conclusion of the semester. Cameras will be available for student use, but students must supply
their own film, printing paper and related supplies. A studio fee is also required. Photography
SART 102 is a prerequisite.
 
SART337: Illustration Studio Home
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At the 200-level, this course introduces a variety of illustration techniques and styles, determined
by each student, who carries out two or three major projects. Upper-level students develop more
advanced projects. The course stresses various approaches to selected problems. Students are
encouraged to carry out at least one project in a unified style. This might be the illustration of a
short novel, a series of short stories, a book of poems, a children's book, a scientific manual, or
a work of "how to" literature. Whatever the content, the task is to produce a series of images
suitable for publication. Studio fee. Prerequisite: Permission of the instructor.
 
SART368: Advanced Ceramic Studio Home
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Through self designed projects, serious students will have the opportunity to build upon the skills
and concepts learned in Intermediate Wheel Throwing and Intermediate Hand-building. Emphasis will be
on encouraging self expression by more in depth exploration of experimental ideas with form, concept
and firing. Focus will be on working towards developing a personal aesthetic and body of work.
Students will learn to develop and make their own clays and glazes and will focus more heavily on
firing principles and techniques. Through slides lectures and films, students will exposed to a
broader range of contemporary and historical ceramic art. The class will maintain a blog and
students will learn to photograph their work, write about it, and post blog entries.
 
SART372: Drawing from Direct Observation Home
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This course provides a broad spectrum of drawing experiences, all of which require direct
observation and recording using dry and/or wet media. The core elements of graphic documentation and
expression are stressed. These include accurate rendering of proportion, scale, light and shade,
texture, luster/lumen, and color. For each project, class members will produce a series of studies
and a finished image meeting the criteria for the assignment. Prerequisites: A drawing course or
permission of the instructor.
 
SART374: Experiments in Photography Home
Please note: Clicking the View Book Information button will open the bookstore website in a new window.
Experimental ideas and processes are introduced and explored. Projects are designed to expand
conceptions of the possibilities of the photographic medium by investigating alternative and
experimental processes and image making. We may work with multiple and sequential imagery, a range
of non-silver techniques, including cyanotypes and palladium printing, or darkroom techniques,
including photograms and layered negatives. The course also introduces the techniques and
possibilities inherent in computer-processed compositions, and digital photography is presented as a
means of creating unique images and prints. Presentations, technical demonstrations, and critiques
supplement independent studio work. Each student presents a portfolio of selected prints at the
conclusion of the course. Students supply their own camera, film, paper, and related supplies.
Prerequisite: Studio Art 102.
 
SART437: Illustration Studio Home
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At the 200-level, this course introduces a variety of illustration techniques and styles, determined
by each student, who carries out two or three major projects. Upper-level students develop more
advanced projects. The course stresses various approaches to selected problems. Students are
encouraged to carry out at least one project in a unified style. This might be the illustration of a
short novel, a series of short stories, a book of poems, a children's book, a scientific manual, or
a work of "how to" literature. Whatever the content, the task is to produce a series of images
suitable for publication. Studio fee. Prerequisite: Permission of the instructor.
 
SOC100: Introduction to Sociology Home
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This course is an introduction to sociology as a way of understanding the world. Sociology is a
field of study that explains social, political, and economic phenomena in terms of social
structures, social forces, and group relations. I will introduce you to the field by focusing on
several important sociological topics, including socialization, culture, the social construction of
knowledge, class and gender inequality, race and ethnic relations, poverty, and political sociology.
Students will leave this course with an understanding of the three main sociological perspectives
and several important sociological theories; the ability to apply these perspectives and theories to
contemporary social problems; insight into the critical link between social structures, social
forces and individual circumstances; and insight into how you shape society and how society shapes
you. Additional topics covered in the course include (but are not limited to) sociological research
methods, the mass media, deviance and social control, the family and intimate relationships,
religion, education, the economy and work, health and medicine, urbanization, the environment,
globalization, and social change. No prerequisites.
 
SOCS320: Junior Proseminar: Possession: Spatialities, Identities, Ownership Home
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To be human is to possess and to be possessed, or so we imagine. These twin conceits enchant and
animate us; the first by supposing the subject's control over itself, its surrounds, or both,
including the assumption that we have a certain agency over proximal things - our bodies,
ourselves, personal effects, private property, words, thoughts, and more. The second imagines the
subject's possession by forces or processes that are immanent within, or ambient to, our bodies, our
minds, or our worlds - powers granting life, informing identities, or both: myriad energies,
spirits, vitalities, chants, symbols, and songs emanating from places, spaces, sensoria, landscapes,
deities, people, animals, etc. While the subject in possession acquires powers of identity,
ownership, belonging, sustenance, well being, and selfhood, that which is possessed can also be
dispossessed, and that which possesses may not be benign. This course explores ontic foundations of
possession, ownership, belonging, and selfhood across the domains of social scientific inquiry by
focusing on mind, brain, and (self-)possession; shamanism, trance, hypnosis, and spirit possession;
property rights and possession; salvation and soteriologies of poverty and possession; sex, love,
and possession; possession, performance, and performativity; and possessions of, and by, nature,
resources, and nationhood. Prerequisites: Junior status, completion of a 200-level course in social
studies, and application to the Junior Fellows Program (permission of the instructors).
 
SPAN100: Accelerated Beginning Spanish I Home
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Spanish 100 and 101 form an intensive introduction to basic Spanish that incorporates a
task-oriented approach to language learning. The course has been designed to help students develop
fluency in understanding, speaking, reading, and writing Spanish. It also aims to prepare the
student to acquire a deeper understanding of the civilization of the Spanish-speaking world. The
class is conducted in Spanish and meets five hours per week. No prerequisites.
 
SPAN101: Accelerated Beginning Spanish II Home
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Spanish 100 and 101 form an intensive introduction to basic Spanish that incorporates a
 
task-oriented approach to language learning. The course has been designed to help students develop fluency in understanding, speaking, reading, and writing Spanish. It also aims to prepare the student to acquire a deeper understanding of the civilization of the Spanish-speaking world. The class is conducted in Spanish and meets five hours per week. No prerequisites.
 
SPAN204: Intermediate Spanish I Home
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This course, conducted in Spanish, highlights a particular aspect of Spanish-speaking culture (e.g.,
music, politics, literature, film). Topics vary by semester and instructor. Building on what
students have learned in Spanish 100-101 this course also enhances students' communication skills
through oral and written practice and grammatical refinement. This course fulfills the language
requirement in one year for students with sufficient background. Prerequisite: Spanish 101 or
appropriate score on the placement exam.
 
SPAN205: Intermediate Spanish II Home
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This course, conducted in Spanish, highlights a particular aspect of Spanish-speaking culture (e.g.,
music, politics, literature, film). Topics vary by semester and instructor. Building on what
students have learned in Spanish 100-101 this course also enhances students' communication skills
through oral and written practice and grammatical refinement. This course fulfills the language
requirement in one year for students with sufficient background. Prerequisite: Spanish 101 or
appropriate score on the placement exam.
 
SPAN214: CP Latin America Today (Span) Home
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This course considers a variety of contemporary issues central to the cultures, politics and
economies of Latin America. Topics include social conflict, cultural plurality, urbanization, drug
trafficking, and national identity. Course materials include theoretical and literary works.
Conducted in Spanish. Prereq: Span 205 or permission of instructor.
 
SPAN313: CP 20th-Century Latin American Novel (in Spanish) Home
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In recent years the novelists of Latin America have been widely known and acclaimed. The best known
is, doubtless, Nobel Laureate Gabriel García Márquez, but others, such as Mario Vargas Llosa, Carlos
Fuentes, Julio Cortázar, Juan Rulfo, Alejo Carpentier, and Ernesto Sábato, have established an
important tradition in contemporary Latin American fiction. In this course, novels by these authors
are read critically, with special attention given to the theme of cultural identity and the
historical and political realities of Latin America. (This course is also offered in English
translation as Literature 263.)
 
SS251: Sophomore Seminar: Voices Against the Chorus Home
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All first-semester sophomores are required to take Sophomore Seminar. This seminar explores the
development of some of the ideas central to our definition of the modern world. Its focus is on how
19th- and 20th-century thinkers confronted the accepted order of things, how they challenged
accepted ideas, and how they constructed the radically different conceptions of the world that we
have inherited. Texts include Darwin's The Descent of Man, Marx and Engels' The Communist
Manifesto, Nietzsche's The Genealogy of Morals, Freud's Civilization and Its Discontents, Tagore's
The Home and the World, DuBois' The Souls of Black Folk, Woolf's To the Lighthouse, and Kafka's The
Trial. Class sessions are supplemented by lectures that provide some context to the readings,
presented by faculty and by guests.
 
THEA100: Improvisation and Imagination Home
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The ability to play is the heart of all performance, yet most performers believe it to be the
frivolous activity of children. Because imagination can be perceived as the enemy of analysis,
improvisation often strikes terror in the hearts of even the most experienced performers. Through a
carefully crafted sequence of exercises, this course challenges these concepts and rekindles the
performer's ability to play, imagine, and improvise. These qualities are introduced and developed as
techniques for performance and analysis. Habitual responses, cultural influences, and status are
examined with exercises in self-awareness, observation, and personal reflection. An excellent
fundamental course for students from all backgrounds. No prerequisites. This course is a
prerequisite for most upper level theater courses.
 
THEA107: Studies in Production: Performance Home
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This module is concerned with the faculty-supervised, student-generated, dramatic endeavor. This
project is realized with limited technical support and is intended to be an intensive interface
between the student director, the student performers, and the faculty supervisor. The student actors
and stage managers involved are introduced to the principles and elements of performance without the
rigors of the faculty-directed, semester-long project. Generally, the content of the performance is
equivalent to a one-act play. This course includes some basic research and readings pertaining to
acting/directing theory and texts related to the performance material(s) themselves. A paper is due
at the end of the module and all students are expected to fulfill their assigned duties and adhere
to the rehearsal schedule. Almost all rehearsal occurs during class time, with the direct
supervision of the faculty instructor. This module is intended as an introductory course in the
theater program. It has no prerequisites for any participating student, except for the student
director. The student director must have the instructor's permission.
 
THEA108: Costume and Prop Design and Execution Home
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This is a hands on course where students will learn the process and general skills needed for
theatrical costume and prop execution from inception to finished product. They will learn to assess
a play for its needs; research time periods and places, and adapt them to a play. Strong emphasis
will be placed on planning effectively in order to produce real costumes and props for a given play,
as envisioned by a director, within a budget and a proscribed period of time. Some time will be
spent on getting input from a director, actors and other designers, using that information in a
design concept and getting final approval before starting. Along with methods of effective research
and planning, students will be exposed to the rudimentary skills needed to find, purchase, adapt
and/or construct costumes and props.
 
THEA115: Stagecraft Home
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This course presents the fundamentals of technical theater and culminates in practical work on
productions. The course supports individual interests and gives a basic working knowledge of the
art of creating an environment for performing. This course is the prerequisite for production.
 
THEA201: Listening, Analysis & Characterization Home
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Text is the medium of the actor's art and must be thorougly understood by the performer. A clear
understanding is the result of careful analysis of the play as a whole: finding clues to the
character (the point of view), realizing the state of the character before and after the scene, and
an understanding of how each character contributes to the overall meaning of the play. Such analysis
along with the examination of acting theory developed after the turn of the century are the focus of
this course. Prerequisite: Theater 100 or Theater 117, or permission of the instructor.
 
THEA206: Theater Production Home
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Students of different experience and abilities learn about all aspects of theater by participating
in the College's productions as actors, directors, technicians, carpenters, designers, costumers,
and stage managers, as well as doing publicity and front-of-house management. Prerequisite: Theater
115, a 200-level Theater course, and an audition.
 
THEA216: Theater Practicum Home
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An extension of the Stagecraft Module, the Practicum course will further the students theatrical
experience by providing an alternative method of teaching and development. The course will be based
on a seminar and/or laboratory environment to foster greater understanding and comprehension of the
theories of theatrical production that then culminate in the mounting of a fully staged production.
Not a lecture course by any means, students would gain valuable experience in problem solving,
initiation of ideas and concepts and the development of these ideas and concepts through "hands on"
experiences. Integrally involved in the construction of scenery, acquisition and building of
properties, hanging/focusing of lighting fixtures and costuming, the student will gain valuable
knowledge as to the actual implementation of these aspects of a production.
 
THEA303: Advanced Acting Studio Home
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This course allows intermediate and advanced students to benefit from each other's contributions in
improvisation and text work, and culminates with the in-depth exploration of a scene from
Shakespeare. The focus is on expanding the actor's range and building demonstrated proficiency in a
variety of styles. An audience is invited to view a performance prepared by course participants.
Students have opportunities to work on College productions if they choose to do so. Minimal fee
required for theater tickets. Prerequisite: Two 200-level theater courses or permission of the
instructor.
 
THEA306: Theater Production Home
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Students of different experience and abilities learn about all aspects of theater by participating
in the College's productions as actors, directors, technicians, carpenters, designers, costumers,
and stage managers, as well as doing publicity and front-of-house management. Prerequisite: Theater
115, a 200-level Theater course, and an audition.
 
THEA403: Advanced Acting Studio Home
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This course allows intermediate and advanced students to benefit from each other's contributions in
improvisation and text work, and culminates with the in-depth exploration of a scene from
Shakespeare. The focus is on expanding the actor's range and building demonstrated proficiency in a
variety of styles. An audience is invited to view a performance prepared by course participants.
Students have opportunities to work on College productions if they choose to do so. Minimal fee
required for theater tickets. Prerequisite: Two 200-level theater courses or permission of the
instructor.
 
THEA406: Theater Production Home
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Students of different experience and abilities learn about all aspects of theater by participating
in the College's productions as actors, directors, technicians, carpenters, designers, costumers,
and stage managers, as well as doing publicity and front-of-house management. Prerequisite: Theater
115, a 200-level Theater course, and an audition.
 
WS225: CP Women Writing Resistance: Africa Home
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This course will open a window onto the issues and concerns of contemporary African women writers.
 
The primary text will be the forthcoming anthology edited by J. Browdy de Hernandez, Pauline Dongala, Omotayo Jolaosho, and Anne Serafin, which brings together women's writing from all over the African continent in a variety of genres including personal essays, poetry, fiction, and scholarly articles, on topics including women's gender role constraints; sexuality and health issues; the effect of armed conflict and globalized resource extraction on women; and women as agents of positive social change. In addition to the anthology, we will read selections from the 2005 anthology African Gender Studies, edited by Oyeronke Oyewumi, and possibly one full novel, depending on time constraints. We will also see selections from several documentary films. No prerequisites.
 
WS226: CP Women Writing Resistance: Middle East Home
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This two-credit course will focus on the history and contemporary experiences of women in the Middle
Eastern countries through the lenses of various contemporary women writers. Topics to be discussed
include Sharia law and other religious-based gender role constraints; honor killings; the history of
feminism in the region; the effect on women of violence (domestic, civil, and international); and
women's strategies of resistance in various specific national contexts. Required readings may
include: Zainab Salbi, Between Two Worlds (Iraq); Nawal El Sadaawi, selected essays (Egypt); Saira
Shah, The Storyteller's Daughter (Afghanistan); Shirin Ebadi, Iran Awakening (Iran); and selected
essays from Israeli Women's Studies; A Reader, ed. Esther Fuchs. We will also see the films Enemies
of Happiness (Afghanistan) and Beyond Borders: Arab Feminists Talk about Their Lives. No
prerequisites.